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Oliver JrOak Knoll 7pm
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HillviewTV Team
·
May 23, 2026
·
1:15:12
Oliver Jr Oak Knoll 7pm
Transcript
0:56
We love you, never we go!
1:00
We never have to meet you!
1:04
We never know you!
1:08
That's what you've done!
1:16
But I'm back with you!
1:18
Just always relax your day!
1:21
I hate you!
1:22
I hate you all!
1:24
I'm a-y-y-y-y-y-y-y.
1:29
I'm a-y-y-y-y-y.
1:31
I'm a-y-y-y.
1:32
I am now.
1:34
The last.
1:35
The last thing.
1:37
The last thing you have to do is not be the only thing you need.
1:42
What is it?
1:44
The last thing you've ever heard.
1:45
What is it?
1:46
The last thing you're saying is what is it?
1:49
Just how you feel.
1:51
It's not.
1:52
We are becoming one of the African.
1:57
Amen.
2:04
If that's picking up essere Jesus, to godansest.
2:08
Amen.
2:31
We'll be right
2:36
back.
2:48
I love
2:57
you.
3:29
Thank you.
3:53
I don't know.
4:18
it
4:24
is
4:25
and
4:29
I'll see you next time.
4:41
We'll be
4:50
right back.
5:17
Well, that's enough and see what I can get for this young scoundrel.
5:21
Make sure I'm giving good advice for you, Mr. Bumble.
5:24
To do it, all of you!
5:41
Thank you.
6:05
One boy, the life
6:10
was found, he's nowhere deep.
6:17
Only step in the hole, that's where I'm
6:22
found.
6:24
The night, round of hell,
6:31
all that must wait.
6:41
If I'm just saying what is very
6:46
greedy
6:47
I thought that I would tell
6:53
you a tale
6:59
I thought that I would tell you a tale
7:01
I will hold you now, but make
7:06
up here,
7:09
and I will see you tonight.
7:15
I will hold you now.
7:33
Would you have finished three times, please?
7:36
Well, as an author of fact, I was wary of words.
7:40
Let me settle.
7:42
Three times, please.
7:43
You don't mind.
7:45
Trust upon liking, Mr. Bumble.
7:47
Trust upon liking Mrs. Sourbury.
7:52
What is it you want?
7:53
Oh, Mr. Bumble.
7:58
My dear, I've told Mr. Bumble here that we must consider taking
8:03
this boy to open the shop.
8:05
Dear me, she's very small.
8:08
Yes, the ears are very small, there's no denying it, but he'll go, Mrs. Derry, he'll go.
8:12
I'll try to find you there. On our kitchen and I'll drink.
8:15
They're always the tiniest like us boys.
8:18
They always cost more to keep them at last.
8:20
What's your name, boy?
8:22
Oliver Twistman.
8:24
It's awesome then, Mr. Bumble.
8:25
Just a few years, the mother told us to get it to you.
8:29
Cos we bring the boy into the world, takes one look at home,
8:31
and they probably die for that living abroad, and they're not our choice.
8:34
Very bad, that junior costume follower.
8:37
That's your job.
8:37
Have you eaten yet?
8:39
No, ma'am, not some...
8:40
Stop it! Stop it!
8:42
Bring on some cold bits and pass it to the dog.
8:45
It hasn't been at them all day, so it can hear a sound.
8:48
I dare say the new boy ain't too dainty to eat them.
8:51
There you boy.
8:53
This is the new boy.
8:54
Good, I'm doing.
8:59
I'm done.
9:00
Yes, Mama.
9:01
Don't stop having a nap.
9:04
You're both under the coaster.
9:06
I don't suppose you don't mind sleeping in a car.
9:10
Well, I don't know what you do, Jeff.
9:12
Because you can't sleep anywhere else.
9:33
Thank you.
9:50
Oh, oh, oh, oh, oh.
10:18
Thank you.
11:18
Are you the new boy?
11:22
How old are you?
11:23
Eleven, sir.
11:24
Did you want your cousin, sir?
11:26
No, but could we want him on before very long
11:28
to start speaking with your superior?
11:30
You don't know who I am, I suppose.
11:32
No, sir.
11:33
I can't stay as I do, sir.
11:35
I am Mr. Noah Claykel, and you are under me.
11:40
Now open up the bind, you I don't know.
11:42
She's not allowed.
11:47
Tia, I'm keeping in for a little bit of drinking for you from the master's breakfast.
11:51
Although, pull out the chair for Mr. Noah and make it face, because the warning's mind is dropped.
11:56
What are you saying at workhouse?
11:58
Noah, let the boy alone.
12:00
Let him alone? Everyone's left him alone.
12:03
I'm giving the boy a change, you silly thing. Everyone's left him alone.
12:07
His father's left him alone. His mother.
12:10
How's your mother? You need my mother out of it. She's dead.
12:15
Well, she died at Wilkast, short of your breath.
12:17
No, she's just dead. She died of a broken heart.
12:20
Well, toady, rolly, rolly right for Larry.
12:22
It's a good thing she died when she did,
12:24
or she would have been transported to Australia.
12:26
A hunger in the galaxy's light is not.
12:38
Oh, Mr. Bumble!
12:45
Oliver? Oliver?
12:49
Do you hear this?
12:55
You must be mad, Mr.
13:01
Bumble.
13:01
It's not mad.
13:03
It's you.
13:06
I will have textimized rules that should have never happened.
13:10
I'm sorry.
13:11
My mother knows!
13:12
She probably decided what was said and what!
13:15
She did it! She did it!
13:16
It's a lie!
13:34
Thank you.
14:06
What are you staring at?
14:08
Are you not a cynical?
14:10
No, never.
14:12
Uh, that's all right.
14:14
Don't worry about it.
14:16
I'm great starving.
14:17
Todd?
14:18
Yes, I've been walking seven days.
14:20
Seven days?
14:22
Why are you running away from them?
14:23
You old man?
14:25
No, I'm an orphan.
14:26
I've come to London to seek my fortune.
14:28
Oh, you are, are you?
14:30
Yes. Got any lodgings? No. Money? Not a father. Do
14:35
you live in London? Well, I'm at home. I suppose you want some place to sleep tonight, don't
14:41
you? Are you accommodating? No.
14:45
Then I call my giant, you shall be me, young knight. There's a certain
14:50
tolerance, and I know a respectable old gentleman as Lizeth will
14:55
give you lodgings for nothing.
15:00
That's his name, Mr. Sturgeon.
15:03
By the way, if I'm introducing you to Sturgeon, I'd better know who you are, Neil
15:08
Chyna.
15:08
My name's Oliver, Oliver Twix.
15:11
And my name's Jeff Dawkins.
15:13
Better known among me more intimate friends as the Awful Zodaw.
15:18
Pleased to meet you, Mr. Dawkins.
15:21
I'm the same to that.
15:22
I've got no intimate friends.
15:25
Stop.
15:26
What's the difference?
15:27
Your first name!
15:29
Are you sure Mr. Fagin won't mind?
15:31
Mind!
15:35
Going to see yourself, uh-oh!
15:39
Going to see yourself, what a lovely way!
15:43
Why can't you just come?
15:46
It's glad, glad, understandable!
15:50
Going to see yourself, what a little!
15:55
And sing it out, water bottle down, I want the better than you want.
16:00
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
16:05
yeah, yeah, yeah, yeah, yeah, yeah.
16:05
We're going to get here tonight, we can see for waterline, waterline,
16:11
water bottles.
16:13
The water bottles are rolled around, I'm waiting for them, and the drinks are
16:19
all laid out, I'm coming forward.
16:23
Yow!
16:25
Tobias!
16:25
I love to see you but too!
16:29
I love to see you and I love you!
16:30
So then to rise, you won't have and
16:32
You won't have to be the baby
16:36
Listen to me.
16:38
I'm so sorry.
16:42
But listen to me ...
16:45
I'm so sorry!
16:47
Let me know!
16:49
Thank you.
17:47
We'll be right back.
18:23
Thank you.
19:06
Bye again!
19:13
What? I brought a new friend to see you, Oliver Twist.
19:18
So, I hope
19:23
I shall have the honor of your statement.
19:27
Well, very glad to see you, Oliver.
19:30
Aren't we my guest?
19:31
I love you.
19:36
Thank you.
19:39
If you keep your fortunes, you've come to London to seek your fortunes.
19:43
We must see what we can do to help you.
19:46
Are you hungry, starving?
19:49
Would you like a sausage?
19:51
No, thank you. These sausages are more there.
19:57
Ah, yours, darling. I've been talking about this.
20:01
There are quite a few of them out there.
20:04
We've got to turn them off for the water.
20:07
That's all, all that. That's all.
20:11
Is this a laundry dump, Sam?
20:14
Well, that's exactly it, my dear.
20:17
I suppose the laundry would be a very nice thing indeed.
20:21
But all of our business tastes a little bit better.
20:25
Dented, boys.
20:27
You see, all of us.
20:35
Thank you.
21:07
We'll be right back.
21:31
Oh, every day!
21:36
You've got to
21:48
make a look at your time.
21:52
You've got to make a look at your time.
21:55
I love your time.
21:58
You're going to be a good day.
22:02
I'm going to
22:07
go to
22:25
the next episode.
22:28
You'll need one more.
22:29
I have come on, I'm not going ira-
22:33
You can't go to-
22:36
We'll be right back.
22:49
Welcome to the pod.
23:02
I'll see all of them.
23:05
Nipple, come here.
23:16
I hope you've all been odd at work today, my dears.
23:21
That was beautiful.
23:24
And what have you got for me, Dodger? A couple of what? Well, I
23:30
and Diane, only the best.
23:33
Nothing, Debbie, as they might be, but very nice and
23:38
nice. Enjoy the acquaintance, Aunty Oliver.
23:42
If they make these themselves, I know that I know that. Yeah, but it's only my time.
23:47
You stretch your trap, Charlie. And what have you got for me, my-
23:52
No sense.
23:54
Why, they're very good ones.
23:57
Very.
23:59
But, you haven't employed the initials too well, so...
24:03
They'll have to pick them out.
24:06
And they'll.
24:07
You'll have to learn to do that too, all of them, my dear.
24:11
Weren't you, boys?
24:12
Yeah, definitely.
24:14
And you'll have to learn to make wallets like the Dodger and Charlie is.
24:18
Who likes that?
24:19
One too much.
24:21
Yes, sir, if you'll teach me to travel my boy, let's see.
24:26
Just do everything you think, Dodger, entirely do.
24:30
Make them your models, especially, Dodger.
24:33
Who's going to be your bright little Bill Fox?
24:36
Who's going to say to Mr. Fagan?
24:39
Hold your time, all of us.
24:42
Hold your time.
24:43
You'll call me, my dear.
24:45
Do you see the silk ownership that is protruding?
24:48
from my pocket.
25:16
It's in my life.
25:19
You...
25:19
You can't believe it.
25:32
You're a clever boy, my dear.
25:34
Never saw a sharper lad.
25:36
Here's a filling for you.
25:44
I'm out to bed for the night.
25:47
Oh, my God.
25:49
Now bedtime, all of you.
25:51
Where's their sleep, sir?
25:53
Everything, my dear, all of you.
25:56
Settle down, all of you.
25:59
Don't you take your hat off in bed.
26:04
Where's your manners?
26:10
You're listening to me, all of us.
26:12
To cross the gentleman now, you've got to earn our
26:17
profession,
26:19
our feeling, our credit.
26:24
If you go on this way, to be the credit man of all time.
26:29
To be continued...
26:46
Thank you.
27:13
I'm a real miser, you know, but can I
27:18
help it?
27:19
I just like to look at you.
27:22
This is my one small pleasure.
27:25
A quick cup of coffee.
27:28
A cup of coffee.
27:36
Exactly. A special place for you with my other special
27:42
ID friends.
27:45
Yes, you must be my extra special ID friend, Tiara.
27:52
I mean, if you look off to me in the old age, were
27:58
you?
28:01
No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
28:10
I'm sorry sir, I couldn't sleep.
28:13
Well, you were a Corbin hour ago.
28:16
No, 10 minutes ago.
28:18
Not that I know of.
28:21
All right then.
28:24
I'm sure.
28:26
Tell me, my dear.
28:28
Did you see any of those
28:30
cookie things?
28:33
So, to my mother, I cry the top of me, so
28:38
I've got to live on in the old days.
28:41
Terrible thing all around, old days.
28:45
Isn't that my death, my son?
28:47
Certainly, my boy.
28:50
It's a basis of water, every day.
28:52
You can have a wash.
28:53
But I had a wash yesterday.
28:55
Well, it's a day of your birthday.
29:09
It's nonsense!
29:12
Wake up, boys!
29:13
The ladies out here!
29:15
Ladies?
29:16
Cool!
29:17
I'll get them!
29:18
We'll answer that if you don't mind.
29:21
Some good dangerous things?
29:24
Poor pure young girl!
29:26
And what's wrong with the bigger danger?
29:28
Is that Mr. Spankin?
29:33
Anything is good to
29:53
know that.
29:59
Oh, my God, my God,
30:08
my
30:14
God
30:33
We'll be right back.
31:21
I won't be my way, it's fine, I won't
31:26
die, not for me, the happy end,
31:32
the happy aspect, happy life.
31:37
There is some time that you see through the
31:42
eyes of such a thing, my son, my
31:47
son, my son, my son, my son.
31:49
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
32:02
Ladies and ladies, I forgot.
32:07
You must be our new lodger.
32:09
Now, to all of us, it's a choir.
32:12
So I'm pleased to meet you, I'm sure.
32:14
Let's go.
32:17
your nose around, Oliver, just cause you're like mads and they, eh? You were no cool
32:21
of your thought. None of you, Dodger. Yeah? Have you seen the way them
32:25
quarry gentlemen treats the ladies? Of course I want. Shall we show them out of time?
32:29
Definitely. Sounds good then, Dodger.
32:31
...
32:43
you
32:45
Everything is normal
32:47
I know that I love you
32:50
Anywhere for your smile
32:56
Everywhere on TV
32:59
I'm going to cry
33:09
What did you cry
33:18
Thank you.
34:04
I'm back at that time
34:06
Everything goes so fast
34:13
We'll be right back.
34:38
I'm not alone, I'm your baby, you're
34:43
my baby, I'm your baby, you're my baby,
34:49
don't ever
34:49
give me anything, I'm your baby, I'm
34:56
your baby, I'm your baby, I'm your
35:02
baby, I'm your baby.
35:08
All of that.
35:09
If that's what you can do,
35:10
you can do something in school for a while.
35:12
All of that.
35:14
I can't have you learned about here all day.
35:16
There's a ridge to use on them straight.
35:20
What's wrong with you?
35:21
Not too bad to get back
35:22
before Bill wipes up.
35:24
Yeah, you're right.
35:25
Now listen, all of that. Keep it careful.
35:27
I'll call you all the way I'm coming on.
35:29
See you all day.
35:32
All of that.
35:33
Thank you.
35:34
You'll have to begin sometime on the merry-play.
35:38
You could have been to find a star.
35:40
If you want your best stop today, my dear, don't worry.
35:44
I'll be waiting for you when you get back.
35:48
One, two, three, four, single bounce, single bounce,
35:53
six, five, six, five, six, six.
35:56
All you want can go is be bouncing.
35:59
You'll never walk your way.
36:02
We'll be
36:10
right back.
36:26
Once we pursue this episode,
36:43
We'll be right back.
36:58
Thank you.
37:54
Stop that boy.
37:56
That's what he's being tricked.
38:22
Thank you.
39:18
Let's go.
39:56
Thank you.
39:58
I think it will take his job.
40:02
The inspiration will not be good.
40:07
Everyone still listen to your hands.
40:10
It's the second one thing.
40:12
It's the third one.
40:14
We'll be
40:20
right back.
40:51
Thank you.
41:39
I love you, I love you, I love
41:49
you
42:07
They've got close enough to be with me
42:11
It's most black and a nice spirit
42:15
Now I make a taste of my life
42:19
We've seen them, on the part of our nation
42:24
They've seen me in the future
42:28
They've got close enough to be with me
42:36
Let me make you the end, let me be the
42:41
man who danced
42:44
Let me keep one eye, now
42:49
you start to shine
42:50
It's real, it's real
42:57
Let me make you the end, let me be the man who danced
43:01
Let me keep one eye, now you start to shine
43:03
2, 3, 2, 3, 2, 3, 2, 1, 1, 2,
43:09
1, 2, 1.
43:10
2, 1, 1, 2, 1.
43:13
3, 2, 1.
43:18
What're you doing?
43:22
4, 1, 2, 1.
43:29
I'm going for it.
43:44
Fagin, Fagin, soldier, where's all about?
43:48
Where's the boy?
43:54
They took him to court, we went outside, we went outside, we went outside, we went outside,
43:59
Come on, we get this. Come on, the cross.
44:02
Into the woods.
44:04
Oh, oh, oh, oh.
44:04
In our clouds.
44:06
In your clouds.
44:08
Two past nine times.
44:09
Keeps to the gardens.
44:11
Loose for you.
44:12
I went all the way.
44:13
We were supposed to look after him.
44:16
We were supposed to bring him back, my lord.
44:18
We were supposed to never let him out of our side.
44:24
Then you left.
44:26
It's not, please.
44:27
But sometimes, the children are still
44:29
trying to find him more sensible
44:31
if facing the trouble.
44:33
Some people must find out what's been done
44:36
They're not supposed to be told to get back
44:39
to that station.
44:41
They're not only destined by their
44:44
No, they're too late.
44:47
I'm sorry.
44:51
You're such a tough soldier.
44:53
You've caused you nothing so much.
44:56
It's good to be going, because you're not going to play with your boys.
45:00
You know, it's very nice.
45:02
You know, I'm too much.
45:03
You know, we're so good with the boys,
45:06
and we're so good, so I'm not with me.
45:07
It's just what do you mean by that, Mom?
45:09
What I said, I'm not that.
45:11
Why can't you meet him where he is?
45:13
He'll do, Mom.
45:15
Why can't you meet him, Mom?
45:17
Why don't you come to do tonight?
45:21
You know, I'm so good, I'm so good.
45:23
So what happens if you want to be taught?
45:26
And if you want to happen to Bill,
45:28
you'd be getting a little fun, not to see the gathers.
45:31
You wouldn't let the happen to Bill, would you?
45:33
Not to go.
45:34
I'll be able to.
45:35
She'll go crazy.
45:36
What's to do?
45:38
I don't know.
45:53
I can see what he thinks
45:58
when I see myself being
46:04
rather amy.
46:07
I can see myself being ratherщ sche painting as
46:12
far as capable.
46:12
There is no doubt I can see myself being rather
46:17
amy.
46:19
I want so much for the peace, you know?
46:25
I want to hear what I do when I come.
46:30
I know how to love you, too.
46:39
And I want to watch you, and you come home.
46:45
I want to be here.
46:47
From the cloud I found
46:53
in my heart
46:57
Nothing was buried I found in
47:03
my heart
47:07
As soon as he came to me
47:21
Thank you.
48:12
Don't you hold on tight the path
48:17
You can't touch me
48:21
But you can't touch me
48:28
But I'll never be
48:33
seen
48:34
But you can't touch me
48:47
Thank you.
50:04
I see you.
50:07
I don't want to think about.
50:11
What's up I see.
50:13
I see you.
50:38
Thank you.
51:00
I'll eat more eggs.
51:03
Are you?
51:04
Yes, sir.
51:05
I'm not a thirsty, sir.
51:06
It's unexpected.
51:08
It's very natural to be thirsty.
51:11
You may give a moment so to me,
51:13
but you don't.
51:14
Do you want to make it up, sir?
51:17
I think you're ready.
51:19
It keeps a little trickier on.
51:20
Don't seem to be too warm, especially,
51:23
but we tell if you don't keep them too cold.
51:26
I'm not going to blow.
51:28
to go with it.
51:29
So, in general, I haven't been inside yet feeling
51:34
much interested in that opportunity.
51:36
So, in the world, I'm still spending nothing.
51:39
You know, in the world, I'm not going to get
51:42
any questions out there.
51:44
But I'm not going to find myself straight to
51:46
the actual job.
51:48
So, in the future, in the future, in the future,
51:51
in the future, in the future, in the future,
51:53
nothing, nothing.
51:55
Nothing.
51:57
And yet, it's strange.
51:59
It is not even in the world of space.
52:00
Some of my life seems to have been so wonderful.
52:03
Some have had a long time ago.
52:05
Stop giving me all this work there.
52:07
You have to be mad.
52:08
No, it's a business.
52:09
I'm sorry to tell you something.
52:11
What does it want?
52:12
Yes, of course.
52:13
We'll have a whole bunch of things, you know.
52:14
Ah, yes.
52:16
Now I've got to give you something.
52:17
Hey, wait a moment.
52:18
Hey, come back.
52:19
Oh, really, really.
52:20
I particularly wish there were books for me on time today.
52:23
Bye.
52:24
and you'll change all the way with them.
52:27
You'll still have a difference on you,
52:29
three, four, and very long, or very real,
52:33
if you want to choose that.
52:34
So now I'll tell you what to do.
52:36
And I'll do these books in the show different.
52:38
So choose that one.
52:39
And then you have to go to four counts,
52:43
Just five counts.
52:44
You know, the rest of my show
52:45
is back to back in five minutes.
52:47
And if you want to go to the lady,
52:49
if you choose that,
52:50
then I'll just go to the black, okay?
52:53
I'll take the box off the box.
52:55
Yes, you do.
52:58
You don't want to expect it.
53:00
You don't want to expect it to be done.
53:04
One more time, no one is broken.
53:06
I am Mr. Brown.
53:07
Be done.
53:08
I'll eat my hair.
53:11
Thank you, Mr. Brown.
53:12
Let me just talk to you.
53:13
Did you see it?
53:14
It's all about the second one.
53:16
It's going to be all about the darkness.
53:18
Thank you, Mr. Brown.
53:20
I don't know if that's because I think it's just
53:22
that it's Mr. Adler,
53:24
so I'm going to rest.
53:49
We'll be right back.
54:20
Thank you.
55:41
Well, dear, I was going to have a few weeks ago from his parents
55:44
where I'd call a bunch of respectful people
55:46
and many of his own things in that country.
55:48
I was thinking of his father.
55:50
It's not true, you young wretch.
55:52
Go on, you little kid.
55:54
I'm not having any mother father.
55:57
I mean, all day, I'm having to listen to him.
56:00
I'm telling him to go to me,
56:03
you're a sister, you get my dad.
56:05
What the devil's all this?
56:07
Oh, he's only part of that.
56:09
Oh, the dog, come out here, poor mummy, young dog, come on out!
56:14
What? I assume you can surely get out of here.
56:17
Please let them by feet and by the boat.
56:20
You won't die, don't belong to them! Help! Help!
56:48
Now, so you're coming home again, have you, Oliver, my dear?
56:53
Look at these cogs, are you?
56:55
And he's got some shit over there.
56:57
Yeah, I think.
56:58
Do you know that?
56:59
You see you're looking so well, my dear?
57:01
If you like the project, we'll give you a big treat.
57:08
We've got something wild to suck around.
57:14
Now, look at this.
57:15
A five-pound note.
57:17
That's mine, baby.
57:19
Look at this.
57:20
Mine is mine.
57:22
Give it to the rest.
57:24
It's very good.
57:24
I'll take the boy once again.
57:26
This is a family,
57:28
and I'll say I'm not the girl.
57:33
I don't know what to do.
57:36
You need to have a wretch.
57:39
That's my honor.
57:42
You know a little bug all the night.
57:45
They belong to Mr. Bravo.
57:46
And if you find out you've got them,
57:48
he'll be down here after you.
57:53
And I'll be down here.
57:55
Maybe, in the middle of Rome.
57:58
But I'll be jumping and balled up.
58:00
Thank you.
58:01
We've seen one child fighting, they're not a place fighting,
58:05
how is the young child most home empty?
58:09
Oh my god, you got the boy back.
58:12
What's the matter with you?
58:13
It goes all by, I've been fighting,
58:15
no, I've been fighting, don't think it.
58:17
I mean, what's going on?
58:18
I know you, I was on the ship,
58:20
don't go to bed, I don't even get in the next day.
58:23
I was not, I was even going to ask that.
58:25
I got a lot of fear that's scary because I
58:27
come down, I'm not a team idea.
58:30
Let's meet, let's meet, let's meet civil works, yes, do you love them from me?
58:35
I'll know the kids for you on the town after that.
58:38
I've been in the same place, the same place for 15 years since, and you'll be for years.
58:57
My heart is flowing out and not too fast, but too much, don't fast, it's fine.
59:08
It's fine.
59:13
Are you ready to go?
59:15
Are you ready to go, Jack?
59:18
Don't I care what you're supposed to.
59:31
THE END
59:54
It's just kind of an answer.
59:55
How are you saying the other thing is giving people along?
1:00:01
How are you saying the other thing that there is,
1:00:04
that there is it also what's going on in any other time
1:00:07
is, and it has to be quite all of these.
1:00:12
I think you know here's a lot of questions,
1:00:14
not about which I think we have,
1:00:15
but we have a lot of questions.
1:00:19
Um, for me, it's really fun.
1:00:22
I love my new life
1:00:25
It's all my life
1:00:28
I love my new life
1:00:29
And who the best
1:00:31
I'll tell you
1:00:33
At the...
1:00:37
Oh, I love him
1:00:38
I love him
1:00:41
I think I'm gonna love him
1:00:45
I love you
1:00:49
I think...
1:00:50
Peep, beep, beep, beep...
1:00:57
We'll be right back.
1:01:46
OK, we're okay.
1:01:46
Everybody, nobody comes.
1:01:49
Don't like it.
1:01:59
OK.
1:02:14
Thank you.
1:02:42
Two, no, two weeks to the weather for me, I saw myself
1:02:47
sweet, dirt, sweet, sweet.
1:02:51
Are you going to sit here, snoring all day?
1:02:55
I will sit here, snoring all day.
1:02:58
It's always like this big trouble.
1:03:01
And I can really keep making trouble with all of you.
1:03:06
That's how you like that.
1:03:07
It's all sour man, since he's got something.
1:03:10
My goodness is correct.
1:03:12
She's not a problem at all until now,
1:03:14
but she has a happenings.
1:03:15
That was a very neat job!
1:03:20
It's not going to be aarian future,
1:03:23
it's a great job,
1:03:23
but I'm not going to come to you!
1:03:25
But after hearing that,
1:03:29
but you've been getting into this,
1:03:31
you're going to belong to me!
1:03:34
I'm not sure
1:03:35
you have to say anything about it!
1:03:37
But we have.
1:03:38
And it was cold.
1:03:40
Oh, what's going on?
1:03:42
This isn't it.
1:03:44
It's not the machine.
1:03:45
The boy's not in it.
1:03:48
He's cold.
1:03:49
Oh, oh.
1:03:56
Oh, yeah!
1:03:58
We'd love to see that boy, Mr. Buffer.
1:04:00
We'd love to see. We'd love to see.
1:04:03
We'd love to see.
1:04:26
We must get him his due.
1:04:46
I'm so thankful for the information you're going to get all the tricks.
1:04:49
The man's idea I'm going to try.
1:04:54
My man's dog.
1:04:55
The man's dog.
1:04:57
There is a place to go.
1:04:58
I'm just going to go.
1:04:59
But I'm going to go away from.
1:05:01
There is yes, there it is.
1:05:02
That's not what we've got to tell you.
1:05:04
So, I think it was going to be the not last time
1:05:07
that it takes a portion back for it.
1:05:09
It's not what you have to do when it comes to work.
1:05:11
It's a portion.
1:05:12
Can you tell everybody?
1:05:14
You need to go look at those and take them?
1:05:15
You need to say you told them about it.
1:05:19
We don't want you to do it when we get to the house.
1:05:22
No, no, no, no, no, no.
1:05:23
Now, do you interview and tell me
1:05:25
to get your attention to that?
1:05:27
Oh, don't speak sense, Lisa.
1:05:29
I don't know how to do it.
1:05:30
can be on the hope of profiting from your own dreams this goes with you.
1:05:34
Dr. Mara continue
1:05:39
on hair but
1:05:42
I'm seeing you shining your hair again if
1:05:44
I have mental health it can you still
1:05:45
pain yourself fullopher you come back
1:05:46
and fight yourself on hat like a little
1:05:48
that does it take you back it's a
1:05:50
big fan
1:05:51
you'll be there
1:05:52
you are here
1:05:53
Beware, not
1:05:56
do you
1:05:57
all
1:05:58
I don't know, the lawful race is where I'm going to have the New York elections.
1:06:02
See, I'm going to get back to the moment in the end.
1:06:27
God is vulnerable. Where is it?
1:06:29
Only who's in danger in that company.
1:06:32
I'm going to be giving back to old friends
1:06:34
for one year of missing from the town
1:06:36
and we have never been gone.
1:06:44
No?
1:06:46
No, no.
1:06:49
You know what?
1:06:52
Yes, and why.
1:06:53
He just strapped up.
1:06:54
All right.
1:06:55
Sometimes in the last two four years, I promise you family.
1:06:58
Then you know it between a minute and a 10 o'clock show this time.
1:07:01
I will all remember who you made to do with all of you today.
1:07:06
And you can move your next step.
1:07:08
And I think I'm going to have to finish this before.
1:07:23
It's time to be so warm, and thank you so much
1:07:28
I'll thank you so much, but I'll close my eyes
1:07:34
And all I want to be tonight, and
1:07:40
it's just so warm
1:07:45
I hope to stay in the night
1:08:02
Thank you.
1:08:50
Oh, all right, I'm fine.
1:08:52
Now, did you see your back?
1:08:54
I don't think it's enough.
1:08:56
You guys are ready.
1:08:58
I'm going to see you now!
1:09:03
I'm going to see you back.
1:09:04
Hey, go, Steve, get going, go!
1:09:07
Why did you command that bill?
1:09:09
Do you mean why?
1:09:10
What's up?
1:09:11
No, no, you don't come here.
1:09:13
Why did you command that bill?
1:09:18
It's a dog night, my girl.
1:09:21
So if you want enough to all I want you to.
1:09:29
Go guys!
1:09:32
Don't scare me!
1:09:34
Go guys!
1:09:43
How? How? She's not talking to you.
1:09:50
You know, I came here to meet in a long period and I got a couple of
1:09:55
years told you to tell me you did.
1:09:57
And she said, you can't tell me.
1:09:59
But then you look like you have one, but it's kind of like you have to do it.
1:10:04
There's a lot.
1:10:11
Good night.
1:10:32
Oh boy, oh!
1:10:35
No, no!
1:10:37
I thought I could say it!
1:10:40
I love you all day.
1:10:41
Watch it now.
1:11:07
Now, now, now, now, now, now, now, now!
1:11:11
Oh, I'm sorry!
1:11:21
There's always...
1:11:22
Are you gonna get me?
1:11:24
There's always...
1:12:22
So, what do you want to do?
1:12:26
What do you want to do?
1:12:32
It's horrible.
1:12:34
Oh, my dear.
1:12:36
So, I don't need to trace it up.
1:12:38
Where's that shot?
1:12:41
Oh, I'm sorry.
1:12:42
I don't need that.
1:12:43
And here's your job.
1:12:45
Watch out, guys.
1:12:46
Oh, my God.
1:13:06
Thank you.
1:13:39
We'll be right back.
1:14:03
Thank you.
1:14:24
We'll be right back.
1:14:52
Thank you.
