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Oliver Jr Encinal 7pm
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HillviewTV Team
·
May 14, 2026
·
1:23:13
Oliver Jr Encinal 7pm
Transcript
0:00
Thank you.
0:56
And if you look at what you see before, you don't know what I
1:01
see before.
1:02
All we've ever got is dream!
1:06
This is your best friend.
1:10
The
1:24
Thank you.
3:46
For what you are about to receive, may the Lord make you truly thankful.
3:52
Amen.
4:13
More? What's in there?
4:16
Oliver!
4:41
We'll see you next time.
5:23
Make sure you get a good price in here, Mr. Bumble.
5:26
To bed, all of you!
5:38
Thank you.
7:33
It's not very hot.
7:35
Zipper of pounds, Mr. Starberry.
7:37
Three pounds.
7:38
Well, as a matter of fact, I was needing a boy.
7:42
Then it says, one of hands, three pounds, please.
7:44
If you don't mind, cash upon liking, Mr. Bumble.
7:48
Cash upon liking.
7:50
Mrs. Starberry!
7:51
What is it, you want?
7:53
What is it?
7:54
Oh, Mr. Bumble.
7:56
My dear, I told Mr.
7:57
Bumble, that we may consider talking in this boy to help at the shop.
8:01
See, I mean, he's very small.
8:03
Yes, he's rather small.
8:04
Let's not deny it.
8:05
But here go, Mrs. Starberry, here go.
8:07
I guess, as he will, on our vistas and our drinks, they're a waste of time, these were
8:12
class boys.
8:13
They're a waste of time to keep them what they were.
8:15
What's your name, boy?
8:17
Oliver, Oliver, sir.
8:18
And all of them, then, Mr. Bumble.
8:20
Indeed, Mrs. Starberry.
8:22
The child's mother came to us destitute, brings the child into the world.
8:25
They swooned and looked at him and probably died without leaving so much on their forwarding name and adwords.
8:31
Very well done, junior comfort follower.
8:33
That's your dog.
8:34
Have you eaten yet?
8:35
No, ma'am, not Sam.
8:38
Bring someone called the stupidest for the dog.
8:41
It hasn't been an old age.
8:43
We can go on without it.
8:45
I dare see the boy and she's going to eat up.
8:47
Are you, boy?
8:48
Charlotte, this is the new boy.
8:49
Give him the hand.
9:00
Have you done?
9:02
Yes, ma'am.
9:03
The dog's got to have it yet.
9:04
Now that's in all of a trick, he beds into the closet.
9:07
Don't mind sleeping on the clothes, I suppose.
9:09
But it doesn't much matter whether you do or don't.
9:11
You can't sleep nowhere else.
9:31
Thank you.
11:21
Are you the new boy?
11:23
Yes, sir.
11:24
Who's taller you?
11:26
Eleven, sir.
11:27
Do you want to cook him, sir?
11:28
No, but you'll be wanting one more very long and start keeping our superiors.
11:32
You don't know who I am, I suppose.
11:35
No, sir.
11:36
Can't say that I do.
11:37
I'm Mr. Noah Craypole, and you're under me, so open up the...
11:42
Come on, the audience, scallywag.
11:47
Noah, I saved my sister with a bacon for you from the master's breakfast.
11:52
Over, clop it, turn, make a haste.
11:54
Cause we want you in the shop.
11:56
What are you staring at?
11:57
Walk out?
11:58
Noah, let the boy alone.
12:00
Let him alone.
12:01
I'm giving the boy a change, you silly thing.
12:04
Everyone's left him alone.
12:05
His father left him alone.
12:07
Walk out.
12:08
How's your mother?
12:08
You leave my mother out of it.
12:10
She's dead, and what if she died of warcraft, put it to breath?
12:14
She's still dead, she's tired of a broken heart.
12:17
Well, toady-roll a right for Larry.
12:20
The good thing she died when she did, she'd have been transported to Australalia,
12:24
a home from the gallows, as like as not.
12:30
The silver is reminding me of the very wrong place.
12:35
The silver is reminding me of the dark.
12:44
You let me out!
12:48
Ain't you afraid of us, Oliver?
12:50
Ain't you a trembling will I speak, Oliver?
12:53
Of course you must be mad, Mr. Bumble.
12:55
It's not bad, Miss Bradham.
12:57
It's me.
12:58
He's used to cutting around Google before this never happened.
13:00
He comes from a bad family.
13:02
Here you call my mother now.
13:04
She's probably dead, but was dead and wet.
13:06
It's a lot.
13:37
the city!
13:38
the fish!
13:39
glorious fish!
13:41
the fish!
13:45
go to the fish!
13:49
the fish!
13:56
four years, Jared asked.
13:58
aren't you never seen a post?
13:59
no, never. I...
14:00
That's a lot.
14:01
don't worry about it.
14:02
Hungry?
14:05
I've been walking for seven days.
14:07
Seven days?
14:08
Who are you on the way from then?
14:09
You old man?
14:11
I'm a little bit.
14:12
I've come to London to keep my pocket.
14:14
Oh, you have?
14:16
Aren't you?
14:18
Got any lodging?
14:20
Not a father.
14:21
Do you live in London?
14:22
When I'm at home.
14:23
I suppose you want some place to please?
14:25
Are you a comrade?
14:27
I don't think so.
14:31
There's a certain place now in a respectful old gentleman I've lived there that will give you login for
14:36
nothing.
14:37
Mr. Fagan, that's a name. Mr. Fagan.
14:40
By the way, if I'm introducing you to Fagan, I better know who you are, me old trainer.
14:45
My name's Oliver, Oliver Twist, and my name's Jack Dawkins.
14:48
Better known among the more intimate friends as the Eiffel Dodger.
14:51
Pleased to meet you, Mr. Dawkins. Come to sing to me.
14:54
Oh, you ain't got no intimate friends.
14:56
There was...
14:58
different. You're coming with me.
15:00
Oh, you sound as if they didn't mind. Mind?
15:06
Corn is dead.
15:08
After.
15:10
Corn is dead.
15:12
What an outstanding
15:13
I can't hear
15:15
such a
15:17
this we're
15:19
we're going to get
15:21
corn is dead.
15:24
We're in
15:24
corn is dead.
15:26
Thank you.
15:55
We'll be right back.
16:51
What about the expression,
16:55
аб coloca?
16:58
Thank you.
17:00
That's Paraskan,
17:02
and continues toête.
17:10
is the spirit, and
17:16
he
17:17
and he do these things,
17:18
Oh, God.
17:23
Thank you.
17:51
We'll be right back.
18:37
Bye again.
18:44
What? I've brought a new friend to see you. All about Twit, sir.
18:49
Oh, I hope I shall have the honour of your intimate acquaintance.
18:53
We're very glad to see all of us. Very. Aren't we, my dears?
19:00
Mr. Twit has come to London to seek his fortune.
19:04
He's come to London to seek his fortune. Then we must see what we can do to help you.
19:09
Are you hungry? Starving.
19:11
Would you like a sausage?
19:13
I beg him!
19:14
See, sausage is a mouthy!
19:18
Ah, just staring at them porky-dankages.
19:22
There are quite a few of them, aren't there?
19:24
We've just hung them out, ready for the wash.
19:28
That's all, Oliver.
19:29
That's all.
19:30
Is it the laundry then, sir?
19:33
Well, not exactly, my dear.
19:36
I suppose the laundry would be a very nice thing indeed.
19:39
But our line of business pays a little bit better.
19:42
Don't it, boys!
19:43
Don't worry, don't worry!
19:45
You see, all of us!
19:52
It's like one day you can't sleep in the basement
19:56
With large amounts of a size and a dark eye on trees
20:00
But you've got to pick a poker show
20:02
You've got to pick a poker show
20:08
Oh...
20:09
Let's get a little bit more today.
20:12
Yeah!
20:13
Oh my, yeah.
20:15
I don't wanna dance!
20:23
What's the crook?
20:25
Get him away!
20:26
What's the crook?
20:28
It's fine.
20:29
Surprise, fine.
20:30
You're done to see it.
20:43
Thank you.
21:03
and take a look at each other.
21:08
Lord, you've got a beautiful.
21:11
Lord, yes, I'll be my girl.
21:15
Come on, come on, get in the morning.
21:19
And I'll be laughing.
21:21
That's pretty interesting.
21:23
Oh, God.
21:24
God, you, lonely Я Ch Fried?
21:29
Oh yeah.
21:39
Thank you.
22:06
Put him up all back in the book.
22:21
I'll set up all of them.
22:24
Nicka, come here.
22:34
I hope you've all been a hard work today, my dears.
22:38
Oh, no!
22:40
And what have you got for me, Georgia?
22:42
A couple of little ones.
22:43
Well, ones are you?
22:44
Only the best.
22:46
Not as heavy as you might be.
22:48
But very nicely made.
22:50
Congenious workmen.
22:52
I'm T. Oliver.
22:53
Did you like these myself?
22:55
This is old Millie White, hey?
22:57
You'll be quiet, Charlie.
22:59
And what have you called for me, my dear?
23:00
A little nilgrash.
23:02
Well, they're very good learning.
23:05
You have an embroidery as initials, too, although.
23:09
Charlie, so they'll have to be picked out with the needle.
23:11
Won't they?
23:13
You'll have to learn to do that, too, over, my dear.
23:15
Weren't you, boy?
23:18
And you'll have to learn to make wool,
23:20
like the building Charlie did.
23:22
You'd like that, wouldn't you, my dear?
23:24
Yes, Mr. Fagin, if you'll teach me.
23:26
Certainly, my boy.
23:28
Just everything you see the Dodger and Charlie do.
23:31
Make them your models.
23:33
Especially Dodger.
23:34
He's going to be your right little Bill Slykes.
23:37
Who's Bill Slykes, Mr. Fagin?
23:40
All in good time, Oliver.
23:42
All in good time.
23:43
Now then, tell me.
23:45
Can you see my silk handkerchief?
23:47
What is protruding from my pocket?
23:49
Yes, sir.
23:52
Arggh, tram, tram.
23:53
Ring it!
23:58
Don't talk!
24:02
Ring it!
24:04
You're like stop me.
24:10
Too good!
24:20
Yeah, yeah, yeah.
24:21
I'm going to tell you.
24:30
I don't believe it.
24:32
You're a clever boy, my dear.
24:33
I've never seen a shot play.
24:35
Here's a ceiling for you.
24:42
I have to go to the bank.
24:45
Now, next time, oh yeah.
24:47
That's how I think.
24:48
Hey, my dear, follow him.
24:51
All right, all right, settle down.
24:54
Soldier, take your hand off in bed.
24:56
Where's your manners?
24:58
Yes, Oliver, you're quite the gentleman now.
25:02
We've got our own profession, fulfilling, on credit.
25:06
If you go on like this, you'll be the greatest man of all time.
25:13
You've got to think of a little too.
25:16
Don't forget that slogan, it's still, it's gone.
26:09
Oh, my, Vino.
26:12
Can I help it?
26:14
I'd just like to look at it.
26:16
Just my one little pleasure.
26:21
A cup of coffee and a quick counter.
26:27
Now, my pretty, all I have is a special place for you
26:31
with all my other special lady friends.
26:34
And girls, you must meet my absolute special lady friend, Tiara.
26:40
I mean, it was gonna look out to me and me all day.
26:45
Well, you?
26:47
Well, you are!
26:49
Why are you awake? What do you see?
26:51
Quick, quick, speak!
26:52
Only everything you saw!
26:54
I'm sorry, Sergeant, it's three.
26:55
Why are you awake a quarter of an hour ago?
26:57
Ten minutes ago!
26:58
Three an hour!
26:59
Be sure, be sure!
27:00
Okay, then. If you're sure, I'm sure.
27:03
Did you see all those pretty things, my dear?
27:06
Yes, sir.
27:07
They're mine, Oliver.
27:08
My private property.
27:10
It's all I've got to live on, me and me all day.
27:13
It's a terrible thing, Oliver, all day.
27:16
Do you think I could get up now, sir?
27:18
Certainly, my dear, certainly.
27:20
There's a basin of water over there. You can have a wash.
27:23
Can I have one of us yesterday?
27:24
Well, today's your birthday. Wash!
27:36
We'll be
27:44
right back.
28:04
You have a little bit of time here that Mr. Baggett.
28:33
Oh, now I'm the child of getting in Mary.
28:38
Oh, oh, oh, oh.
28:40
Yeah, I'm born out of my life.
28:44
I'm born in my life.
28:46
I'm born out of your life.
28:48
You've got your heart.
28:54
Now you get your heart.
28:57
You've got your heart.
28:58
Now you guys don't want to,
28:59
that's your heart.
29:06
Thank you.
30:07
Happy ice!
30:15
Sometimes such as rain
30:19
Your life is such a thing
30:23
What's a fun!
30:39
Oh, this is him, Peggy.
30:40
All righty, I forgot.
30:42
You must be a new lodger.
30:45
After all of a twist, Esquire.
30:47
Oh, no.
30:50
Oh.
30:51
Please meet you, Uncle.
30:56
Now don't take no notes in it, but just because you've got manners and they ain't.
31:00
You wouldn't know court if you saw it.
31:02
None of you.
31:05
Have you seen the way them caught each other into 70s?
31:09
Of course I have.
31:10
Shall we show them how it's done?
31:12
Still has to go with them, Georgia.
31:14
It's not bad, I mean, that's nonsense.
31:16
You don't have to take a look at them.
31:18
I'm not done.
31:21
Do anything for you
31:24
Yeah, anything for you
31:27
Means everything to me
31:29
I know that all I'm good
31:33
Anywhere for you
31:35
Or anywhere for you
31:38
Or everywhere
31:39
Like me
31:41
I know that all I'm good
31:45
Let's just do that
31:48
Maybe I'll
31:49
Thank you.
32:28
We'll be right back.
32:45
Oh, my God.
33:13
Oh, you're welcome.
33:47
All right, Dad.
33:48
The first thing you can do for me is get to work.
33:53
Can I be lying about here all day?
33:56
There's rich pickings in them streets.
33:58
Nancy, I don't know if you'd better get back before Bill wakes up.
34:02
Yeah, you're welcome.
34:04
Now listen, old bird.
34:05
You be careful.
34:06
I'll call you all.
34:07
I'll call you, Dad.
34:10
Oliver, you can go with Georgia.
34:12
You have to start somewhere, I think.
34:14
Believe me, you couldn't make a final start.
34:17
Good luck on your first job today, my dear.
34:19
I'll be waiting here for you when you get back.
34:23
You're going up!
34:26
Single file!
34:31
Point on!
34:32
You can go back soon.
34:34
You can go while you work in.
34:36
This place is passing right.
34:38
We'll be right back.
36:25
Get that back.
36:26
Come on, get it back.
36:33
Oh boy, my pocket
36:58
Thank you.
40:16
We'll be right back.
40:50
I don't know.
41:11
I'm going to see the children's house.
41:13
They now walk the dinner,
41:16
where the south is up to the boat,
41:18
and the king's on my side.
41:22
Whippy, give me an,
41:25
let me see the man again.
41:29
Stomp me,
41:32
tighty, what am I?
41:34
He can start to sign me again.
41:39
Thank you.
42:14
Sound pixels
42:27
Slayer
42:30
Where's Oliver?
42:31
Where's the boy?
42:32
Go to the line it comes.
42:33
!
42:35
What change? What change?
42:36
He got nabbed on the job.
42:38
They took him to court.
42:39
We went outside.
42:41
The old man we did come out with all of them and took him away.
42:44
In a town!
42:45
Where do you? Quick speech!
42:47
To the poor side of town.
42:48
That's still gone.
42:49
I've run all the way.
42:51
We were supposed to look after him.
42:53
We were supposed to bring him back with us.
42:55
We were supposed to never let him out of our sight.
42:59
A new boy.
43:01
They're not on a switch job today with Dodger.
43:03
I'm afraid that he might say something which will get up into trouble.
43:08
Somebody must find out what's been done or said.
43:11
He hasn't talked yet, there's still a chance we might get him back without suspicion.
43:18
We'll nab him the very man he dares to step out of our house.
43:22
Know who's gonna go?
43:25
I suppose it'll have to be me.
43:27
You're such a chap, Georgia. He's causing up trouble.
43:31
It's got to get him quiet.
43:32
He don't want any fuss.
43:34
The very things.
43:35
Nancy, my dear, you're so good at the boy.
43:38
No good throwing it on with me, Fagin.
43:40
I'm just what do you mean by that remark?
43:43
I say do.
43:44
I'm not going.
43:45
Why can't you leave the boy alone?
43:47
You won't do you no long.
43:48
Why can't you just leave him where he is?
43:50
We'll get the chance of a decent life.
43:53
You'll get him back here, my dear.
43:56
Or else.
43:57
Nancy, my dear.
43:59
If you don't, speak of what happened to us.
44:02
Speak of what happened to Bill.
44:04
Give it gallows for him, Nancy.
44:06
The gallows.
44:08
You will not let that happen with you, my dear.
44:10
Not the Bill.
44:11
Most of your Bill.
44:12
You go, Spigen.
44:14
The rest of you, Peter!
44:23
Go on, Dad.
44:25
Go on.
44:26
There's a good girl.
44:33
As long as they
44:37
make me
44:40
Oh yes they saw
44:44
make me
44:47
If I don't want
44:50
to say
44:52
for the day
44:55
Thank you.
45:23
Then you know, when someone needs you, you
45:28
don't have to die.
45:38
I'll be so young, I'll be so young, I'll
45:43
be so young, I'll be so young, I'll be so young, as
45:49
long as it is.
45:55
Thank you.
47:37
You will find my secret room.
47:44
Thank you.
49:17
Come along, Dr. Grimwig. I think you find a great improvement in the boy.
49:21
That, sir, is for me to decide.
49:24
How do you feel today, my boy?
49:26
Very happy stuff. May I say you're always that?
49:29
If you wish, dear boy, now here's the doctor come to see you.
49:33
Well, he served me looking better.
49:36
You're not thirsty, are you?
49:38
If that boy's thirsty, I'll eat my home.
49:41
Yes, are you?
49:43
Yes, sir, I'm rather thirsty.
49:46
Just as I've stopped it, it's very nice, so he should be thirsty.
49:49
You may get some of those things.
49:51
Thank you, doctor.
49:53
He's a fine boy, don't you think, Grimlich?
49:56
Couldn't tell you.
49:58
Can't say it.
49:59
Couldn't tell you where he comes from.
50:01
I haven't the faintest idea he's a rest in pursuit.
50:04
pocket fingertips and when the shop speaker told us what really happened and he was released by
50:09
the ministry i brought him here to make all the amends i could but i must confess i find
50:14
myself
50:14
strangely attached to the child he's just feeding you my good friend he saw
50:19
your pocket fingertips
50:20
didn't he then he'll steal more what do you know of him nothing only
50:26
that he's an orphan and yet
50:27
it's strange there's something in the boy's face i can't explain it but somewhere
50:32
I've never seen two scenes before somewhere a long time ago.
50:35
Nothing nonsense. You're imagining things.
50:39
What is it?
50:40
There's someone to see you, sir.
50:42
There's someone from the bookshelf, sir.
50:44
Ah, yes. Thank you.
50:46
Now I've got to give you some...
50:48
Hey, wait a moment. Hey, come back.
50:51
I really, really, really meant particularly with some books we returned today.
50:55
Why not send Oliver with them?
50:58
Yes, do let me take them for you.
51:00
Lisa? Oh, um, Reverend Moville, my boy, very well. If you
51:05
wish, you shall. Now, here's
51:07
what I want you to do. You'll take these books to Mr. Jeffup's, it's just
51:12
down the
51:12
road, and save time to pay the £4 .10 that I owe him. Here's five pounds. No need
51:17
to
51:18
rest, but I shall expect you back there in ten minutes.
51:28
Yes, you can't do it.
51:42
Ha! You don't really expect it to come back, do you?
51:46
But then you set up clothes on your back in a far-time dirty pocket.
51:50
My dear Mr. Brownlow, if he does, I'll eat my head.
51:54
Dr. Groomer, can't you see an extraordinary...
51:56
between Olive and my daughter Agnes?
51:59
Can't say I do.
52:01
Well, in ten minutes, Dr. Grimwig,
52:02
when the boy returns, I think you will see.
52:04
Yes, Mr. Brownlow!
52:06
Ten minutes!
52:24
We'll be right back.
52:54
Thank you.
54:13
I met you, brother!
54:15
Let's go! Let's go! Let's go! Let's go!
54:17
I found them!
54:18
Over, over, my dear little brother!
54:21
Where's he been?
54:22
We've been worried all night!
54:23
What's the matter, dear?
54:25
Oh, he ran away two weeks ago from his parents' off.
54:28
All were conspicuous people.
54:29
One, twenty-five feet in that castle.
54:32
Oh, I told you for my love!
54:33
No, sir!
54:34
Young rat, try to find me, little brute.
54:37
And look, I heard it from my love father!
54:39
I'm an old kid!
54:40
No, I wasn't.
54:41
Just listen to him.
54:42
Dad, try to let me go!
54:45
He knows his sister, he's on my back.
54:48
What the devil's over here?
54:50
Oh, he's just crying out.
54:53
Oliver, come on to your poor mother, you young dog.
54:57
Come on in.
54:59
What?
55:01
Fuck you?
55:02
You've been silly and haven't ya?
55:05
He's nothing but a thief.
55:08
And a vacabond.
55:09
Let's go.
55:10
I don't belong to them.
55:46
Oh, say come home again, I'll feel over, my dear.
55:50
Look at his song, say again.
55:52
He's got books too, quite a while ago, ain't he?
55:55
Delighted to see you looking sour, my dear.
55:58
The Aquadagist, I'll give you another sip.
56:01
But fear, you must spoil that Sunday one.
56:03
Why don't you write, my dear, and say you're coming?
56:06
We'd have got something warm for supper.
56:09
Oh, look at this! A five pound nose!
56:14
That's mine, Frankin.
56:16
No, no, my dear. Mine, Bill. Mine.
56:19
You can have the book.
56:21
If that ain't mine, I'll take the boy back again.
56:24
Come on, hand over.
56:26
This is all the sale, Bill.
56:28
There I'm not. Give it here.
56:31
That's for my share of the trouble.
56:34
And I'll ask enough neighbor.
56:37
You can hide the books! Go to the library!
56:40
How? You can't hide the books for all the money!
56:43
They belong to Mr. Browner, and he finds that you've bought them to be down here after you!
56:56
So it'll be down here, will we?
56:58
We won't do!
57:00
What did you tell him about her?
57:03
That remains to be seen!
57:06
But if we find out you said anything, anything out of place.
57:11
Lay it on with this young scoundrel, told him everything.
57:15
All right, all right, he's good at the house.
57:18
What's the matter with you?
57:20
Girl's gone mad, I think I can.
57:22
No, she hasn't faking.
57:23
Don't think it.
57:23
Then be quiet, will you?
57:25
I wish I was stuck down dead before I landed on to bring him back here.
57:29
Officer, tonight, he's a lawyer and does things.
57:31
And all that's bad, I've done that for you.
57:33
and I'm scared of it to death.
57:36
Come, come, Nancy.
57:37
We love past civil words.
57:39
Civil words?
57:40
Yes, you did not come from me.
57:42
I was out on the streets for you
57:43
and I was at trial at all this age.
57:45
I mean, it's a safe train.
57:46
The safe service for 15 years since
57:48
and don't you forget it.
58:19
Take care of him, JoJo, and
58:25
I'll take care of myself.
58:34
Thank you.
59:00
Oh, Matt's got a heart, I didn't care.
59:06
Junking apart, I didn't care.
59:11
And though I didn't want to stay, there wasn't just a day.
59:18
Finding it all, to be real here, I can't get it.
59:28
I'm redeemed
59:29
Can a fellow be a villain
59:34
Oh, he's lying
59:35
He'll be able to try a fool
59:38
He's wasting his food
59:39
Get me back, no doubt
59:41
And get myself a wife
59:44
And, uh, wife would cook and pray for me
59:47
And try for me and dance for me
59:49
And dance for me and nag at me
59:51
That's why she's a wife
59:52
And she's funny
59:54
It won't take to make you feel very different from me
59:56
Oh, I think I've got to take you out to get
1:00:10
So, where do I go?
1:00:14
Somebody!
1:00:17
Who do I know?
1:00:19
Let's go
1:00:22
But there's a lot of people
1:00:29
I come away
1:00:31
I'm not gonna do that
1:00:38
I'm really
1:00:54
I don't want nobody else for me
1:00:57
I make you do the same for me
1:01:00
Don't you like it, don't you like it, don't you like it
1:01:09
There is no in between for me
1:01:13
But how do I do it for you
1:01:23
Thank you.
1:01:50
Mary, two weeks to the Widow Corny.
1:01:53
I told myself Keith, dirt Keith.
1:01:56
Keith? Are you going to sit there snoring all day?
1:02:00
I'm going to sit here as long as I think proper, madame.
1:02:03
Pardon me, Mr. Bumble, Widow Corny.
1:02:06
What is it?
1:02:07
It's old Sam. He said she's got something to tell you that must be heard.
1:02:11
She's not gone wrong and he'll never die quite soon.
1:02:14
Well, what is it?
1:02:48
We must an exceed that point Mr. Lamble, must indeed rap, must indeed.
1:02:56
Oliver, Oliver, that was stand by Mr. Lamble, he must indeed rap.
1:02:59
Oliver, Oliver, Jack one time to do my trick, Oliver, Oliver, a queen to fish,
1:03:03
I'm a gernin' in the dream, see, see, see, see, see, see, see where he can look at that of
1:03:08
his hair, and look at him, the wouldn't look at him.
1:03:16
We must give him his due.
1:03:20
And we'll take him.
1:03:35
I hear you have information.
1:03:41
Bumble is my name sir, be of the workhouse where this boy was cared for, from where he was
1:03:46
apprenticed to an undertaker, where he ran away from.
1:03:49
Yes, yes, experience is good of you to come, now let's meet up.
1:03:52
Tell me, this luggage was given to me by the last dying mother just before
1:03:57
she passed away.
1:03:59
You say when you left your workhouse he went to an undertaker?
1:04:03
Yes, Mr. Salbury, the undertaker, took Oliver from us for-
1:04:06
Three pounds.
1:04:07
You mean to say you stole them like an animal?
1:04:10
It was, sir.
1:04:12
It was real corny you actually authorized this thing, or...
1:04:16
Really?
1:04:16
Then I would see that neither of you is employed in a position of trust again.
1:04:21
Leave my house.
1:04:22
How dare you speak start to me, Sal?
1:04:24
I came here to help you.
1:04:25
You came here in the hope of profiting from your own greed and dishonesty.
1:04:28
Sir, if you consider that trick, it don't profit even belong to us.
1:04:32
Here, ten pounds, take it.
1:04:34
Consider yourselves fortunate that neither of you found yourself in the hands of the law.
1:04:39
Mrs. Bedman, show these ghastly people out.
1:04:42
Yes, sir.
1:04:43
We know the way out.
1:04:44
Thank you very much.
1:04:45
The law poses up your wife acts under your own direction.
1:04:48
If the law poses that, then the law is an idiot.
1:04:57
Yes, sir.
1:05:02
Yes.
1:05:04
My daughter, I guess.
1:05:05
You must be talking to my little worker.
1:05:08
We can't just be talking to her.
1:05:12
Hi, Lisa.
1:05:13
What do I need to hold on?
1:05:14
What is it?
1:05:16
Officer's in that danger.
1:05:18
Bad company.
1:05:19
I'm the girl who dragged me back to Old Fegas on the morning and went missing from this
1:05:23
I wish I'd never been a part of it.
1:05:26
And someone else.
1:05:28
Who's this Fegas and...
1:05:30
other person you speak of. Take me to him.
1:05:33
Can't tell you.
1:05:34
We'll bring over to you. Not yet.
1:05:37
It's far too dangerous. Where then?
1:05:39
You promised I won't be watched or
1:05:40
followed? I promised you so.
1:05:42
Then tonight, between eleven and the time
1:05:44
the clock strikes twelve, I will walk on
1:05:46
Lentenbridge and I will bring over. Farewell.
1:05:51
Do you think we can
1:05:52
trust in this round now? I'm afraid
1:05:54
we have no choice, Mrs. Edwin.
1:06:08
Thank you.
1:07:38
Now you stay back in old beauty, brother.
1:07:48
Bendy!
1:07:51
Let him go! Can you say let him go?
1:07:53
What are you looking at me like that, Bill?
1:07:55
Give me your wife, watch ya!
1:07:57
No! Not you, Bill, ever you!
1:08:00
What are you looking at me like that, Bill?
1:08:02
Can you say let him go?
1:08:03
I was gonna stand up and let's go!
1:08:05
It's a dark nightmare, dear.
1:08:08
I'm lighting up for what I've got to do!
1:08:18
Don't steal!
1:08:20
This is all!
1:08:30
Hey you!
1:08:34
I say again! Help, help, help!
1:08:37
Did I want you?
1:08:39
Did you notice with me?
1:08:41
I think they made a beautiful picture.
1:08:43
I think about the bridge, I thought I was running
1:08:45
We have a good action.
1:08:47
Thank you.
1:09:43
I'm on it! I'm on it!
1:09:46
I'm on it!
1:10:03
Move on!
1:10:07
And you might get me!
1:10:36
What is this?
1:11:07
Somebody change.
1:11:12
It's possible.
1:11:20
No more days to come.
1:11:23
Change from left and behind.
1:11:27
And I know it.
1:11:30
It's possible.
1:11:32
Time is mine.
1:11:38
I've slept here at all.
1:12:03
Thank you.
1:14:04
Hi everyone, if
1:14:10
you could please take your seats, bear with us, we would like to take
1:14:13
a few minutes of your time.
1:14:17
We also called the fifth grade Ensignal crew to the
1:14:22
stage as well and please take a seat.
1:14:24
fifth-grade crew, the tech crew, stage crew.
1:14:35
Okay, thank you so much. My name is Leah, and this is Liza, and together we've been working
1:14:40
with
1:14:41
this wonderful cast and a big crew of parent volunteers
1:14:46
backstage.
1:14:48
We hope you've enjoyed the show. We want to acknowledge the
1:14:52
for all the hard work that they've put into this
1:14:55
for the last four months.
1:14:59
And as you can see from the final product,
1:15:02
they really poured their heart and soul into it.
1:15:04
So congratulations, everybody.
1:15:07
We wanna thank you families also for being flexible
1:15:11
with our rehearsal schedules
1:15:12
and for being so dedicated to the program.
1:15:15
We know it requires a lot of time and we're really grateful.
1:15:20
thank you we just have a couple things we figured that you'd rather hear from
1:15:25
the kids than from us so I just want to to allow
1:15:31
the fifth graders to stand up
1:15:32
this is their last production with the elementary school so if you're in
1:15:37
fifth
1:15:38
grade please round of a pause
1:15:44
thank you guys thank you so much
1:15:48
you guys can all sit down thank you so much um
1:15:53
we have a couple of students a couple of actors
1:15:58
who already have um written something for specific directors so first
1:16:03
up if you are
1:16:05
um cameron and amaryllis can you come on up and for mr ashfield
1:16:20
Mr. Ashfield, you have put in so much effort to make Oliver possible, whether
1:16:25
you're making
1:16:25
rough casting decisions, helping us nail our solos, or answering our countless questions,
1:16:30
you showed that you are an extraordinary director.
1:16:33
I'm sure I'm speaking on behalf of the whole cast when I say thank you again and again.
1:16:44
Mr. Ashfield. Thank you so much for your patience. We know we've not always made it easy on you
1:16:52
Your dedication made us feel like we belong and helped each and every one of us shine
1:16:57
on stage
1:16:58
We could not have done this without you. Thank you so much
1:17:11
Okay next up if
1:17:12
You are Siggy and Aran.
1:17:15
Come share a little something about Mr. Harrison.
1:17:23
Thank you all for being here and supporting us.
1:17:25
I'd like to say a few words about the man behind all of this.
1:17:30
So, I basically just played the character Fagan.
1:17:33
Fagan takes in a bunch of kids and teaches them his craft.
1:17:37
He makes them a team.
1:17:39
He's demanding
1:17:40
He's dramatic.
1:17:41
Sounds familiar?
1:17:43
Mr. Hairston.
1:17:49
Fagin taught kids to pick pockets.
1:17:51
Mr. Hairston taught us to pick up scripts
1:17:53
and put on great shows.
1:17:56
Mr. Hairston has been the drama director at MPCSD
1:18:00
since 2012.
1:18:01
That is 13 years.
1:18:03
Most of us on this stage are nine to 12 years old.
1:18:06
Mr. Hairston.
1:18:08
been directing before we were born. The man does not stop. He
1:18:16
kept
1:18:24
on
1:18:25
believing in us and he kept on thinking that we could put on a great show and I
1:18:29
think we did.
1:18:37
Trust me. I forgot a few miscues and definitely the accent on this play
1:18:42
Aaron, it's not Nancy. It's Nancy
1:18:46
Nancy
1:18:50
Thank you so much, Mr. Harrison
1:18:56
Mr. Harrison you've shown us eagles how to fly we cannot wait
1:19:02
to go to Hillview as Hillview Hots
1:19:05
and perform on stage. You really are the best, really.
1:19:20
So long, farewell, pip -pip cheerio, we'll be back soon. I want all of you to join
1:19:25
us with this last wish. Ready?
1:19:27
So long, farewell, pip -pip cheerio, we'll be back soon. So long.
1:19:34
We'll be back soon.
1:19:44
OK, next up, if you are Rose and Dylan, come
1:19:49
on up.
1:19:54
Hi, my name is Dylan.
1:19:56
I played Bill Sykes in the other cast, not this one.
1:19:58
So OK, so Ms. Bullard, thank you.
1:20:01
you so much for helping us with all our choreography and everything. A lot of this stuff
1:20:06
wouldn't
1:20:06
be possible without you. We always get the influence that you
1:20:11
know it's all about the
1:20:12
kids and that we can always trust you. If we don't know the choreography for
1:20:17
Be Back
1:20:18
Soon, I wasn't in that, but I'm pretty sure that was tough to learn. You
1:20:24
helped us learn
1:20:24
that, and it's really special to have someone like you help us.
1:20:30
Thank you, Ms. Bullard, for bringing all of Virginia to life with us.
1:20:33
Choreography is a big part of the show, besides acting and singing, and twice as fun.
1:20:38
Consider yourself one of our favorites.
1:20:40
Your constant smile, patience, and incredible talent made every rehearsal something we looked
1:20:45
forward to.
1:20:46
You inspired us to do our best and believe in ourselves on stage.
1:20:49
We're so grateful for your guidance, creativity, and energy, as long as we need you.
1:20:57
up from his board and
1:21:06
last one Yali are you here Yali good
1:21:11
we have something for
1:21:13
mr. home so I just wanted to say thank you to Jamie Holmes if anyone
1:21:18
in the
1:21:18
audience doesn't know Jamie Jamie's our amazing tech director and
1:21:25
Yeah, okay, so I can't read this right now.
1:21:28
I just wanted to say thank you,
1:21:30
because you've been so patient with us,
1:21:32
especially when we jump off the stage for, like, the 15-year-old.
1:21:37
I know that you also spent a lot of time working on the lights
1:21:39
and the set with the other amazing Cranians.
1:21:41
Thank you so much.
1:21:45
Thank you.
1:21:51
Okay, thank you all.
1:21:53
Thank you so much.
1:21:54
Thank you for coming.
1:21:55
Thank you for supporting theater.
1:21:57
Sorry, everyone.
1:21:58
This night cannot end without thanking our beloved parent coordinators.
1:22:04
Step into the limelight.
1:22:09
I just wanted to say they've done this not once, but twice in a row.
1:22:13
They did Frozen last year, Leah and Liza.
1:22:15
I don't know how they do it.
1:22:19
This year, I got a chance to.
1:22:21
them up close and front and I can tell you they coordinated 80 cast members
1:22:25
almost 40 volunteers always so gentle always so sweet but most of all
1:22:30
they've
1:22:31
always shown so much love towards our babies always encouraging them I'm sure
1:22:35
most of these kids are going to continue with theater just because of the love
1:22:39
and the wonderful experience you've made it for them thank you both so much really
1:22:43
we're gonna miss you thank you
1:22:49
Okay, that's a wrap.
1:22:51
Thanks, guys.
1:22:52
This was our last production.
1:22:54
Thank you so much.
1:22:56
Thank you.
