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Hillview's Oliver JR March 28 3 PM
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HillviewTV Team
·
April 16, 2026
·
1:15:38
Join Hillview Drama in this production on Oliver Jr. March 28, 2026 3pm
Transcript
0:00
Wonderful.
0:02
Without further ado, ladies and gentlemen, Oliver Jr.
1:00
Thank you.
1:34
We'll be right back.
1:52
Thank you.
4:21
I don't know.
4:41
We'll be right back.
5:32
Thank you.
5:38
Make sure you get time for him, Mr. Bumble.
5:42
Good girl!
5:43
All of you!
6:23
¶¶
6:40
Thank you.
7:53
I'll see you next time.
7:57
I'm not going to stop, I want to be here for...
8:01
Good, they say, one tangent, three times three,
8:05
if you don't mind, pass a point like you Mr. Bumble,
8:10
pass a point like you.
8:13
Then say, say, say!
8:16
Well then if you want, what do you want Mr. Bumble?
8:20
My dad, I'll be here for Mr. Bumble,
8:22
then we, now!
8:23
I'm sorry, can you just help me?
8:25
Boy, plenty of shorts.
8:28
Give me.
8:29
She's not a stool.
8:30
Great, really, Robert Paul.
8:32
Don't go to the knowledge.
8:34
We don't know it.
8:35
Salveary, you're going.
8:36
I don't know if I'm going to the knowledge.
8:39
There are always a climbing workhouse, boys.
8:42
There are, of course, more people in our work.
8:46
What's your name, boy?
8:47
Oliver, Oliver Kirshner, and also Mr. Bundy.
8:51
Indeed, Mr. Salveary, it's all-
8:53
His mother came to us just to do, bring him to Calvary to the world, take one look at it, and hopefully
8:59
die of the descendants of the 48th Antioch.
9:02
Very well done here, quick and forward. Exeggit. Have you done?
9:06
You know what I'm done? You know what I'm done?
9:07
Stop it! Stop it! Stop it!
9:10
We need some of them told bitches to stop the door.
9:13
I've been in all day, so every year I found him.
9:15
I've decided to go in two days to eat them all the way.
9:19
Stop it, she's a little boy, she's a little boy.
9:21
That's it.
9:32
Then go ahead and have it next.
9:34
Now they know the truth.
9:35
We're back down to the town.
9:37
He doesn't mind sleeping among folks in the house, I suppose.
9:39
But he doesn't much matter what he's doing.
9:41
He can't sleep.
9:47
Ah!
10:02
Thank you.
11:50
Are you a new boy?
11:52
Yes, sir.
11:53
How old are you?
11:55
11, sir.
11:56
Did you want a coffee, sir?
11:58
No, but you'll be popping on before very long,
12:00
so I'll see what you're going to do.
12:02
You don't go with my arm, I suppose.
12:05
What can't?
12:06
No, sir.
12:07
I can't say anything.
12:09
I don't know.
12:10
Mr. Noah Crankle, and you're underneath, so open up the button, are you going
12:15
to stand up?
12:19
Noah, I think it's not a bit of bacon for you to not expect it.
12:24
All of us thought a chance that Mr. Noah let out.
12:27
He's a wanted man's short career.
12:30
Are you standing up, Red House?
12:32
Noah, let the boy lie.
12:34
Let him alone.
12:35
I'm going to be able to save you so again.
12:42
You're going to keep my mother out of it.
12:47
She's dead.
12:48
What if she died?
12:49
A story to death?
12:50
She's just dead.
12:51
She died from a break in the cross.
12:54
Well, told them all, all, all rightful, well,
12:56
they could be shy when she did it.
12:58
Oh, she would have been transported to Australia
13:00
that comes from the garden.
13:02
It's like it's not.
13:08
I'm sorry, I'm sorry.
13:34
Oh, of course, you must be mad, Mr. Bumble.
13:36
Oh, nothing?
13:38
It's me.
13:38
If you just kept the wrong rule, this would have never happened.
13:41
He comes up a bad family.
13:43
He calls my mother, Nanny.
13:45
He calls the young girl, you're a seven-year-old.
13:49
It's a lie.
13:55
Oh, yeah.
14:06
Thank you.
14:30
Tell me, Steve.
14:34
I was going to pass it up.
14:37
No, don't go, Sally.
14:39
No, no, no.
14:41
While...
14:43
from the moon...
14:47
called Sally...
14:48
to the clusters.
14:51
You're going to stay on us.
14:53
Have you ever seen us talk?
14:54
No, never.
14:57
That's alright.
14:58
Don't worry about it.
14:58
100? Starving.
15:00
Starved? Yes.
15:02
I've been working for seven days.
15:04
Seven? Guys?
15:06
Have you ever filmed that year old man?
15:08
No. I'm an orphan.
15:10
I've come to London to...
15:12
Eat my fortune.
15:13
Oh, you have. Have you? Yes.
15:16
Got me your hands? No.
15:18
No? Not a father.
15:19
Do you have a mortgage? Then I'm a phone.
15:22
I'll tell you once and later,
15:23
eat them up, don't you? Are you gone there?
15:26
No.
15:26
But don't you think so?
15:28
Then I apologize for you that I've been here one day.
15:31
There's a certain place that I know, a respectable old Japanese officer,
15:35
will give you lodgings for nothing.
15:37
Mr. Fletcher.
15:38
What is known?
15:39
Mr. Fletcher.
15:40
By the way, from introducing your family,
15:43
I'd better know who you are the only one to sign up.
15:45
My name's Alabaugh, of the press.
15:47
And my name's Jack Dutcher.
15:49
Getting on me from all of you all.
15:51
In the presence of your artful bedroom.
15:53
Please to meet you, Mr. Fletcher.
15:56
I ain't got no good, my friend.
15:58
Still, what's the difference?
16:00
Still coming with me.
16:01
Are you sure that the baby might mine?
16:31
We'll see you next time.
16:58
Thank you.
19:39
Follow me in the comments.
19:42
I'm going to make it dirty, you know?
19:44
All right, let's go!
19:47
I know you're going to make it dirty,
19:50
but you're not dirty, you're dirty.
19:52
I don't have to do this!
20:00
So, all, you're kind of lying to me.
20:03
You probably said,
20:04
I don't think you can't do it.
20:07
I'm gonna get you up to me.
20:09
Two orders.
20:11
Starbucket's life.
20:13
How'd you find me?
20:14
Eight months in the morning.
20:18
Ah, you look like I was supposed to write you.
20:20
That's what you and my dad,
20:22
you've got to go,
20:23
that's what you're doing.
20:24
You look, that's all I'm about.
20:26
That's all.
20:27
Eight months in the morning,
20:28
that's all.
20:32
No, no, no, no, no.
20:33
I'm glad you're not there.
20:35
is you know, don't know what you do, but all you want to do is play a little better.
20:41
Don't go in, call it out loud, you're doing that.
20:52
You know, what's this, fuck up, you know, baby, you are, you
20:57
are, you are.
20:58
You are, you are, you are, you are, you are, you are, you are, you are, you are, you are, you are, you are, you are.
21:00
You are.
21:11
We'll be right back.
22:29
Thank you.
23:03
I'm going to stay on the phone.
23:24
Look up, come here.
23:31
How are you?
23:37
Still revolving on the first line of all day.
23:40
How are you?
23:41
I'm not going to cry.
23:52
He didn't even talk to him anyway, though.
23:54
He didn't even start.
23:56
Oh, no, no, no, no, no, no.
23:57
Yeah, I don't know what he's right on.
23:59
You think quiet, Charlie.
24:01
And what do you think, my dear?
24:02
Yeah, he's right.
24:04
Well, as I'm doing, don't you?
24:07
But let us enjoy being with you for a little bit,
24:10
and I have to keep this back with the business.
24:13
That's another idea that you think, my dear.
24:16
I'm a boy.
24:20
I want to start the daughter of January.
24:22
You like that written thing?
24:23
Yes, Mr. Fabian.
24:25
If you're a key thing,
24:26
third of you, my boy,
24:27
no thing.
24:28
That's the reason you see the daughter of January.
24:30
Maybe you want to start the daughter,
24:32
and you can start the daughter.
24:34
He's going to do a right thing with your side.
24:36
You still have to start, Mr. Fabian.
24:39
On a good time, Mr. Fabian.
24:41
On a good time.
24:42
Come on, come on.
24:43
You still have to start the daughter of January.
24:47
Yes, sir.
24:48
Thank you.
25:44
How did you get stressed and I'm putting in that?
25:47
I didn't want to get a flywheel.
25:49
And who are you going to step you down?
25:52
Not up, planes are all over.
25:56
That's a drama.
25:58
I'm afraid, but I've got a call to get a need.
26:02
I'll go out to little, I'll get it.
26:06
Yeah, I'll be right there.
26:07
You don't want to join me with the question I've been told.
26:12
I'm going to talk to you about this, but I'm going to talk to you about
26:17
this.
26:46
Thank you.
27:08
I'm sorry.
27:09
I'm sorry, I'm sorry.
27:11
I'm sorry.
27:18
No.
27:20
What am I going to tell you?
27:22
Can I help it?
27:23
How would you like to look at it?
27:25
It is no wonder you can tell me.
27:27
You've got a coffee in good practice.
27:31
You should see it.
27:35
I'm sorry.
27:36
Oh my, please, you're very sexy crazy.
27:40
There's a lot of a sexy lady thing.
27:42
And it's true, you must be like
27:44
a sexy lady friend, yeah.
27:47
I mean, who's gonna stop the meeting all night?
27:51
So you, and you,
27:54
what, what do I do?
27:56
What do you mean?
27:57
Great, great, great, I wanna hear anything out of your book.
28:00
I'm sorry, sir, I'll take a minute
28:02
when you'll wait a quarter of the other day.
28:04
What's the name of the girl?
28:06
What's the name of the girl in the circle,
28:08
how did she all go down?
28:09
She walked in.
28:11
She was under the top.
28:13
She was under the ceiling of a house.
28:16
She helped her.
28:17
He was an old girl.
28:18
She was on the territory.
28:20
She was on the middle of the whole day.
28:22
We had a woman and a girl.
28:24
I was on the edge.
28:25
She did so you guys get up there, so.
28:27
I couldn't even go down here,
28:29
as a baby did or did you get up here?
28:31
I thought she was upset about it.
28:33
Don't look at it, don't look at it.
28:56
And you're fine.
28:57
Oh, my God, boys, and everything in the room.
29:00
That'll do it.
29:01
Oh, look at home, who has left about you in the morning,
29:05
but for you to be a darling, who's pretty good girl, your girl,
29:08
I'm going to talk to you later on, Mr. Pauli.
29:13
Oh, no, no, no, no, no, no, no.
29:17
I'm gonna get to you later, guys.
29:19
No, I'm gonna get to you later.
29:22
No, I'm gonna get to you later,
29:23
I'm gonna get to you later.
29:24
I'm going to get to you later.
29:25
I'm gonna get to you later.
29:31
Thank you.
31:49
And you know that, must have been the first time to cry.
31:53
Oh, thank you for that.
31:58
Don't you think you know that, Mr. Mondo?
32:00
Because you don't mind us in AA.
32:03
You are no quality to soil.
32:05
None of you.
32:07
I'm a single weapon.
32:09
One of these gentlemen.
32:09
I think they know you need to soil.
32:11
So, so much done.
32:13
Yes, and everything.
32:13
So, have you done that, don't you?
32:15
Don't you?
32:23
We'll be right back.
33:13
Thank you.
35:06
Keep you careful.
35:07
So sorry, y'all.
35:09
It's all I'm saying you're up to now.
35:14
So it's been fun, fun,
35:15
and we think we've been doing so.
35:17
Well, if we can go again,
35:19
I'll be waiting for you when you get back.
35:24
See you all tomorrow.
35:26
See you tomorrow.
35:34
We'll be right back.
36:02
Thank you.
37:26
Get that back. Come on.
37:29
Get it back.
37:32
Stop that now. My call is the case.
37:54
Thank you.
43:59
He told me I don't know why.
44:03
He told me he asked me,
44:05
and he told me that he was going to bring it back to the law,
44:08
who is looking at an animal store.
44:10
How are you?
44:12
Your boy,
44:13
and I'm so happy that I told you,
44:16
I thought he'd very say something that could
44:18
keep us into trouble.
44:20
Don't believe me, Miss Floyd,
44:22
I wish he'd done it for a second.
44:25
You ever do it yet,
44:26
you're serious, huh?
44:27
and we're getting back without a decision.
44:29
Well, we haven't been at any other company yet.
44:32
That's not a problem.
44:34
Not only six jobs.
44:36
And so, what's up?
44:36
You're saying, what's up, boy, guys?
44:38
Keep holding it up to him.
44:40
What's he getting quiet?
44:42
That's what he's talking about.
44:44
I'm assuming he's not too much, please.
44:46
He said, we should do it.
44:47
He's not going to try to hold me.
44:49
I thought, what's he doing to you all come up?
44:51
Well, I'm sitting there.
44:52
I'm not running.
44:54
I'm waiting to avoid that.
44:55
What do you do now, Mom?
44:57
I'm going to be right here.
44:59
So we're going to try to keep your eyes.
45:01
You're getting back with me, Mom.
45:04
Come on.
45:06
Stop me.
45:07
I'm going to be home.
45:08
People will go home.
45:10
I'm going to be home.
45:14
What did you do?
45:18
I'm going to be home.
45:25
Go home, Dad, go home.
45:28
There's a good ball.
45:36
As long as you can see
45:44
Oh, yes, God, you can see
45:49
It's like a world
45:55
Thank you.
50:19
I love you, Mrs. Lillian.
50:21
I think you're wearing a pretty good shirt in the world.
50:24
Not style, but the least style.
50:26
What do you feel, Sam?
50:28
I'm a hot dog.
50:30
Mary, I think you're always done.
50:32
See if you were a schoolboy, she was a girl who doesn't see you.
50:35
Well, she was staring at you as a doctor.
50:38
You don't say anything, are you?
50:39
If that's a little scary, you own my life.
50:42
Are you?
50:43
Yes, ma'am.
50:44
I am not as nasty, just as I expected.
50:47
It's not enough for you to do that.
50:49
You may get to look at me.
50:51
Both of you don't trust.
50:52
Do you think you want to get out there, ma'am?
50:54
I think you may.
50:56
And take a look for a fact.
50:58
You can't help those things that you will use better.
51:00
but you don't need to go away.
51:05
To a small boy, you're just in the room.
51:09
Oh, good boy, where'd you from?
51:11
I haven't stayed in the room.
51:13
You wouldn't have left to be here in my pocket,
51:15
I'm going to do that.
51:16
But when I thought you'd be closed,
51:18
it was very awkward,
51:19
and the boys who used to be at night's gate,
51:21
I brought you here to make my bed.
51:24
But I'm not confessing.
51:26
I must have stayed in the past in the past.
51:28
She continued, my dear friend, to sort of put me in cages.
51:32
Didn't he spend your role there?
51:34
What do you know?
51:36
Nothing.
51:37
Only, only, and often.
51:40
And yet, the truth.
51:42
There's something about politics.
51:44
You can't explain it.
51:46
It's one I've seen that human before.
51:48
Someone from a long time adult.
51:50
Some of them said, you're not an English person.
51:53
But there's someone who's here, sir.
51:56
Well, I'll see you already. I'm going to go for it.
51:59
I know. Thank you.
52:02
Now, I've got to give you some...
52:05
Katie, wait a moment. Katie, come back.
52:08
Oh, really, really, really.
52:09
I'm going to take you to read me some books to be prepared today.
52:12
Well, you'll see. Oh, no, no, no, no.
52:15
Katie, I've been talking for you.
52:17
Give me a shout.
52:19
And, and, oh, send me away, you're going to send me away.
52:23
She wants to be back.
52:25
Now, I'll tell you what you want to do. You'll give these books to Mr. Jack, to
52:30
set up the rope, and tell you what you've got to be a four -point convertible, which is five
52:35
times.
52:36
Now, do not need for us to care for expected back in ten minutes.
52:57
Thank you.
53:08
Dr. Greenwood, this is an extraordinary reason to see all of them, my Dr. Hartman.
53:13
Talks there, I do.
53:15
Oh, Dr. Greenwood, in two minutes, and I'm going to turn as if you were saying.
53:20
Yes, please.
53:20
for about 10 minutes.
53:49
Thank you.
55:45
What's the matter with you?
55:47
Oh, he went by two inches of his car, who are a lot of very respectful people.
55:52
And what do you expect?
55:53
Do you even find characters?
55:54
I'm the first one to talk.
55:59
Still in the wilderness?
56:01
Do you know the rest?
56:03
I don't!
56:04
I don't know if it's on the horizontal line!
56:06
I don't see it!
56:09
Jack, go and go!
56:11
See, he knows who's just that.
56:13
He can't hide, brother.
56:15
What kind of saddle is this?
56:17
Oh, he can't really carry out.
56:19
A rubber?
56:21
Come on, you poor mother, you young dog.
56:24
Come on, I'll help you.
56:26
What?
56:27
You both do?
56:29
You've been stealing the hand of you.
56:32
Maybe something like this.
56:34
And the track.
56:35
What's that?
56:37
Get along them!
57:05
Ah, so you can only get my new one right there.
57:09
It's a pretty child, baby.
57:11
And you've got those kids trying to go down, baby.
57:15
Why didn't you know someone right there?
57:17
You're up to a barter, baby, and you know it.
57:19
You've got to go down, baby.
57:21
Why don't you go down, baby?
57:23
You're going to go down, baby.
57:27
Cool.
57:27
So please, I'll go down there.
57:31
That's my baby.
57:33
No, no, no, no.
57:37
But I know it's all right.
57:39
I'll take the boy back again.
57:41
Come on.
57:42
I know it.
57:44
It's what you said, girl.
57:47
Give me a hug.
57:48
I can't watch that.
57:52
Give me a hug, girl.
57:54
Say hello.
57:56
You don't have to go all the money.
57:59
Thank you, baby, you can try it.
58:01
If you find out here, you can come and scare me out of here after you.
58:13
So will you get out of here?
58:16
Bring them along, girl.
58:18
Because you can't remember that.
58:20
No, it ain't.
58:21
After many cities, please.
58:23
But you will find everything.
58:25
Everything will happen.
58:26
So now I'm with you, and we'll start everything.
58:31
Hey! What?! Why?! Hey! Oh, my god!
58:35
chances are you going off to these сор де.
58:37
But you're not getting near the scale of a year.
58:40
to be wore that Longhue
58:41
I've had to put down scary more and I haven't been back for it.
58:45
I'm not even gone and seen all my fuzz.
58:49
I definitely love me read it!
58:50
It's only scary some sort of you don't see my tesi
58:54
human being do it in my body!
58:54
Watch distrib tud Ship is going on in my hand!
58:57
Oh, three-year-old, all the time tonight.
59:00
Come on, let me see what's next.
59:32
Thank you.
1:00:22
How do you feel?
1:00:25
I don't know.
1:00:31
I don't know what you here's dopamine.
1:00:40
I'm coming here.
1:00:45
It oh.
1:00:47
I don't know what the laugh is.
1:00:48
We'll be right back.
1:00:50
Thank you.
1:03:10
Well, you didn't sit there and sit there and sit there and sit there and sit there and sit there and sit there and sit there and sit there
1:03:15
and talk about it, Adam.
1:03:16
How do you feel for the bundle, widow Tony?
1:03:19
What's the matter?
1:03:20
It's all stunning. She says he's got only to do that once he would.
1:03:25
He's not thought I'm not gonna feel about it right through his minutes.
1:03:28
Well, what is it?
1:03:35
Thank you.
1:03:38
On foot, on foot, down the 바로 trois, left.
1:03:43
The cave is on foot, also at the back of long during the miracle hour.
1:03:48
Dr.
1:04:06
We'll be right back.
1:04:36
You must give him, he did, and I will
1:04:43
do it.
1:04:57
I will do it.
1:05:00
Sweet point cut video!
1:05:02
Without your choice, isn't it?
1:05:04
Both of my nature, you know, the workhouse of the boy is powerful.
1:05:07
Can I give a protection to an undertaker?
1:05:09
Where are you going away from doing this?
1:05:11
It's a very good reason to go.
1:05:12
You know, well, then you've got to call me.
1:05:15
She's not going to do anything about the lads
1:05:17
balling in my step before she passed away.
1:05:20
You say, when the boy left the workhouse,
1:05:22
you know, an undertaker?
1:05:24
Yes, this is that way, the undertaker,
1:05:26
took all of your friends for three times.
1:05:28
You mean you're saying you saw all of your biking animals?
1:05:30
Oh, that's not even a great accordion, I can be authorized, sad.
1:05:36
Then I see that the night of you is a place where you keep my trust again.
1:05:40
Leave my house.
1:05:43
Forgetting these those who are sad.
1:05:47
Can't even help you?
1:05:49
You gave me a service to trust in your grief and dishonesty.
1:05:53
So, if you didn't get into the treatment that I told you, but only to not.
1:05:56
Here's 10 times.
1:05:58
so fortunate that he's not going to talk to the point of the law.
1:06:02
This government shouldn't go into the law.
1:06:04
Yes, sir.
1:06:05
We have to wait our station.
1:06:07
That will not get us all.
1:06:08
This is vulnerable.
1:06:09
So what's the point of the station?
1:06:10
Wait up to his good age.
1:06:11
If the law is about that, then the law is his idiot.
1:06:27
It is a project in the world!
1:06:31
I'm a god!
1:06:37
So, that is the program, whatever it is
1:06:41
On this stage, he's our company
1:06:43
I'm the girl, the doctor's natural station
1:06:46
On the morning, I'm listening to the show
1:06:47
Today we're saying that it's been a project
1:06:51
He and someone else
1:06:53
Where is the stage in?
1:06:55
But the person who's here, can't be given.
1:06:57
I can't tell you, but I'll bring home with you.
1:07:00
Not here, it's fine, it's fine.
1:07:03
Well, then.
1:07:04
We've been trying to find out who you want to follow.
1:07:06
I'm going to follow you.
1:07:08
But it's not, it's not, it's not, it's not, it's not.
1:07:11
I will all let you pray to turn and bring you on a bag.
1:07:14
Very well.
1:07:16
Do you think you can help me, Mr. Brownwell?
1:07:19
I'm sure you have no clue.
1:07:21
I'm just standing with you.
1:07:23
Thank you.
1:09:25
We'll be right back.
1:09:43
Oh my God.
1:09:45
Don't go away.
1:09:47
You can't get away from me.
1:10:01
Help! Help! Help!
1:10:03
You can't do this.
1:10:09
I can't do this.
1:10:11
You're going to be a runner.
1:10:13
You can't tell me.
1:10:19
Let's go.
1:10:39
Thank you.
1:11:15
We'll be right back.
1:11:35
3, 2, 1, 2, 1, 2, 1, 2, 1, 1.
1:11:41
3, 2, 1,
1:12:00
2, 1, 2, 1.
1:12:37
Thank you.
1:13:00
We'll be
1:13:07
right back.
1:13:32
Thank you.
1:14:31
We'll be right back.
1:14:52
Don't give me a chance
1:15:20
Thank you.
