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Hillview Middle School Dance Show - Friday March 7, 2025
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HillviewTV Team
·
March 09, 2025
·
1:31:55
Hillview Middle School Dance Show - Friday March 7, 2025
Transcript
0:06
Ladies and gentlemen, welcome to the Hillview Dance Show.
0:16
The students in the PE dance classes have been working hard all year learning dances
0:20
and creating their own dance projects.
0:22
For some students, they just started dancing in August, and for many, this is their first
0:27
dance show.
0:27
So thank you.
0:28
for supporting these amazing students a few notes before we begin the show please no flash
0:33
photography as it distracts the dancers please note that the aisles and walkways need to remain
0:37
clear the seats in the very front also need to remain open as some dancing takes place on the
0:42
floor finally if you could take a moment to silence your phones we will be on with our show
0:49
and now here is hillview dance 2025.
1:02
Thank you.
2:12
We'll be right back.
2:48
I don't want to stay on the way you let me know
2:53
I don't want to stay on the way you want to stay on
2:59
the way you need somebody
3:03
I don't want to stay on the way you let me know
3:10
Don't shoot me, don't call me
3:13
Don't stop caring about me
3:26
We'll be right back.
3:45
Somebody
3:46
If you wanna believe
3:52
it
3:52
And you can tell me
3:56
Don't show up
3:58
Don't go down
3:59
Don't stop caring
4:02
Help me know
4:03
Walk away
4:05
You know how
4:07
Don't stop caring
4:09
Help me know
4:20
We'll be right back.
4:42
Thank you.
5:41
All the right junk in all the right places
5:45
Dance like a daddy
5:53
Dance like
6:00
a daddy
6:00
Dance like a daddy
6:07
Push down that flow
6:09
Shoulder roll, shoulder roll
6:11
Push down that flow
6:12
Shoulder roll, shoulder roll
6:14
Now hitch to the left
6:16
Hitch to the right
6:19
And your old man overbite
6:21
Touch your nose
6:24
Touch the tongue
6:43
We'll be right back.
7:08
Thank you.
7:57
I'm gonna have a good time
8:00
I'm scared of
8:06
Let's see where that's why
8:07
So let's go
8:09
Roll your bumper and wind slow
8:11
Shorty well you can shine and glow
8:14
You got the light now, you got the light now
8:16
All my girls raise your hand
8:19
If you know I need a man
8:22
Cause you're more than good enough
8:24
You gotta
8:25
Womin' up, womin' up
8:26
Just let them go, show them through
8:29
Just make them remember you
8:31
This one's for all my girls
8:33
My girls who
8:35
Womin' up, womin' up
8:46
Head out
8:48
Back to your crowd
8:50
Wave to the crowd
8:51
Give them all away cause you're fine
8:53
So let's go, roll your bump on one or so
8:57
Show you where you can shine and go
8:59
You got the light now, you got the light now
9:02
So ladies, let's go, roll your bump on one or so
9:06
Show you where you can shine and go
9:09
You got the light now, you got the light now
9:12
All my girls, raise your hands
9:14
If you don't need a man
9:17
Cause you're more than good enough
9:19
You gotta
9:20
Woman up, woman up
9:48
Woman up, woman up.
9:53
Thank you.
10:29
We'll be right back.
10:53
Thank you.
11:14
This time I'm done
11:28
What six months later
11:30
Grown up there
11:32
Put you up there
11:33
I won't burn down
11:36
Can't get it
11:38
We'll be right back.
12:10
Thank you.
13:00
We'll be right back.
13:06
Oh, oh, oh, oh.
13:59
Oh, oh, oh.
14:02
We'll be right back.
14:30
Thank you.
15:04
We'll be right back.
15:26
I need you, all night, come on, dance with me, girl.
15:31
I need you, moonlight, warm up, starlight.
15:36
I need you, all night, come on, dance with me, girl.
15:44
I need you.
15:55
We'll be
16:07
right back.
16:23
Be careful, be careful, be careful, and be careful.
16:29
That's a child and boy-old girl so unforgettable.
16:34
Daisy Duke's bikini is on top.
16:38
Stunkist skin is so hot, well, nothing impossible.
16:51
Thank you.
17:29
We'll be right back.
18:15
Oh, oh, oh, oh, oh, oh.
18:43
Take it, take it, take it, oh, we'll always be together
18:49
Oh, yeah
18:51
Take a long day, take it, take it, take it
18:55
Take it, take it
18:58
Take it, take it, take it
19:00
Take it, take
19:06
it, take it
19:11
Thank you.
20:07
Damn, yeah.
20:21
I believe.
20:24
I believe I took a little breath.
20:27
Damn, yeah.
20:32
Do it.
20:38
Let's go.
21:03
Yeah, yeah, yeah, yeah, yeah,
21:11
yeah, yeah, yeah, yeah, yeah.
21:12
I got my mind.
21:15
I think they were feeling better.
21:20
I'm gonna take a little twist on my back.
21:27
It gets me.
21:31
I'm bad at you
21:33
Yeah, I'm not going to hold me to know
21:38
I'm bad at you
21:41
It gets in my mind
21:46
Can I get control of it?
21:50
Well, I can't have you go away
21:52
For more information...
22:02
This girl is scared of me
22:28
Thank you.
22:56
For you, it takes time to affect my personality.
23:00
That is my name.
23:01
I love you, I love you, I love you.
23:19
Thank you.
25:18
It's a new dawn, it's a new day,
25:23
it's a new life
25:25
Oh, have
25:33
I been good?
25:53
Thank you.
26:12
I'm going to bed
26:14
Think of you again
26:16
Lover and friend
26:18
You light me up inside
26:22
Like a month of July
26:23
Whenever you're around
26:26
I always seem to smile
26:28
And people ask me how
26:30
Well, you're the reason why
26:32
I'm dancing in the mirror
26:35
Singing in the shower
26:37
Gotta feel like I'm done
26:50
Thank you.
27:16
Let's go, Annabelle.
27:18
Let's go, Emily.
27:20
Go, Omaha.
27:21
Go, Annabelle.
27:23
Go, Keon.
28:04
We'll be right
28:17
back.
28:33
We'll be
28:44
right back.
29:01
I'ma make it nice and easy
29:03
I'ma make the leap
29:05
Baby, they're looking at you, baby
29:08
Baby, they're
29:13
looking at me
29:16
See, they're looking at me
29:19
Baby, they're looking at me
29:22
Baby, I'ma make it nice and
29:28
easy
29:57
Thank you.
30:25
What you gonna do?
30:53
We'll be
31:04
right back.
31:21
Step 1
31:26
Step 2
31:30
Step 3
31:33
Step 4
32:35
Hello, everyone.
32:41
Is this better?
32:43
My name is Katie D'Anda, and I am.
32:45
I'm the very proud dance teacher here at Hillview.
32:49
Thank you.
32:52
I wanted to take a moment to introduce our next dance
32:56
and kind of share why I put this dance next in our show.
33:01
When I was studying dance at university,
33:03
my great professor, Fred Matthews,
33:06
shared that the dance before your intermission
33:09
needs to be something special.
33:10
It needs to be something that your
33:13
audience will leave and talk about during intermission,
33:16
and it should be as different and emotive
33:20
and unique as possible, and so I knew exactly
33:23
which dance to put right before intermission.
33:25
I want to now introduce Miss Farah to come on up
33:29
and really give a little more context to this dance.
33:32
But we had the wonderful opportunity to work with Miss Farah
33:37
and to learn so much about the style from East India
33:41
that she's going to sh-
33:41
with you so i'm going to pass it over to miss farah to share that with you
33:49
good evening and thank you so much miss and it was just a really heartfelt introduction
33:54
and
33:54
connection there so my name is farah yasmin shake and i have the great privilege in this
34:00
lifetime of being a kathak artist kathak is classical dance of
34:05
south asia it is one of
34:07
eight classical forms south asia being india
34:09
Pakistan, this particular dance form originated in North India, and when Miss
34:15
Deanda invited
34:16
me to be a guest choreographer this year, I of course jumped at the chance.
34:20
I am also a mother of one of the dancers here, and it was really an opportunity.
34:25
I take great honor and responsibility in not just teaching the art, but
34:30
hopefully a little
34:31
context in history, and especially to all of you parents here, I just
34:36
want to commend
34:38
all of you because your children were so open to learning something that likely many of them have
34:42
not. And so this piece is really an opportunity to give them, yes, the fundamentals of
34:48
the technique
34:48
of this form, but again, give them a little context into the culture and
34:54
the rich history in which
34:56
this form comes. So this particular piece is not necessarily
35:01
any particular story. Guttuck itself
35:04
is a storytelling day.
35:06
It's not a particular story, but really invokes, again, sentiment,
35:11
emotion, some elements of nature.
35:14
The syllables you're hearing connects them to the music that we hear in our language
35:19
and our musical language.
35:21
And last thing I'll say is I very particularly chose this piece of music as
35:26
it was composed and performed by a friend of mine,
35:30
Annette Phillip, who was the founder of the Indian Ensemble at the Berklee College.
35:34
College of Music. And she formed an ensemble called Women of the World. And so it actually
35:39
interjects not just elements of South Asian music, but even other. And
35:44
the whole message
35:45
behind it is the collective voice of art, of music, of dance, and
35:50
really the universality
35:51
of what can happen when we use this medium to come together and
35:56
do what is right in the
35:58
world. So we hope you enjoy Derena.
36:02
Thank you.
36:59
Let's do it!
38:21
Transcription by CastingWords
38:28
We'll be right back.
38:56
Thank you.
40:16
Ladies and gentlemen, there will now be a 15-minute intermission.
40:21
Please consume all of your food and beverages in the lobby or outside the pack.
40:26
Food and beverages are not allowed within the house. Thank you.
40:42
Thank you.
42:38
We'll be right back.
43:03
Thank you.
45:51
We'll be right back.
46:24
Thank you.
46:57
We'll be right back.
47:16
Thank you.
49:08
We'll be right back.
49:43
Thank you.
50:04
Cause it's not a touch and you can't believe it
50:07
So do you think I'm gonna be my end?
50:11
Maybe you could be the one to make it
50:14
So do you think I'm gonna be my
50:20
end?
50:23
I've been my end
50:46
This is a
50:54
production of the U .S. Department of Health.
51:01
Thank you.
56:09
Oh, oh,
56:18
oh, oh, oh, oh.
56:37
We'll be
56:44
right back.
57:05
We'll be
57:19
right back.
58:01
Thank you.
58:31
Go, Adela!
58:57
I'm
59:25
Thank you.
59:58
...
1:00:22
Thank you.
1:01:46
We'll be
1:01:53
right back.
1:02:16
I got your hands clapping, I got you watching this
1:02:20
Cause you ain't seen nothing, ain't seen nothing quite like this
1:02:24
I'm it, don't mess with me now, keep working it and on it
1:02:28
Yeah, work it, move it, show it, oh, this is how we do it
1:02:31
Get ready, cause here I go
1:02:35
Give me that standing low
1:02:39
Give me your brain
1:02:42
Oh, yeah.
1:02:43
Give me your praise.
1:02:46
Oh, yeah.
1:02:48
Throw your hands up.
1:02:49
Give me dough that collate.
1:02:51
Then give me your praise.
1:02:54
Y'all ready for the best
1:02:55
we've ever seen?
1:02:56
Oh, yeah.
1:02:59
Give me your
1:03:00
Oh, yeah.
1:03:03
Give me your
1:03:04
praise.
1:03:06
Give me your
1:03:07
Oh, yeah.
1:03:10
And keep on praising me
1:03:11
Give me the royal jewels
1:03:13
And get down on your knees
1:03:15
That crown belongs to me
1:03:17
Make way that comes with me
1:03:19
I'm just doing what I do, yeah
1:03:21
I'm a way that I never lose, yeah
1:03:23
Work it, on it, move it
1:03:25
This is how I do it
1:03:27
I'm gonna do my thing
1:03:29
I'm gonna be me
1:03:31
I got all eyes watching me
1:03:34
Give me your praise
1:03:37
Oh yeah
1:03:38
Yeah, give me your praise, oh yeah, yeah, love.
1:03:43
Are you ready for me?
1:03:45
I'm on my way.
1:03:46
Give me your praise, oh yeah, yeah, love.
1:03:50
Yeah, give me your praise, oh yeah, yeah, love.
1:03:55
You ain't ready for what you about to see.
1:03:58
Give me your praise.
1:04:01
Y'all ready for the best you've ever seen?
1:04:03
Oh, oh, oh, oh, oh, oh, yeah, yeah, yeah.
1:04:16
Bow down and keep on praising me.
1:04:38
Go, Mila!
1:05:02
I'm gonna get my heart out to the dawn
1:05:06
But I won't be done the morning gone
1:05:08
Doing that all night all summer
1:05:11
Gonna spend it like no other
1:05:14
It was a crush
1:05:16
But I couldn't, couldn't get it
1:05:18
It was a rush
1:05:21
But I gave it up
1:05:24
It was a crush
1:05:26
Now I might not want to say too much
1:05:28
But that's all it was
1:05:30
So I gave it up
1:05:32
I live my day
1:05:34
I live to watch the last
1:05:35
I live my day
1:05:36
I still do what's the best
1:05:38
Doing it all night
1:05:39
All summer
1:05:40
Doing it the way
1:05:42
I wanna
1:05:42
I'ma give it my heart
1:05:44
Up to the dawn
1:05:45
But I won't be done
1:05:47
The morning I'm
1:05:48
Doing it all night
1:05:49
All summer
1:05:50
Gotta spend it
1:05:51
Like no other
1:06:09
This beat is super sonic, funky,
1:06:15
fresh, funky, funky, funky, funky, funky, funky, funky,
1:06:19
All right, everybody, grab somebody, grab somebody.
1:06:28
Rock it, don't stop it, everybody get on the floor, break
1:06:33
the party up, we about to get it on, let me see you, one, two steps,
1:06:38
I love you, one, two steps, everybody, one, two steps, we about to
1:06:44
get it on.
1:07:05
Let's go, Annabelle and Keon.
1:07:09
Go Hillview.
1:07:17
It's the heart, not the heart for us.
1:07:29
We'll be right back.
1:09:15
Thank you, it's the one I got like
1:09:54
Let's go, Orr!
1:10:16
We'll be right back.
1:11:02
What's wrong with me and what's wrong with me and what's wrong with
1:11:07
me?
1:11:07
Being confident, oh.
1:11:35
And I don't want to be here
1:11:39
But if you're holding a stupid lie
1:11:43
And I don't want to be here
1:11:46
I don't want to be here
1:11:54
So you don't want to be here
1:11:58
But I'm not afraid so it's so interesting
1:12:03
They go,
1:12:12
Lily.
1:12:14
They go, Lily.
1:12:16
They go,、「楽しみで揚げましょう!」
1:12:19
Say hello, Lily.
1:12:28
Just bring it down for you.
1:13:00
We'll be right back.
1:13:28
Thank you.
1:14:09
Somebody hit the lights, so we can rock it day and night
1:14:12
People getting down, that's right, from a.m. to b.
1:14:16
Hit the lights, day and night, from a
1:14:23
.m. to b.
1:14:24
Somebody hit the lights
1:14:26
We'll make a market day and night
1:14:27
We will get it down, that's right
1:14:29
We're gay and feel
1:15:11
Oh, boy, you're looking like you like me.
1:15:20
Thank you.
1:16:16
We'll be right back.
1:17:12
1, 2, 3, 4, 5, 6,
1:17:18
7, 8, 9, 10, 11, 12, 13, 13, 14, 15, 16, 17,
1:17:24
18, 19, 19, 20, 20, 21.
1:17:31
It's not my fault, it's not my fault.
1:17:40
I'm out peace.
1:17:41
We're killing them here.
1:17:43
Grazie.
1:17:43
I'm going to direct COVID-19UE.
1:17:45
Getting back and do you see ...
1:17:48
Going ha ha,
1:17:50
I'm super soft,
1:17:52
Hang on,
1:17:55
I'm hot,
1:17:56
どうも!
1:17:57
I got it
1:18:00
nell registrar
1:18:01
I was a sinn� regain,
1:18:08
I love
1:18:29
you, Maya!
1:18:45
Thank you.
1:19:06
I want you
1:19:13
I want
1:19:22
you
1:19:39
We'll be right back.
1:20:06
We'll be right
1:20:11
back.
1:20:30
I got one that's one that's about to run
1:20:33
I got
1:20:40
one that's one that's about to run
1:20:46
Small money can't be better up without you
1:20:50
Getting all the bounce and sleep
1:20:52
Really, really got you
1:20:54
When I ain't around you
1:20:57
It's a biggie, dip it, it's a biggie
1:20:59
I'm gonna let your problems be the best thing
1:21:01
Now we're playing in here
1:21:03
I'll let you go, let you back
1:21:04
I'm gonna let you race
1:21:06
I'm gonna let you in
1:21:09
Can't believe what you're saying
1:21:11
Don't be one
1:21:12
Now you're now problems, but you won't be one like what?
1:21:25
Let's go, Keon!
1:21:27
Let's hear me.
1:21:33
Let's go, Keon!
1:21:44
Let's go, Anabob!
1:21:53
I love you.
1:22:21
Thank you.
1:23:04
Don't believe everything that you hear
1:23:07
Let it go through your left and right ear
1:23:11
Don't just march to the beat of that drum
1:23:14
Don't be one of them people
1:23:16
Just fiddle it
1:23:17
Thank you.
1:24:03
We'll be right back.
1:24:13
Thank you.
1:25:06
Let it get loud, let it get loud.
1:25:10
We'll be
1:25:19
right back.
1:25:55
We'll be right back.
1:26:07
Hey, hey, hey, hey!
1:26:11
I'm a police officer, I got the same thing,
1:26:16
I'm a female, you know.
1:26:19
I'm a female, I'm a female,
1:26:22
I'm a female, I'm a female, you know.
1:26:26
You gotta do it, you gotta do it, you gotta move
1:26:31
it,
1:26:32
everybody needs what you know.
1:26:34
You gotta move fast, you gotta do it your way
1:26:37
You gotta move fast, you gotta mean what you think
1:26:41
Let's get it now, let's get it now
1:26:45
Turn the music up, let's get it now
1:26:48
Let's get it now, let's get it now
1:26:51
Ain't nobody gotta figure what you gotta do
1:27:02
Thank you.
1:27:58
It's all alone, it's so electrocuted when I turn
1:28:03
it on, all in my sleep, all in my heart,
1:28:09
it's my end of the feeling when we do not jump, got that sunshine
1:28:14
in my pocket, got that good soul
1:28:17
in my feet, feel that hot blood in my body when it drops, ooh, I
1:28:22
can't take my eyes off
1:28:23
I can't take my eyes off, ooh, I can't take my eyes off, ooh, I can't take my eyes off
1:28:26
The room on like the wave rocket
1:28:28
So don't stop
1:28:31
Kiss the magic
1:28:48
I can't see but you
1:28:50
Dance, dance, dance
1:28:52
You creepin' up on you
1:28:54
Just dance, dance, dance, come on.
1:28:56
All the things I shouldn't do, but you dance, dance, dance.
1:29:00
And it ain't nobody leaving, so so keep dancing.
1:29:04
I can't stop the feeling.
1:29:06
So just dance, dance, dance.
1:29:08
I can't stop the feeling.
1:29:11
So just dance, dance, dance, come on.
1:29:21
I can't stop the feeling.
1:29:45
We'll be right back.
1:29:50
I got this feeling in my body.
1:29:58
I want to see you move your body.
1:30:02
I got this feeling in my body.
1:30:15
Come on.
1:30:18
Thank you.
1:30:50
Ladies and gentlemen, thank you for coming to watch
1:30:52
Hillview Dance 2025.
1:30:54
This night, of course, could not have been possible
1:30:57
without the wonderful and incredible Miss DeAnda.
1:31:00
So please, put your hands together one more time
1:31:03
for Miss DeAnda. Let's go.
1:31:08
Your dancers will be meeting you in the front of the PAC,
1:31:13
so don't worry.
1:31:15
to meet them very soon.
1:31:16
Thank you very much and have a lovely night.
1:31:43
We'll be right
1:31:52
back.
