Skip to content
Hillview
TV
Home
Our Content
Playlists
Tune In
Home
Our Content
Playlists
Tune In
Back
The Play That Goes Wrong | November 4th 2023 4PM
Download
Share
HillviewTV Team
·
June 06, 2024
·
1:49:32
The One Act Play That Goes Wrong November 4, 2023 4PM
Transcript
0:00
out supporting the Cornell Polytechnic Drama Society who has
0:05
rented the PAC and they're
0:07
doing a wonderful job. We were going to do, we were actually working
0:12
on a Star Wars themed
0:14
family opera and we're having some trouble with the rights but we had
0:19
a Chewbacca costume
0:21
and a lot of good stuff but it didn't work out so these guys
0:26
rented the PAC.
0:28
and kind of saved us, which is wonderful,
0:30
and they're doing a great job.
0:31
Just a quick reminder, no flash photography,
0:34
no food or drink.
0:35
It's fine if you have it.
0:36
Just don't eat it during the show,
0:38
and you can eat it outside.
0:39
I'm going to just turn the mic over to Trevor,
0:44
who is their tech person, with some announcements.
1:01
oh good evening ladies and gentlemen a couple of announcements number
1:06
one turn
1:07
off your phone secondly if anybody finds a Lady Gaga CD box set in the auditorium
1:12
I need that back please hand it to me at the end of the performance enjoy
1:17
the
1:22
enjoy the show
1:43
Leave it. Just leave it.
1:45
The mantle, please. We need time.
1:50
Good evening, ladies.
1:52
and gentlemen, and welcome to the Cornell Polytechnic Drama Society's
1:58
full production
1:59
of The Murder at Havisham Manor. I would like to personally welcome you to what will be
2:04
my
2:04
directorial debut, and my first production as head of the Drama Society. We
2:09
are particularly
2:10
excited to present this play, because for the first time in the Society's history, we have
2:15
managed to find a play that fits the company's numbers perfectly. If we're honest, a
2:20
lack of
2:20
has hampered past productions. Last year's Chekhov play, Two Sisters,
2:26
or Last
2:27
Christmases, The Lion in the Wardrobe, and of course our summer musical, Cat.
2:34
It may
2:35
interest you to know that this will also be the first time the society has been
2:39
able to stage play of this scale. There's no question that usually we have to
2:44
contend with a small budget, such as in last year's presentation of
2:48
of raw dolls, James and the Peach.
2:51
Of course, during the run of that particular show,
2:54
the Peach spoiled and we were forced to present
2:57
a hastily devised alternative entitled,
2:59
James, where's your Peach?
3:02
Finally, we can afford to stage a play as it should be
3:05
and which, may I say, has been exceptionally well cast.
3:10
I'm sure no one will forget the problems
3:12
we've faced with casting before,
3:14
such as our Christmas presentation of Snow
3:17
White and the tall broad gentleman or indeed last year's previous
3:22
pantomime
3:23
another Disney classic ugly and the Beast but
3:28
now on with the main event which I
3:30
am confident will be our best show yet so without further ado please put your
3:35
hands together for Susie H. Kate Brideswell's thrilling whodunit the
3:39
murder at Havisham Manor
4:09
Charlie, are you ready?
4:11
We're all waiting downstairs to raise a glass.
4:13
your engagement charlie come along now charlie you've been in there for hours
4:18
now if i didn't
4:19
know better i'd say we're having second thoughts about the wedding hang in our charles if
4:24
you
4:24
won't come out we're coming in darn it he's locked the door where are the keys to the door perkins
4:30
here they are mr corner more thank you perkins let's guess this door open we're coming in charlie
4:35
we're coming in there we are we're
4:41
In. But what's this? Charles, unconscious?
4:45
Asleep surely, Mr. Cullimore.
4:47
Darn it, Perkins, I hope so.
4:49
I'll take his pulse.
4:50
Blast! I knew something was wrong. It's so unlike Charles to disappear like this.
4:56
Sir, he's dead.
5:02
Dead? Darn it, Perkins, he can't be. He's my closest friend.
5:06
He's not breathing, sir, and there's no hint of a heartbeat.
5:09
I'm dumbfounded he was right as rain an hour ago I
5:14
don't understand he was fit
5:15
as a fiddle he can't be dead it doesn't make any sense of course it makes sense
5:20
he's been murdered
5:26
good God where's Florence the dining room sir shall I fetch her not yet the last
5:31
thing we need is for her to have another one of her hysterical episodes yes sir
5:36
I think
5:37
murder or perhaps it was suicide. Suicide? Charlie? Not possible.
5:42
There was never a man with more zest
5:44
for life than Charlie. He was young, rich, and soon to be married. One earth would he commit suicide.
5:49
But why on earth would someone murder him? Charles was such a good man. Generous, kind, a true
5:57
philanthropist. He's never had an enemy in his life. Not until today it seems. Hang it all,
6:03
Charles Havisham has been murdered in code blood.
6:05
in this very room on this very day in this very room shall
6:10
i telephone the piece mr
6:11
cornwall the police they wouldn't make it out here for days in this snowstorm
6:19
i'll telephone inspector carter he lives just on the other side of the village
6:22
he'll be here in next to no time hand me the receiver perkins
6:28
thank you perkins good evening give me inspector carter
6:33
know it's late. Sir, I don't care about the weather. There's been a murder. Someone's
6:37
murdered Charles Havisham.
6:43
That's right. Thank you. He's on his way.
6:46
Inspector Carter.
6:47
They say he's the best darn inspector in the district. He'll crack this case and quick.
6:51
Very good, sir. And what shall I do?
6:54
Lock every door, man. Not a soul gets out of Havisham Manor until the killer is found.
6:58
Right away, sir.
6:59
And assemble everyone in here.
7:01
once, sir. Good God, just an hour into the engagement party and already
7:07
there's been
7:07
a murder. Florence? Charlie! Get out, Florence. You can't be in here. No, I can't believe
7:12
what I'm seeing. My God, he looks so frail
7:18
lying there. I'm sorry, Florence. It's a shock
7:20
to all of us. His skin is cold to the touch. No, don't touch him, Florence. I must. You
7:25
mustn't. Unhand me. Oh, Charles, one last embrace.
7:29
I cannot bear to see my sister in such grief.
7:31
Who could do such a thing,
7:33
the night of our engagement party?
7:35
Cecil, quick, your brother's dead.
7:37
This way, Mr. Havisham.
7:39
I'm coming, Miss Collymore, brother dead?
7:43
It can't be.
7:44
Calm yourself, Cecil.
7:45
Pour him a stiff drink, Perkins.
7:47
Yes, sir.
7:49
Oh my God, he's drunk the whole bottle.
7:52
There's not a drop left.
8:06
There's no one to drop left.
8:08
Hang it all, there's another on the shelf.
8:14
Oh yes, this one's four.
8:17
This is unthinkable.
8:19
I mean, who on earth would have a motivation to murder Charles Havisham?
8:21
I can't imagine.
8:23
It's horrifying.
8:24
Right here in his own private rooms.
8:26
It's terrible, just a week after our engagement.
8:33
Thank you, Perkins. He was a good brother.
8:40
That's the best whiskey I've ever tasted.
8:44
Have another to calm your nerves.
8:47
Thank you, Perkins.
8:49
Make it a double.
8:54
Oh, my Charles! My Charles! My head is spinning! I'm going to become hysterical!
9:00
Calm down, Florence. Another whisky, sir?
9:05
I can't believe Charles sat up here alone, drinking, when he was supposed to be downstairs with
9:10
us.
9:11
My brother wasn't as happy as he led people to believe.
9:14
He didn't use that cheerful mask, that darker side to the person I didn't know about.
9:19
It's true. His smile was just a...
9:23
Because I was fortunate enough to be one of the only people he truly confided in.
9:28
I've lost a real friend today.
9:30
We all have, Perkins.
9:32
I knew Charles ever since school.
9:34
I don't know how I'll ever recover from this.
9:36
You'll move back home with me.
9:37
I'm your brother and I'll have it no other way.
9:40
Perkins is right.
9:41
I was holding a deep sense of melancholy and resentment.
9:45
There's no doubt in my mind it was suicide.
9:49
Cecil, how can you-
9:50
You say that, of course not.
9:51
It was murder, murder in the first degree.
9:53
Nonsense, Demis, Perna, Jaws.
9:56
And I conclude, Perkins,
9:57
him and his journal from the mantelpiece.
10:10
Why, look at the last entry.
10:12
I fear Florence does not love me.
10:15
Night of our engagement party,
10:16
despair engulfs my-
10:18
But I love Charles with all of my heart.
10:21
As I said, dream man with Pernod and Chelsea.
10:31
Lee, Inspector!
10:33
Thank heavens he's here.
10:35
What a terrible snowstorm.
10:37
Good evening, I'm Inspector Carter. Take my case.
10:39
Yes, Inspector.
10:41
This must be Charles Havisham.
10:43
I'm sorry, this must have given you all a terrible shock.
10:46
It did, we're all still reeling.
10:49
Naturally, are any of you the deceased's immediate family?
10:52
I'm Cecil Havisham, I'm his brother.
10:54
I'm Florence Collymore, I'm his fiance.
10:58
Tonight was our engagement party.
11:00
What a sad, sad thing.
11:02
You, have you poured everyone a stiff drink?
11:05
Yes, Inspector.
11:12
Let's raise a glass.
11:14
To the man we all love.
11:16
To Charles.
11:25
Listen, you all must be distraught, but forgive me.
11:28
The sooner I can begin my enquiries, the sooner we can get to the bottom of this ghastly business.
11:35
If you'd be so kind as to bring the body downstairs so I can examine it.
11:39
Yes, Inspector.
11:40
I'll lend you a hand, Perkins.
11:42
Then lock all the doors to the house and prepare this room.
11:45
I'll conduct my inquiries in here afterwards.
11:49
And you're using the cause of death?
11:51
Could be a number of things.
11:54
Suffocation, strangulation, poison.
11:56
Before fully examining the body, I wouldn't like to say.
11:59
How could someone do it?
12:01
Try not to think about it, Miss Collymore.
12:04
Once I finish downstairs, I'll speak to you each individually,
12:06
and then perhaps you can get some space to calm your nerves.
12:24
Thank you, Inspector.
12:26
This is all more than I can bear.
12:29
I'll be back as soon as I've finished examining the body.
12:47
Thank you.
13:19
Thank God they've all gone.
13:21
Don't say a word.
13:23
If they find out about us, we'll be suspects.
13:25
You and I were having an affair.
13:28
It doesn't mean we killed him.
13:29
Of course not.
13:30
But that's what the inspector will think.
13:32
He's fine.
13:33
We'll just carry on with everything.
13:34
Just as it was.
13:38
Except now you won't be forced to marry my beastly brother.
13:40
And soon we can be together and not keep secrets.
13:44
But Florence, what are we here? Just yours.
13:46
Let me see one quick embrace.
13:48
Cecil, we can't. If we're caught, it would be the end.
13:50
Oh, Florence.
13:52
The inspector acquires a pencil.
13:53
What on earth is going on in here?
13:56
Sorry, I felt flustered.
13:58
Cecil was just cooling my brow.
14:00
Just cooling her brow?
14:02
See how my sister's brow is any business as yours, Havisham.
14:06
Don't be a prick, Tom.
14:07
Cecil was only trying to help.
14:09
Yes, Tom?
14:10
Very well.
14:11
If you'll excuse me, I have the pencil.
14:25
Thank God he's gone.
14:27
The man is such a nuisance.
14:28
He's my brother.
14:30
Oh, Lawrence, let me look at you just once.
14:33
Oh, Cecil.
14:35
Sorry to disturb you, Miss Collinmore, Mr. Havisham.
14:38
I've come to collect the keys to lock us all inside.
14:41
Is everybody a telephone, Perkins?
14:42
I shall lock the doors at once.
15:03
you don't think Perkins suspects us do you that awful of course
15:08
not oh Cecil
15:10
love makes me forget myself I forgot the inspector's notebook what in God's
15:15
name
15:15
I was about to faint Cecil caught me I don't appreciate you
15:20
trying to get your
15:21
hands on my sister the night of her fiance's death you ought to take better
15:26
care for that
15:26
I'm overcome I haven't time for this. I have the notebook now. I'll be on
15:32
my way
15:44
Blasted interruption. Kiss me Cecil. Oh Florence you make my heart beat out of my chest. Your
15:50
eyes send me into a dream. Oh Cecil
15:55
Oh Cecil. Oh Cecil. Cecil. Cecil.
16:02
Sorry to interrupt you again, Mr. Connell, Mr. Havisham. I've come to prepare
16:07
the room. Thank you, Perkins. Put them on the mantelpiece.
16:35
At last, we're alone.
16:39
Oh, Cecil, let's run away from here, far away, together.
16:44
Soon, my love, you must be careful, you must enter our suspicion.
16:48
Cecil, tell me, who do you think he'll charge?
16:51
I don't think there's any question. He was killed by your brother, Thomas Coleymore.
16:56
My brother? What a devil of a situation this is!
16:59
Not so fast, Inspector!
17:12
But why would Thomas want Charles dead?
17:16
Isn't it obvious he was always buried and possessed?
17:19
when it came to you. He didn't like the idea
17:21
of his best friend marrying his sister.
17:23
He started together at tonight's engagement
17:25
party and it drove him half mad.
17:27
And he's not at Charles.
17:29
But if it is, Thomas,
17:31
what if he finds out about you and I?
17:33
I don't think there's any doubt in my mind.
17:35
He tried to kill us just like he killed Charles.
17:37
Oh, I feel faint again.
17:39
Don't worry, Florence.
17:41
Just follow my lead. I'm sorry to have
17:43
kept you, but now that I've inspected
17:45
the body more closely, I will interview
17:47
proceed. Perkins, bring in Charles' personal effects. Where would you like
17:52
them, Inspector?
17:54
Sit them down on the mantelpiece. As you wish, Inspector.
18:11
Don't go, Perkins. I...
18:15
I'd like to ask you a few questions first.
18:17
Mr Havisham, Miss Collymore,
18:19
perhaps you'd be so kind as to give us a moment's privacy.
18:26
Don't just stand there, Perkins.
18:32
I don't smoke, but you go ahead.
18:35
How are you feeling, Perkins?
18:37
A bit shaken, sir, but I'll be fine.
18:45
you were close with Charles Havisham yes sir very
18:50
close you don't appear very upset by his death
18:54
on the contrary I've barely taken it
18:59
in oh Charles was such a good man it's true
19:02
you met him once briefly at the local police station he
19:12
Evening, Inspector.
19:15
Once, briefly, at the local police station.
19:18
Of course they didn't notice.
19:20
Police station.
19:21
He came in as a consultant on a fraud case I was working on.
19:25
I see.
19:27
How long have you been working at Havisham Manor?
19:29
80 years.
19:33
80 years?
19:35
Eight.
19:37
Eight years.
19:38
And have you enjoyed...
19:39
Your time here?
19:40
My time with Mr. Havisham has been a joy.
19:44
I felt like I've not only been a butler to Mr. Havisham,
19:49
but also a friend, a confidant.
19:52
If you need me, I will be in my quarters.
19:55
Exits.
20:01
If you'd be so kind as to send in Florence Collymore
20:04
on your way out.
20:06
I'm already here.
20:07
Don't ask too much of me, Inspector. I feel fragile as glass.
20:11
Don't ask, Ciccata. She's been through a lot tonight.
20:13
At last, Collymore. You found me a pencil?
20:16
Yes, Inspector.
20:19
Thank you. And my notebook?
20:23
I knew I'd left them somewhere. Now I must speak to Miss Collymore alone.
20:27
Very well. I'll be in the library, Florence.
20:31
Don't fret, Miss Collymore. My questions will be brief and to the point, and then you can get some...
20:36
Firstly, how old are you, Ms. Collymore?
20:38
Twenty-one.
20:40
I'll make a note of that.
20:43
How long ago did you first meet your fiancée?
20:45
Only seven months ago, but my brother has known him for years.
20:50
When are you due to be married?
20:51
In the new year.
20:52
Well, that's enough notes for now, Ms. Collymore.
20:54
Did you...
20:55
When you love someone, there's no such thing as rushing, Inspector.
20:58
Did you ever think you were rushing into this marriage?
21:02
Why wouldn't I love him?
21:03
Did you love him then?
21:05
How could anyone have benefited?
21:07
Can you think of anyone who might have benefited from your fiancé's death?
21:12
Not even Cecil.
21:14
Don't tell me to calm down.
21:16
Calm down, Miss Collymore.
21:17
I wasn't having an affair.
21:19
Don't raise your voice to me, Inspector.
21:21
You were having an affair.
21:23
What letter?
21:24
Then how do you explain the letter on the mantelpiece?
21:26
I didn't write that letter.
21:28
You wrote that letter.
21:29
You've read my letter.
21:30
Where do you find it?
21:31
Addressed to Cecil, written in your hand, declaring your love for him, and how the thought of marrying
21:37
Charles repulsed you.
21:38
Charles read it.
21:39
You read my letter. Where did you find it?
21:42
In Charles' pocket.
21:44
Charles read it? That it was suicide.
21:47
Or a murder conceived by you and Cecil Havsham, so you could run away together.
21:52
How could you say such a thing? It's true, Cecil and I were having an affair.
21:57
We loved each other, but that's all. Neither...
22:00
wanted to hurt Charles let alone kill him. It's my job to ask difficult
22:04
questions Miss Collymore. I'm sorry if this upsets you. Upsets me? How dare you?
22:09
My fiance was murdered in this very room a matter of hours ago. I find your manner
22:14
most unbefitting. I shall make a formal complaint to Scotland Yard. Scotland Yard
22:18
will not listen to the complaints of a murderess. You diabolical beast! How can
22:23
you? I won't stand for this. Accuse me again and you'll be a son. What's going on in
22:28
effect. What's up? I'm
22:33
merely interviewing Miss Collymore. Nothing more. But Lawrence,
22:38
calm down. Stop shouting. She's having one of her episodes.
22:44
Snap out of it. You're hysterical.
22:47
Come back here this instant. She's run off. I'll
22:53
fetch her back. You stay here, Cecil,
22:55
and that's it.
22:56
the inspector has some questions for you.
22:57
You were a child's brother, after all.
23:01
I'm sorry, Inspector.
23:02
She's badly shaken.
23:04
We all are.
23:05
It's been quite a night, and it's getting late.
23:07
Eleven o'clock already.
23:09
Well, Inspector, do you have any questions for me?
23:11
Oh, yes, Mr. Havisham.
23:13
Similar questions to those I asked Miss Colleymore.
23:16
Fire away, Inspector.
23:18
I'm at your service.
23:20
You and your brother.
23:21
Did you get along well?
23:22
Up and down.
23:24
Without a doubt, Lucy had a strain on our relationship.
23:27
It was no secret.
23:28
Father cared for Charles more than myself.
23:30
This is your father in the portrait, is it not?
23:34
It is.
23:35
He looks the spit of Charles, doesn't he?
23:38
He did, ever since he was quite young.
23:40
You were the junior by four years?
23:44
Almost four, yes.
23:46
And didn't I know it?
23:47
Charles patronised and embarrassed me throughout our childhood.
23:50
He always thought he knew best.
23:52
And Father always took his side.
23:54
If he ever didn't hit his way, he was unbearable.
23:57
He sounds far from the ideal brother.
24:00
It sounds like you hated one another.
24:02
It's true.
24:03
Charles and I never saw eye to eye.
24:05
But if you're suggesting it had something to do with his death, you're mistaken.
24:09
I see.
24:12
It's a dark night, Cecil.
24:16
Inspector?
24:17
You can barely even make out the trick.
24:20
What are you saying, Inspector?
24:23
I'm saying, Cecil, that tonight would be the perfect night for you to murder your brother.
24:28
Inspector, please. Me and my brother had our differences. But deep down, we cared for one another.
24:33
And yet you had an affair with his fiancée.
24:36
What on earth gave you that idea?
24:38
The letter I found in Charles' pocket from Miss Collymore to yourself.
24:42
You know about that?
24:44
As it seems did Charles.
24:46
Well, bravo, Inspector.
24:48
You'll find out about Florence and I, and of course nothing.
24:52
We didn't have a thing to live with Charles' mother, but I can tell you who does.
24:56
Thomas Coleymore.
24:58
But he and Charles were old friends, were they not?
25:01
He's a dangerous little hatred man, with devil of a temper, and Florence and his sister.
25:05
I've said it before, and I'll say it again.
25:07
He couldn't give up his sister to any man, much less his old school chum.
25:11
So now the engagement party made him lose control, and he lashed out at Charles.
25:15
A crime...
25:16
passion perhaps, but there it is. Thank you, Mr. Havisham. You've been most
25:21
helpful. Perhaps you could fetch Thomas Coymore. I'm going to need to follow more
25:25
than one line of encreed at a time to get to the bottom of this. Inspector.
25:31
Hang it all, Charles. Who could have killed you? Everyone under this blasted
25:35
roof seems guilty. That's strange. There's something
25:41
underneath these cushions. A
25:47
a ledger, a
25:52
ledger, a
26:04
ledger, a ledger.
26:14
A ledger!
26:29
Ledger?
26:36
Ledger.
26:40
Ledger. Don't look at me. You know, I
26:46
had really high hopes for this show. Really high hopes. Stop
26:51
laughing. Stupid Americans.
26:56
I'm from Menlo Park. I go to Stanford and I work at Google and I like
27:01
to make fun of people who don't have their...
27:03
Ledger! With Charles' initials conscribed onto...
27:08
cover. What's inside? Notes? Bills? What's this? The
27:14
last will and testament of Charles
27:15
Havisham? Dated only today. Let me see. I,
27:26
Charles Havisham, hereby amend my last will
27:28
and testament to leave my money, Havisham manor, and all its contents to one. Good
27:34
Lord!
27:38
Thomas Coleymore for you, Inspector.
27:40
Ah, thank you, Cecil.
27:42
Tell me, did Charles have a study where he kept his papers?
27:44
Of course.
27:45
Second door under eight.
27:46
I'll return presently.
27:49
Take a time, Inspector.
27:52
Did he find Florence?
27:53
She ran out onto the grounds.
28:30
Tell me, Thomas, what do I find when I ch-
28:33
and Florence's engagement.
28:35
I was overjoyed, of course.
28:37
I love Florence and I love Charles.
28:40
I couldn't have approved more of the matter.
28:43
But, Colliemore, it's so well-known
28:46
that you're protective to your sister.
28:50
I'll get it.
29:07
good evening it's for you what the
29:12
devil is it your accountant's Collymore at 11 13 the evening
29:16
yes good
29:22
evening Thomas Collymore speaking it is inconvenient yes my
29:27
recent deposits
29:29
them discrepancies what are you talking about man gone gone
29:34
where nine thousand
29:36
pounds stolen good god man Perkins get in here yes
29:46
sir Perkins fetch me my bank
29:50
book your bank book sir
29:57
This is an absolute disgrace.
29:59
How could you allow this to happen?
30:01
I shall report you to your superiors.
30:03
Who am I speaking with?
30:05
Mr. Fitzroy.
30:06
I'll write that name down.
30:14
I shall have you know that this telephone call has put me in a very difficult position.
30:19
I shall hang up the phone this instant.
30:23
What is it, Cullimore?
30:25
stolen from my accounts good lord nine thousand pounds stolen from my private
30:30
savings most
30:31
irregular what a ghastly business first my eldest friend murdered in cape blood and
30:37
then i find
30:37
myself on the edge of financial ruin this evening could get no worse thomas i
30:42
have a confession
30:43
i wasn't going to say anything but well this might seem to have found out and blasted
30:48
i'm
30:49
tired of keeping secrets spit it out cecil well florence and i were having
30:53
an affair. What? You and my
30:58
sister? Now calm down, Coleymore. I knew it. You were always
31:01
a snake in the grass. It's not what you think. We're in love. My sister does not love you.
31:06
How dare you lay a finger on her, your own brother's fiance. It's disgusting. No wonder
31:11
your father hated you. Don't speak about my father,
31:17
La White Coleymore. Well, it seems
31:20
there's no doubt about it.
31:21
who killed Charles anymore.
31:22
He was killed by his own vile little brother
31:24
in a fit of jealous rage.
31:26
I shan't stand for this, Coley Moor.
31:28
You'll be sorry you'll have a finger on her, Abisham.
31:31
You'll be sorry.
31:55
Gunshots in the library!
31:57
By Jove!
31:58
Dear God, what's going on?
32:00
I don't know. I was in here when I heard screams from downstairs.
32:04
Get in here now, Florence. It's not safe down there.
32:13
Thomas, I'm frightened.
32:16
Don't worry, Florence. You're safe.
32:17
here. What's going on? Isn't it obvious? Cecil has lost control.
32:23
Kessel? Shall he not? He killed
32:25
Charles tonight, driven mad by his love for you, and now he knows we've found him out. I cannot
32:31
bear
32:31
it. Kessel would not do such a thing. Of course he would, the blasted lunatic. You used to
32:36
trust
32:36
people, Tom. You've changed. This is a fine mess, sir. The last
32:41
night I've seen in 88 years of
32:44
service.
32:45
Save me, brother, save me.
32:49
I shan't let anyone hurt a hair on your head, Florence.
32:52
What's your, I'm panicking, I can't believe.
32:56
Kessil?
32:57
Cecil.
32:59
Cecil is doing this.
33:02
Try to stay calm, Miss Collamore.
33:04
I shall faint.
33:07
You shan't faint, confound it.
33:09
What a devil of a situation this is.
33:11
Not so fast, Inspector.
33:34
We're all going to thrive tonight, do you hear me?
33:40
Take cover!
33:41
Great Scott!
33:41
Good heavens.
33:43
I may.
33:43
Don't panic.
33:44
Cecil's crossing the landing.
33:45
We must lock him out.
33:47
Where are the keys to the door, Perkins?
33:51
Here they are, sir.
33:57
Quickly, Perkins.
33:58
Hand them to me before Cecil.
34:01
Good lord.
34:05
Cecil's dead.
34:05
A double.
34:09
Romada!
34:11
Romama, Gaga, oh la la!
34:18
Time of death, quarter to midnight.
34:20
Cecil, no, no, I loved him, I loved him.
34:24
I know it's wrong, I know I was engaged, Charles,
34:26
but Cecil's was mine and...
34:32
I was his, I loved him.
34:35
There, there, Miss Colomore.
34:36
One, two, three.
34:38
How will I go on?
34:39
But who could have killed him?
34:41
That's a good question, Mr. Colomore.
34:43
One we need to answer quickly if we all want to get out of this house alive.
34:47
Oh, Inspector, you've given me a chill.
34:49
Perkins, pour us all another scotch.
34:51
Of course, Inspector.
34:53
Now tell me, is there anyone you know of still on the grounds other than the four of us?
34:58
Not at all.
34:59
Staff all go home at the weekends, except for Perkins, of course.
35:11
Oh good god I needed that. Does anyone have access to the grounds? No one inspector.
35:17
I'm the only one with the master key and as instructed I locked and bolted the doors as
35:22
soon as we arrived. Then who could have killed him? That's a good question Mr. Connemore. And
35:27
one we need to answer quickly if we all want to get out of this house alive. Oh inspector you've given
35:32
me a chill. Perkins.
35:34
pour us all another scotch of course inspector now tell
35:39
me is there anyone you know of still
35:41
on the grounds other than the four of us not at all the staff all go home at the weekends
35:46
except for perkins of course good god i
35:51
needed that does anyone have access to the grounds no
35:54
one inspector i'm the only one with the master key and as instructed i locked and bolted the
35:59
doors as soon as you arrive then who could have killed
36:02
him? That's a good question, Mr. Colmore. And one we need to answer quickly if we
36:07
want to get out of this house alive. Oh, Inspector, you've given me a chill.
36:11
Perkins, pour us all another scotch. Of course, Inspector. Now tell me, is there
36:15
anyone you know of still on the grounds, other than the four of us?
36:18
Got us all. Stop. All go home at weekends, except for Perkins, of course.
36:26
Good God, I needed that. Does anyone have access to the grounds?
36:31
No one, Inspector.
36:32
I'm the only one with the master key, and as instructed, I locked and bolted the doors
36:37
as soon as you arrived.
36:39
Then who could have killed him?
36:41
That's a good question, Mr. Colomore.
36:43
And one we need to answer quickly if we all want to get out of this house alive.
36:46
Oh, Inspector, you've given me a chill.
36:49
Perkins, pour us all another scotch.
36:51
Of course, Inspector.
36:52
Now tell me, is there anyone you know of still on the ground other than the four of us?
36:57
Not to stop.
36:58
All go home at the weekends, except for Perkins, of course.
37:04
Good God, I needed that.
37:06
Does anyone have access to the grounds?
37:08
No one, Inspector.
37:10
I'm the only one with the master key, and as instructed, I locked and bolted the doors
37:15
as soon as he arrived.
37:17
Then who could have killed him?
37:18
That's a good question, Mr. Colomore.
37:20
And one we need to answer quickly if we all want to get out of this house alive.
37:25
Oh, Inspector.
37:26
you've given me a chill. Perkins, pour us all another scotch. Of
37:31
course, Inspector. Now tell me,
37:34
is there anyone you know of still on the grounds other than the four of us?
37:39
Not so. The staff all
37:40
go home at the weekends except for Perkins, of course. Good God, I needed that.
37:46
Does anyone
37:47
have access to the grounds? No one, Inspector. I'm the only one with the
37:52
mask key. Now the
37:53
instructor did I locked and
37:54
to the doors as soon as he arrived then who could have killed him no
38:01
one could
38:01
have killed him except the people in this room you're right it's one of us
38:07
hang it all I'm stuck in a room full of murderers blast and blimey one
38:13
of you
38:13
killed Charles and Cecil Havisham and we shan't leave the house until the matter
38:16
is solved you take this body outside yes inspector I'll lend you a hand Perkins
38:28
Thank you.
39:04
So, let us go over the facts.
39:07
Oh, it's such a terrible night.
39:08
Florence, you were engaged to be married to Charles,
39:12
a man who, according to your letter, you despised.
39:15
Not only this, but you were having an affair with his brother.
39:19
Cecil, it seems plausible to me that you both murdered him so you could be together.
39:24
Please, Inspector, Cecil's dead too now and I certainly didn't kill Charles.
39:28
What's going on, Inns?
39:29
You're lying, Florence.
39:31
You killed him.
39:33
She's having another one of her hysterical episodes.
39:40
Try to relax, Miss Colomar.
39:43
Florence, behave with some decorum.
39:46
Remember yourself.
39:50
Someone ought to fetch her medication.
39:54
Someone's locked the door.
39:56
Good God, we're trapped.
39:58
Trapped?
39:59
My God.
40:03
You killed your fiancee, Florence.
40:05
What do you have to say for yourself?
40:13
I am in honor of
40:14
woman inspector you're lying Florence you killed him I won't stand another
40:20
second of this inspector
40:21
you're all beasts did you enjoy killing your husband Miss Collymore how dare
40:26
you make such
40:27
an accusation inspector now calm down Florence really I won't stand another minute
40:32
in this room
40:32
if I can't get out the door I shall descend from the window oh my god she's
40:38
trying to climb out
40:39
of the window don't climb out
40:42
the window, Florence. Florence, no.
40:50
I am no murderer. Calm down, Miss Coymore. You and
40:54
Cecil both have plausible motives for murder, but not the true motive. What are you saying,
41:00
Inspector? I'm saying the true motive belongs to Perkins. Perkins?
41:06
Me, Inspector? You, Perkins.
41:08
A little earlier, I stumbled across...
41:11
Charles' newly written, last will and testament, dated only today,
41:15
declaring that Charles wanted to make Perkins the sole beneficiary of his inheritance.
41:20
Surely not Perkins.
41:22
There must be some mistake. I haven't killed anyone.
41:25
Save your pleading for the police station.
41:27
Cuff him, Thomas.
41:31
I'll drive you there myself as soon as the snowstorm has passed.
41:35
That won't be for hours. The snow's at its peak.
41:38
There must...
41:39
It's not true, I tell you.
41:41
Surely Perkins didn't kill Cecil as well?
41:47
Wait, you know who killed Perkins?
41:51
Or Cecil, that's right.
41:54
I do!
41:55
Who?
41:57
The inspector did!
41:59
What on earth?
42:01
Poppycock!
42:01
You did it and I know why!
42:04
Shut your mouth, Perkins!
42:05
You did it because Charles knew...
42:07
about the police money, and you were embeezling.
42:12
Nonsense.
42:14
You said, you mentioned that you had a few
42:20
rendezvous with Charles at the local police station.
42:24
You mentioned he was a consultant
42:27
on a fraud case you were working on.
42:28
Well, what of it?
42:30
Charles came home that evening very intrigued
42:33
by the whole case.
42:33
He decided to leave.
42:35
to the matter personally and he found out no rest had been made
42:40
because the man committing
42:41
the fraud was yourself. You were embeasling. You were the perpetrator.
42:49
You were the perpetrator.
42:50
You can't prove it. Charles, good. That's why you killed him. Never. I
42:56
know your secret,
42:57
Inspector. What will you do? Kill me too? I will.
43:03
Confound it.
43:04
What a devil of a situation this is.
43:07
Not so fast, Inspector.
43:13
Mr. Havisham?
43:15
Charlie, I thought you were dead.
43:17
You're alive?
43:18
It's not possible.
43:19
Oh, I'm afraid it is.
43:20
You couldn't kill me that easily.
43:24
How did you survive?
43:25
I simply did not drink that poison water you left out for me this afternoon.
43:28
How did you know it was me?
43:30
I told Perkins.
43:31
We've been working together all along.
43:32
Ever since we last met at the police station,
43:34
it became clear you thought I was onto you.
43:36
It was at this point I became afraid you tried to kill me.
43:39
For months now I've had my guard up
43:40
and tonight you fell into my trap.
43:43
You've been hiding in the grounds
43:44
ever since this afternoon when you planted the poison.
43:47
I thought it was strange you got here so quickly
43:50
in such terrible weather.
43:59
You found Charles' will in the ledger and tried to blame the whole thing on me.
44:04
You darn crafty devil.
44:06
Crafty indeed.
44:07
But I can see it as innocent as I am.
44:09
Remove those handcuffs this instant.
44:17
Drop the gun, Inspector.
44:19
I'm me.
44:21
I came here to kill you, Charles, and I won't leave until the job's done.
44:25
It's over, Inspector.
44:26
I could prove your guilt.
44:27
a second. I have the evidence in my study. So to the papers, Perkins. Yes, sir.
44:33
Lower
44:34
your weapon, Inspector. It's over. Please, Inspector, you're frightening me. You
44:40
ought
44:40
to be frightened. You monster, you tried to kill. You monster, you
44:45
tried to kill Charles
44:46
and you killed Cecil. How could you? I'll admit, I tried to kill Charles, but
44:51
I never
44:52
went anywhere near Cecil. In fact, when I discovered you...
44:55
he were having an affair I was overjoyed I heard the perfect man to pin it on until my accomplice
45:01
blundered in it's true and your accomplice I regret to say has been my friend ever since we're in
45:05
school isn't that right Thomas Collymore it's true I'm the inspector's accomplice I
45:10
hope to
45:10
move the money brother I'm surprised at you brother I'm surprised at you I don't know
45:16
what
45:16
you've become I'm so ashamed I met inspector Carter here a few months ago down in my club
45:21
we found between us we could steal from the police
45:23
the sundry fund accounts easily. Carter had the access and either facility to move the money fast
45:28
and keep it secure. Or so I thought until tonight. Line? I
45:36
don't know what page Ron made.
45:38
As for Cecil. As for Cecil, that was more of a crime of passion. Simple as
45:43
that. Cecil, but I
45:45
loved him. He was my only. Cecil, but I loved him. He was my only. Thank you, Packins.
45:50
Now fetch my pipe
45:52
Yes, sir.
45:54
Now I hold in my hand a written list of every fraudulent transaction Thomas Corleymore and Inspector Carter
45:59
made.
46:00
This can't be true. I won't believe it.
46:03
This can't be true. I won't believe it. I can't believe it.
46:06
But it is true. When I found out he was interfering with you, Florence, my own sister, well, it
46:11
was more than I could bear.
46:12
Your sword had fair-sickened me, Florence. You broke my heart.
46:15
Charlie, you mustn't. I made...
46:17
I made a mistake. Please take me back.
46:19
be yours all over again. Take back a woman who's betrayed me? Never. Charlie,
46:25
you're all I have. Love me, please. Don't clap next time. I shall be an outcast
46:30
in town. My friends don't speak to me. Let me be your wife. Yes, sir. That'll
46:35
be pleased to arrest you both. I cannot bear another. Charlie, I cannot bear another second. Look at
46:40
me. Silence, Florence. You're nothing to me now. This is the worst night of my life. No, no,
46:45
no. This is
46:47
This is the worst night of my life!
46:49
No, this is the worst of mine.
46:51
But Thomas, Carter had you fooled, didn't he?
46:53
What do you mean?
46:54
He never intended to share the money with you.
46:56
Let me summarize.
46:57
I love you, Charlie!
46:59
Inspector Carter knew that I discovered you and he were both
47:01
embettling police money, so you hatched a plant to kill me,
47:05
planting poison water for me.
47:06
I've still got the ring, Charlie! We can make it work!
47:09
For me, drink!
47:10
And then, mistakenly believing I was dead,
47:13
Inspector Carter tried to pin my murder on Cecil and Florence
47:16
affair until your accomplice blundered in, in short, my brother Cecil.
47:19
Carter then tried dipping on Perkins after finding my will on the ledger.
47:22
Take me back, Charlie, if you know what's good for you!
47:26
Except, what you didn't know, Thomas, was that Carter made 9,000 pound withdrawal from
47:30
your private accounts this afternoon.
47:31
After framing someone for my murder, I planned to flee, taking every penny.
47:35
I think it's time to open your tacho case, Inspector.
47:44
The 9,000 pounds!
47:45
He allowed you to take all the risks by storing the stolen money in your private accounts.
47:49
Isn't that right, Inspector?
47:50
All right, it's true.
47:52
I forged your signature in the bank and took out every penny.
47:55
I hadn't bargained on your account into catching on this quickly and telephoning you so soon.
47:59
You rogue!
48:01
I trusted you.
48:02
You made a mistake there, Carter.
48:03
I'm afraid it's your last.
48:10
Oh, my fingers!
48:12
The officers are waiting in the hall, sir.
48:36
Excellent.
48:37
I've got my fiancé downstairs, Perkins.
48:40
I wish to have a word with Thomas in private.
48:42
Yes, sir.
48:43
Thomas, you're not the man I know from Eton.
48:46
You've become greedy and jealous.
48:47
I'm sorry, Charles.
48:49
It feels like I'm about to pass out.
48:50
There's a glass of water by the telephone.
48:52
Oh, thank you, Charles.
48:53
Ever the kind host.
48:54
Drink it up.
48:55
Most kind.
48:56
Now tell me, Thomas, one thing.
48:58
Anything, Charles.
48:59
I shall tell no more lies.
49:00
The glass of poisoned water the inspector left out for me this afternoon.
49:03
What do you suppose I did with it?
49:06
Well, I don't know.
49:08
What do you mean?
49:09
You mean you gave me a...
49:10
Charlie, Charlie, no, no, no!
49:16
Oh, how I wish this could have ended differently.
49:18
Thomas, your lies and decease
49:20
have led you inexorably to this end.
49:22
If men allow their conscience to be governed by avarice,
49:25
then death and destruction shall prevail.
49:27
Betrayed by my brother.
49:34
Betrayed by my fiance.
49:36
and almost murdered by my oldest friend.
49:38
Let us hope we never again see a murderer
49:40
at Havasham Manor.
50:04
It's fun when you're with me.
50:06
The rest of the room is not the same with all of them.
50:10
Baby, when it's love, if there's no weapon, it's mine.
50:14
Oh, oh, oh, oh, oh, oh, oh, oh.
50:19
I'll get your mind to the morning, God.
50:22
Oh, oh, oh, oh, oh, oh, oh.
50:26
I'll get your mind to the morning, God.
50:30
Can't be mine, can't be...
50:32
No, we can't read them out of the poker face.
50:36
She ain't got me like nobody.
50:38
Can't read my, can't read my,
50:40
No, we can't read them out of the poker face.
50:44
She ain't got me like nobody.
50:47
B-b-b-b-boker face, b-b-b-boker face.
50:50
B-b-b-boker face, b-b-boker face.
53:49
Thank you.