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Oliver Jr Laurel 3pm
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HillviewTV Team
·
May 23, 2026
·
1:14:08
Oliver Jr Laurel 3pm
Transcript
0:53
Is it worth the waiting for?
0:56
Live till 84, all we ever get is cruel.
1:02
Every day we say our prayer, will they change the bill of fare?
1:07
Till we get the same old cruel.
1:12
There's not a crust, not a grung, can we find, can we beg,
1:17
can we borrow or cash?
1:21
But there's nothing to stop us from getting.
1:24
When we all close our eyes and imagine
1:31
Two glorious food
1:34
Hot sausage and mustard
1:37
Water and the food
1:41
Cold jelly and custard
1:44
These glorious have a voice
1:47
What an excellent question
1:49
Rich gentleman and
1:52
It's digestion
1:55
Food, glorious food
2:00
We're anxious to try it
2:02
Three breakfast a day
2:05
Our favorite diet
2:08
Just picture a great big steak
2:11
Riders of food
2:13
A food, wonderful food
2:16
Marbling food
2:17
Glorious food
2:23
Food, glorious food, what is that more
2:29
handsome?
2:30
What's swallowed or chewed, still worth a deep ransom?
2:36
What is it we dream about, what brings on the side?
2:42
Our beaches and cream about six feet high.
2:48
Food, glorious food, eat right to the menu,
2:54
just loosen your balance to into the menu,
3:01
work up a new appetite in this interlude,
3:06
home food, magical food, wonderful food, fabulous
3:12
food, fabulous food, beautiful food.
3:17
Gloria!
3:43
Oh
3:45
you are about to receive.
3:46
May the Lord make you truly thankful.
3:50
Amen.
4:06
Please, sir, I want some more.
4:10
More?
4:11
What's his name?
4:18
Oliver, Oliver, Oliver, never before has a boy wanted more
4:22
Oliver, Oliver, won't ask for more when he knows what's in store
4:27
There's a dark thing, won't he stare away without any banister
4:32
Which will throw him down and feed him on cover him to save the canister
4:37
Oliver, Oliver, what will he do?
4:41
Everybody's turned back and blue, he will curse the dice, somebody named him Oliver.
4:49
Oliver, Oliver, never before has a boy wanted a boy.
4:53
Oliver, Oliver, won't ask for more when he knows.
4:57
Still there's a city, kingly, long overdue for a sweeping out.
5:02
Which will push him up and walk next to you with the ranch, so come freaking out.
5:07
Oliver!
5:25
Well, I'd best be off and see what I can get for this young scoundrel.
5:30
Make sure you get a price for it, Mr. Bumble.
5:32
To bed, all of you!
5:44
Oh
6:14
One boy, boy's for sale
6:20
He's going to cheer
6:23
Only seven guineas
6:28
That or thereabouts
6:30
Small boy
6:33
I draw the pen from
6:38
lack of sleep
6:41
Fade him again and stop forgetting
6:46
to stop
6:47
If I should say it wasn't
6:53
you
6:53
I didn't think I could
6:58
not, I'd be telling you
7:06
One boy, boy
7:11
for sale
7:13
Come take a beer
7:17
Have you ever seen as nice a boy
7:22
for sale?
7:44
Liberal times, Mr. Sowerberry.
7:46
Three pounds.
7:47
Well, as a matter of fact, I was needing a boy.
7:50
Good. Then it's settled.
7:52
One apprentice.
7:53
Three pounds, please.
7:54
If you don't mind, Mr. Bumble, cash...
7:57
liking. Cash upon liking.
8:00
Mr. Sowerberry!
8:02
What is it you want?
8:04
What is it?
8:06
Oh, Mr. Bumble.
8:08
My dear, I was telling Mr.
8:10
Bumble how we may consider taking in this boy to work
8:12
in the shop.
8:13
Dear me, he's rather
8:15
small. He is rather small.
8:18
But he'll grow, Mr. Sowerberry.
8:19
He'll grow. I dare say he will
8:21
on our vittles and our drink.
8:24
Now, waste of time, these work...
8:25
house boys. They always cost more to keep than what they're worth. What's
8:31
your name, boy? My name
8:33
is Oliver. Oliver Twist, ma 'am. An orphan then, Mr. Bumble? Yes.
8:39
The child's mother came just
8:40
destitute, brings the child into the world, takes one look at it, and promptly dies
8:45
without leaving
8:46
so much of a forwarding name and address. Well, junior coffin follower, that's
8:51
your job. Have you
8:52
eaten yet? No.
8:53
No, ma'am. Not since.
8:57
Charlotte! Charlotte!
8:59
Bring in some non-cold bits we put out for the dog.
9:02
Hasn't been an old die, so engoth at him.
9:04
That's the sight of the boy Andrew dying to eat him.
9:06
Huh, you boy?
9:07
Charlotte, this is the new boy. Give them to him.
9:22
Have you done?
9:24
Yes, ma'am.
9:25
Well then, the dog's got to have it next.
9:28
Now then, Oliver, twist.
9:30
Your bed's under the counter.
9:32
You don't mind sleeping among coffins, I suppose?
9:35
Well, doesn't much matter whether you do or you don't.
9:37
You can't sleep nowhere else.
9:59
Where is love?
10:04
Does it fall from the skies above?
10:10
Is it underneath the imagery that
10:17
I feel?
10:18
I've been dreaming of
10:22
Where ever is she
10:28
Who I've closed my eyes to see
10:34
Will I ever know that sweet hello
10:40
That's meant for only me
10:46
Who can say where she may light,
10:53
must I travel far and wide, till
10:59
I am beside the someone who I
11:06
can be, something to wear, wear.
11:14
Love is love
11:47
are you the new boy yes sir how old are you eleven
11:52
sir did you want a coffin sir
11:54
no but you'll be wanting one before very long if you start cheating your
12:00
superiors
12:00
you don't know who i am i suppose no sir i can't say
12:06
as i do i'm mr noah claypole
12:10
and you're under me, so open up the blinds, you otter young scallywag.
12:17
Noah, I saved a nice little bit of bacon for you from Master's Breakfast.
12:22
Oliver, pull up a chair for Mr. Noah and make haste,
12:26
because I want you to run the shop, do you hear?
12:28
What are you staring at, workhouse?
12:31
Noah, let the boy alone.
12:33
Let him alone? I'm giving the boy change, you silly thing.
12:36
Everyone's left him alone.
12:38
His father left him alone, his mother.
12:43
Workhouse, how's your mother?
12:45
You leave my mother out of it.
12:47
She's dead.
12:48
What did she die of, Workhouse?
12:50
Short age of breath?
12:52
She's just dead.
12:54
She died of a broken heart.
12:55
Well, toldy-ro, lo, lo, rightful Larry.
12:59
And it's a good thing she died when she did,
13:01
or she'd been transported to Australelia,
13:05
or hung from the gallery.
13:06
Like, add, like, not.
13:12
Help, Mrs.
13:13
This here new boy's a murdering me.
13:16
I don't break those monitors, little villains.
13:18
Quick, put them in the coffin.
13:19
Now let go out here, Mr. Bubble.
13:21
You've all been murdered in our beds.
13:25
Where is he?
13:30
You let me out.
13:31
Do you recognize this here voice, Oliver?
13:34
And ain't you afraid of I, Oliver?
13:36
Ain't you trembling while I speak, Oliver?
13:40
He must be mad, Mr. Bumble.
13:42
It's not madness, madam.
13:44
It's meat.
13:45
If you'd have kept him on grill, this never would have happened.
13:48
He comes of a bad family.
13:50
He called my mother name.
13:51
I'm sure she deserved what was said and worse.
13:54
She didn't.
13:55
It's a lie.
14:01
Oliver, he's run off.
14:02
Three pounds, mine.
14:04
After him.
14:27
Food's glorious.
14:30
Food's awesome.
14:30
Sausage and mustard
14:32
Well, we're in the mood
14:37
Cold jelly and custard
14:45
What you staring at?
14:47
Aren't you nervous here?
14:49
No, never.
14:51
I...
14:52
That's alright.
14:54
Don't worry about it.
14:55
Starving.
14:57
Try it.
14:58
I'd be walking seven days.
15:00
Seven days?
15:01
Or I don't wipe off it.
15:03
Oh, man.
15:04
No, I'm an orphan.
15:06
I've come to London to make my fortune.
15:09
Oh, you have?
15:11
Have you?
15:12
Yes.
15:15
Got any lodgings?
15:18
Not a farthing.
15:20
Do you live in London?
15:21
Well, I'm at home.
15:22
I suppose you want some place to sleep tonight.
15:24
Are you accommodated?
15:26
No, I...
15:26
don't think so? Well, come on Titan, you
15:32
shall be, young mate. There's a certain place, and
15:37
I know a respectable old gentleman has lives there, what will give you lodgings
15:42
for nothing. Mr. Fagin, that's his name, Mr. Fagin.
15:48
By the way, if I'm introducing you to Fagin, I'd better know who you are, my old giant.
15:54
My name is Fagin.
15:55
Oliver Oliver Twist and my name's Jack Dawkins better known among me more intimate
16:00
friends
16:00
as the Artful Dodger. Pleased to meet you Mr Dawkins. Come and think
16:05
of it I can't know
16:08
what I'm at friends. Still what's the difference you're coming
16:13
with me. Are you sure Mr Fagin
16:15
will mind? No I can't
16:21
sit yourself
16:23
Come on city yourself, one of the family, we've
16:28
taken you so strong, it's clear, we're
16:33
going to get along, come on city yourself, one, come
16:39
on city yourself, part of the furniture, and there isn't a lot to
16:45
spare, who cares, what have we got for
16:50
share?
16:51
There's a chance to be, we can see some other days, empty other days,
16:56
white grounds.
16:58
Oh, there's a chance to meet somebody to put the bill, when the drinks are
17:04
on their house.
17:06
I can't sit to yourself, I'm mate, we don't
17:11
have no fuss.
17:13
For arts and consideration, we can stay, can't sit to yourself.
17:19
All of us, consider yourself at home,
17:24
consider yourself one of your family, we've
17:29
taken for you so strong, it's here, we're
17:34
going to get the home, consider yourself well in, consider
17:40
yourself part of the furniture, there's a lot to
17:46
spend.
17:47
Who cares what ever we've got we share
17:51
It's time to be Lloyd or an uppity
17:54
There's a cup of tea for all
17:58
Only twice to be Andy with a rolling pin
18:02
Whether the landlord comes to call
18:06
Consciousness, all night
18:09
We don't have no fuss
18:12
For after some continues
18:15
Consideration we can't stay.
18:17
Consider yourself, yes, one of us.
18:20
Consider yourself at home.
18:24
Consider yourself one of the family.
18:28
We take to you so strong.
18:32
It's clear, we're going together.
18:35
Consider yourself one of
18:41
the birds well.
18:43
The boss is bad, this man's
18:48
what, and we don't care.
18:50
It's just a little bit, it's a holiday, and it's a holiday, my
18:56
girl.
18:57
On the charts will be somebody to put the bill, and the drinks are
19:02
on the out.
19:05
Come to yourself all night, we don't have no
19:11
fun.
19:12
For after something's in a rush and we've got to say
19:15
For the city's not going to burn
19:49
Fagin! Fagin! Fagin!
19:53
What? I brought a new friend to see you. Oliver Twist.
19:58
Sir, I shall have the honour of your intimate acquaintance.
20:02
We're very glad to see you, Oliver. Aren't we, my dears?
20:10
Mr Twister's come to London to seek his fortune
20:13
You've come to London to seek your fortune
20:15
We must see what we can do to help you
20:17
Are you hungry?
20:19
Would you like a sausage?
20:22
I'm begging these sausages, I'm mouldy
20:25
Ah, you're staring at the pocket handkerchiefs
20:28
There are quite a few of them, ain't there
20:30
We've just hung them out for the wash
20:32
The wash
20:33
That's all, Oliver
20:34
That's all
20:35
Is this the laundry, then, sir?
20:39
Well, not exactly, my dear.
20:42
I suppose the laundry would be a very nice thing indeed.
20:45
But our line of business pays a little better.
20:49
Don't it, boys?
20:50
I don't know.
20:52
You see, Oliver?
20:58
In this life, one thing counts.
21:01
In the bank...
21:03
I'm afraid these don't grow on trees. You've got to pick a pocket
21:08
or two. You've got to pick a pocket or two boys.
21:16
You've got to pick a pocket or two boys. You've got to pick a pocket
21:23
or two.
21:24
Let's show her how to do more ideas. Robin
21:30
Hood, what a cro -
21:31
Gave away what he took
21:34
Charity's fine, subscribe to mine
21:37
Yeah, and pick a pocket or two
21:40
You've got to pick a pocket or two
21:44
Boys!
21:47
You've got to pick a pocket or two
21:51
Robin Hood was far too good
21:53
He had to pick a pocket or two
21:55
Merry men!
21:57
Hey!
22:00
Take a tip from Bill Stikes, he can whip what he
22:06
likes
22:06
I recall he's starting small, he had to pick a pocket or two
22:11
You've got to pick a pocket or two
22:14
Boy, you've got to pick a pocket or two
22:19
We could be like old Bill Stikes, if we pick a pocket or two
22:26
When I see you
22:28
Someone rich, both my thoughts start to itch
22:32
Only to find some peace of mind
22:36
I have to pick a pocket or two
22:39
You've got to pick a pocket or two
22:43
Boys, you've got to
22:48
pick a pocket or two
22:50
Doors to find some peace of mind
22:53
I have to pick a pocket or two
23:11
Put them all back in the box!
23:24
Oh, I said all of them.
23:29
Nipper, come here.
23:40
What a crook.
23:41
I hope you've all been hard at work today, my dears.
23:45
Hard apples.
23:47
What have you got for me, Dodger?
23:50
Got the love.
23:52
Well, long, Dio, only the best.
23:56
Well, they're not as heavy as they might be, but very nicely made.
24:01
Ingenious workman, ain't he, Oliver?
24:03
Did he make this himself?
24:04
Yeah, with his own lily-white hands.
24:07
You be quiet, Charlie.
24:10
And what have you got for me, my dear?
24:13
Well, the very good ones, Barry.
24:17
You haven't embroidered the initials too well, though, so I'll have to...
24:20
be picked out with a needle. Won't they? You'll have to learn how to do that too, Oliver.
24:25
Won't he, boys? And you'll have to learn how to make wallets, like
24:30
the Charlie and Dodger
24:31
ear. You'd like that, won't you, Oliver, my dear? Yes, Mr.
24:36
Fagan, if you'll teach me.
24:38
Certainly, my boy. No fee. Just do everything you see Charlie and Dodger do. Make him your
24:43
models, especially Dodger. He's going to be a right little Bill Sykes.
24:48
It was Bill Sykes, Mr. Fagan.
24:50
All in good time, Oliver. All in good time.
24:54
Now tell me, can you see my silk anchorchief, what is now protruding from my pocket?
24:58
Yes, sir.
24:59
See if you can take it from me without my noticing it, like you saw the others do.
25:05
Rum -tum -tum, tum -tum -tum, pom -pum -pum, pom -pum
25:10
-pum.
25:11
Skittle-eye-tie, teeter-eye-tie, ta-ra-ba-tum-ba-tum-ba-tum-tum.
25:16
You've got to pick a pocket or two, but...
25:23
It's gone.
25:24
Yes, sir, it's in my hand.
25:27
You've got to pick a pocket or two.
25:33
I don't believe it.
25:35
You're a clever boy.
25:37
Never seen a sharper lad.
25:39
He is a shilling for you.
25:42
I have to go to the bank.
25:44
Now bedtime, are you?
25:47
Where shall I sleep, Mr. Fagan?
25:49
Over here, my dear, by the warm.
25:52
All right, all right, settle down.
25:55
Dodger, take it out from bed.
25:58
Where are your manners?
26:02
Yes, Oliver, you're quite the gentleman now.
26:05
You've got an own, a profession, a shilling, all credits.
26:10
If you follow on this way, you'll be the greatest man on board.
26:12
time
26:15
you've got
26:16
to bake a
26:17
pocket door
27:05
I'm real
27:06
Mizey, you know, but can I
27:08
bit. It's my one little pleasure. A cup of coffee. And
27:15
a quick count up. Pearl,
27:21
my pretty.
27:22
I have a special place for you with all my other special little lady friends. And
27:28
Pearl,
27:28
you must mean my extra special little lady friend Tiara. I mean, who's
27:34
going to look
27:34
after me in me old age?
27:36
Will you? Will?
27:39
You! Oh, what are you doing, Lake?
27:41
Quick, quick, speak!
27:42
Tell me every detail you saw.
27:45
I'm sorry, sir. I couldn't sleep.
27:47
Were you awake a quarter of an hour ago?
27:50
Ten minutes ago?
27:51
Not that I know of.
27:52
Be sure! Be sure!
27:53
I'm sure.
27:54
All right, then.
27:55
Well, if you're sure, then I'm sure.
27:58
Do you see any of those pretty things, my dear?
28:02
Yes, sir.
28:03
They're mine, Oliver.
28:04
private property that all I've got to live on in the old age. It's a terrible thing,
28:09
Oliver. Old age. Do you think I could get up now, sir? Certainly.
28:14
There's a basin of
28:15
water over there. You can have a wash. But I had a wash yesterday. Well, today's
28:21
your
28:21
birthday. Wash!
28:38
Plummy and slam
28:39
It's Nancy
28:40
Wake up boys
28:42
The ladies are here
28:44
Ladies
28:45
Call
28:45
I'll get them
28:47
We'll have less of that if you don't mind
28:49
Fighting can be a dangerous thing for a pure young girl
28:52
And what's wrong with a little bit of danger then Mr Fagin
28:56
After all
28:57
That's the only bit of excitement we have
28:59
And who would deny
29:01
That's small pleasure
29:05
Small pleasures, small pleasures
29:08
Who would deny us this?
29:11
Or toddies, large measures
29:14
No skipping if you please
29:16
I rough it, I love it
29:19
Life is game of choice
29:21
I never tire of it
29:24
Leading this merry dance
29:28
If...
29:29
You don't want ever to go without things.
29:31
It's a fine life.
29:34
No, but ain't all Jordan's pleasure outings.
29:37
It's a fine life.
29:39
When you've got someone to love, you forget your care and strife.
29:45
Let the poos lock down, I'll set the white girl.
29:47
It's a fine, fine life.
29:50
Ain't that right there?
29:52
Yeah, that's right, Nancy.
29:55
Because it's trite.
29:57
Isis near us in the street
29:59
Fine as a fine grass
30:02
Don't have a sin to eat
30:04
We wander through London
30:08
Who knows we might find
30:10
There's pockets left undone
30:13
Or many are behind
30:16
If you don't want evidence
30:19
You'll fight it
30:20
And fight life
30:22
It's fine
30:22
Life disease
30:24
And then it'll bring the place
30:25
It's a fight life, it's a fight life
30:28
But the grass is green and dense
30:30
On the right side of the fence
30:33
And we take a kevin' down
30:35
We get a shabby down
30:37
Big head
30:39
There's a dead horn
30:41
And it's like a lumpy
30:43
It's a fight life, it's a fight life
30:47
There's no tears, sympathy and crumpets
30:50
It's a fight life, it's a fight life
30:53
Not for me, the happy am, happy
30:59
husband, happy wife.
31:02
Though it sometimes touches me, for
31:08
the likes of such as me, mine's a fine
31:13
fire.
31:25
Here, who's this then, Fagin?
31:27
Oh, ladies, I forgot.
31:29
You must meet a new lodger.
31:31
Master Oliver Twist, Esquire.
31:34
Charmed.
31:34
Pleased to meet you, I'm sure.
31:39
Don't you take no notice from Oliver
31:41
just because you've got manners and they ain't.
31:43
You wouldn't know a caller if you saw it.
31:47
Have you seen the way them callers?
31:49
gentlemen treats there ladies of course i have should i show them how it's done definitely
31:54
so how does it go then dodger it's all bowing and that's all
31:58
and i don't get like i'd
32:04
do anything for you dear anything for you
32:09
mean everything to me
32:13
i know that i'd go anywhere
32:17
for you're small, anywhere, for you're small, anywhere I'd
32:23
see you.
32:25
Would you climb a hill? Anything.
32:28
Where'd a daffod do? Anything.
32:31
Leave me all your will? Anything.
32:34
You can fight my bill.
32:36
What, 50 cups?
32:37
Oh, everything.
32:40
One, two, it's everything.
32:42
Yes, I'd do anything.
32:45
Anything!
32:47
For you!
32:49
Thank you!
32:50
Now you do everything you saw Dodger do, and I'll give you the words.
32:56
I'd do anything for you, dear.
33:00
Anything for you, mean everything to me.
33:06
I know that I'd go anywhere for your smile.
33:11
Anywhere for your smile.
33:13
Smile everywhere I'd see
33:17
Would you like some horseshoe?
33:20
Paint your face for a blue?
33:23
Catch a camera room?
33:26
Get a tomb of tea
33:28
And back again I'd risk everything
33:32
For one kiss
33:34
Everything
33:35
Yes I'd do
33:37
Anything
33:39
Bye
33:53
Would you roar the shop?
33:55
Anything.
33:56
Would you risk the drop?
33:58
Anything.
33:59
They always go pop.
34:01
Anything.
34:02
Oh, let it come down.
34:05
Hang everything.
34:07
Be the risk.
34:09
Like my little...
34:09
To keep you innocent
34:13
And we do anything, anything, anything
34:19
for you
34:28
Alright, well the first thing you can do for me is get to work
34:33
Can't have you laying about here all day
34:35
There's rich pickings on them streets
34:39
Nancy, hence you'd better get back before Bill wakes up
34:42
Yeah, you're right
34:43
Now listen, Oliver, you be careful out there
34:45
Ta-ta you lot
34:49
Oliver, you can go with Dodger
34:52
You have to begin sometime
34:53
And believe me, you couldn't make a finer start
34:56
Good luck on your first job today
34:58
I'll be waiting for you when you get back
35:02
Line up, line up, single fall
35:06
Single, five, set, on, left, hit, hit, on, on.
35:11
You can go, but be back soon.
35:13
You can go, but while you're working, there's plight on pacing round.
35:17
I'm T.O.
35:18
Safe and sound, very well, but be back soon.
35:21
You can tell what danger's lacking.
35:23
Do not forget this tune.
35:26
Be back soon.
35:28
How could we care, how could we let our dear old faking worry?
35:32
We love him, so we'll come back.
35:34
Help me learn such a great big hurry
35:36
It's in the baby piper
35:38
It's us the hoistest tune
35:40
So long pretty well, Pip-Pip Cheerio
35:42
We'll be back soon
35:44
You can go but be back soon
35:46
You can go but bring back plenty
35:48
Or walk anchor tubes
35:51
And you should be clever thieves
35:53
We'll be quick and be back soon
35:55
There's a six-pence you for twenty
35:57
Ain't that lovely too?
35:59
Be back soon!
36:02
As long as you're in the distance, you'll hear us whisper too,
36:06
So long pretty well Ken Nigeria, we'll be back soon!
36:19
Bang bang ba-da ding, bang bang ba-da ding, bang bang bang!
36:30
Thank you.
37:03
Give it back.
37:05
Come on, give it back.
37:12
Stop that, boy!
37:14
My puppy's been sick!
37:26
Thank you.
37:54
That's the boy!
38:44
Ladies and gentlemen,
38:47
Bethlehem Sinners Hall,
38:49
I call upon...
38:50
of the virtues, to give us her well -known rendition of the old school song.
38:57
All right, all right.
39:00
Woof, woof, woof.
39:04
You.
39:08
There's a little diva singing in the city,
39:12
especially when they've been to the inn for some cheer.
39:16
If you've got the passion, cheer around.
39:18
Imaginations will tell you just exactly what you want to wear.
39:24
Hoo-bop-ba, hoo-bop-ba, that's how it goes.
39:27
Hoo-bop-ba, hoo-bop-ba, everyone knows.
39:31
They also know what they want to suffer when they hear hoo
39:36
-bop -ba.
39:46
Thank you.
40:14
That's it, that's it, that's it
40:17
It's it, it's fashion
40:18
When it's into the empty sun
40:20
Chill, it'll be good
40:22
Pies, let's run
40:24
To pass, and tell you
40:26
Roo-pah-pah
40:31
Roo-pah-pah, Roo-pah-pah
40:32
That's how it goes
40:33
Roo-pah-pah, Roo-pah-pah
40:35
Everyone knows
40:37
Now you're so close
40:39
What they wanted somehow
40:42
Let the hero come
40:49
home
41:12
They've got cause enough to fear it. It's
41:17
much blacker than to smear it. Nobody mentions my
41:23
name, rich men.
41:27
Hold their five pound notes out, saves me empty in
41:32
their cold cell. They know that I could tear their throats out
41:37
just to live up.
41:39
up to my name.
41:42
Whisk me, jimmy in me hands,
41:46
let me see the man who dares stop me.
41:52
Taking what I may,
41:54
he can start to say his prayers.
42:01
Piceps, like an iron girdle,
42:04
let me see the man who dares stop me.
42:07
Or do we know the murder if
42:10
I just heard a blow
42:14
You can whisper my name
42:18
What is it?
42:33
Bill Sykes
42:42
Bye again!
42:47
Don't you!
42:48
What was all of that?
42:50
What a boy!
42:52
God took away.
42:53
It was a coach.
42:53
Who coach?
42:54
What coach?
42:57
He got unhavoured the job.
42:58
They took it in the court.
43:00
We went in that sign.
43:01
The ordinary dipped.
43:03
I took him out of a court with Oliver and took him away.
43:08
The aircoach.
43:12
To the poor senator.
43:14
Jetsteel Gardens.
43:16
Berriesbury.
43:17
I ran all the way.
43:19
We were supposed to look after him.
43:21
We were supposed to never let him out of our sight.
43:25
We were supposed to never let him out of our sight!
43:28
Who?
43:30
A new boy.
43:31
went out on his first job today with Dodger. I'm afraid he may say something that will get us into
43:36
trouble. Somebody must find out what's been done or said. If he
43:41
hasn't talked yet there's still a
43:42
chance we might get him back without suspicion. It won't happen the very moment he dares to
43:47
step
43:48
out of that house. Now who's going to go? I suppose he's left to the knee. You shut your
43:53
trap Dodger.
43:54
You've caused enough trouble. It's got to be done quiet.
43:59
We don't want any fuss.
44:02
The very thing.
44:04
Nancy, my dear, you're so good with the boy.
44:08
It's no good trying it on with me.
44:09
And just what do you mean by that remark?
44:12
What I say, Bill, I'm not going.
44:14
Why can't you leave the boy alone?
44:15
He won't do you no harm.
44:17
Why can't you leave him where he is?
44:19
Who will get the chance of a decent life?
44:21
You'll get him back, you're my girl, or else.
44:24
Nancy, my dear, if he talks.
44:27
Think what would happen to us think what would happen to Bill
44:31
It'd be the gallows for him Nancy to gallows
44:36
You wouldn't let that happen to Bill
44:39
Not your bill
44:41
She'll go Fagin. The rest of you clear out
44:47
Come on bet. Come on. That's a good girl
44:57
As long as he needs me
45:02
Oh yes he does need me
45:08
In spite of what you see
45:14
I'm sure that he needs
45:20
me
45:21
As long as he needs me
45:23
As life is long, I'll love
45:28
him, right or wrong, and somehow
45:33
I'll be strong, as long as he
45:39
needs me.
45:42
If you are lonely, then you will know,
45:48
when someone needs you, you love me.
45:51
I'm so I will be
45:57
trying this trust
46:00
That people say I must
46:04
I've got to stay true just
46:10
As long as he meets me
46:25
Thank you.
47:16
Causing the open skies above
47:22
Is it underneath the river tree
47:28
A new pageant
47:31
A new
47:38
pageant
48:02
We'll buy my sweet red roses
48:07
To these for a many
48:12
Who will buy my sweet red roses?
48:17
Who will throw up an ear?
48:25
Will you buy any milk today, mistress?
48:32
Any milk today, mistress?
48:46
Life's nice to find, any nice
48:51
to find, here we'll buy, here
48:57
we'll buy, here we'll buy,
49:02
this wonderful moon, the sun, the sky, and
49:08
the sky.
49:08
Evidency
49:10
Me am I
49:12
I don't want to lose it
49:15
So what am I to do
49:18
To keep the sky so blue
49:20
There must be someone
49:22
Who will
49:23
Who will fall
49:42
Come along, Dr. Grimlake.
49:43
I think you'll find a great improvement in the boy.
49:46
That, sir, is for me to decide.
49:48
How do you feel today, my boy?
49:50
Very happy, sir.
49:51
Nice, dear, always, sir.
49:53
If you wish, dear boy, here's the doctor come to see you.
49:56
Well, he's certainly looking better.
49:58
He's not thirsty, are you, boy?
50:00
If that boy's thirsty, I'll eat my head.
50:02
Are you?
50:03
Yes, sir.
50:04
I'm rather thirsty.
50:05
Just as I expected.
50:07
It's very natural to be thirsty.
50:08
Let me give you the little tea.
50:09
Thank you, Doctor.
50:12
May I get up now, sir?
50:14
I think you may.
50:15
And take a little fresh air, too.
50:17
Just be careful not to keep him too warm, Mrs. Bedwin.
50:21
And make sure he's not too cold, either.
50:24
He's a fine boy, don't you think, Wimwig?
50:26
Couldn't tell you.
50:27
Where does he come from?
50:28
I haven't the faintest idea.
50:31
He was arrested for...
50:32
stealing my pocket handkerchief.
50:34
But when the shopkeeper told us what really happened
50:36
and he was released by the magistrate,
50:38
I brought him here to make what amends I could.
50:41
But I confess,
50:42
I find myself strangely attached
50:44
to the child.
50:46
He's deceiving you, my good friend.
50:47
He stole your pocket handkerchief, didn't he?
50:49
Now he'll steal more. What do you know of him?
50:53
Only that he's an orphan.
50:56
And yet, it's strange.
50:58
There's something in that boy's face.
51:00
I can't explain it, but somewhere I seem to have seen him before.
51:05
Somewhere a long time ago.
51:08
Nothing nonsense. You're imaginative.
51:11
Yes, what is it?
51:12
There's someone to see you, sir.
51:14
What does he want?
51:16
Books of order from the bookseller, sir.
51:19
Ah, yes. Thank you.
51:21
Now, I've got to give you some.
51:24
Hey, wait a moment.
51:25
Hey, come back.
51:27
Oh, really, really, really.
51:28
and I particularly wish some books to be returned to die.
51:31
Why not send Oliver with them?
51:33
Yes. Do you let me take them for you?
51:34
Please, sir.
51:37
Oh, very well, my boy. Very well.
51:39
If you wish, you shall.
51:41
Now, I'll tell you what I want you to do.
51:44
You will give Mr. Dressop these books.
51:46
It's just down the road.
51:48
And say you've come to pay him the £4.10 that I owe him.
51:51
Here's £5.
51:52
No need to rush, but I shall expect you back in ten minutes.
51:56
She's a very pretty lady, isn't she, sir?
51:59
Yes. It's a portrait of my daughter.
52:02
I'll take the books, sir, sir.
52:05
Yes, you take the books.
52:09
Ha! You don't really expect him to come back, do you?
52:13
With a full suit of clothes on his back and a five-pound owner's pocket.
52:17
My dear brother.
52:19
If he does, I'll eat my head.
52:21
Dr. Grimwig, take a look at that portrait.
52:24
Don't you see an extraordinary resemblance between Oliver and my daughter Agnes?
52:29
Can't say I do.
52:31
Well, in ten minutes, Dr. Grimwig, when the boy returns, I think you will see.
52:35
Yes, Mr. Brownlow.
52:37
Ten minutes.
52:41
Who will find this wonderful morning, such as love
52:46
you've ever seen?
52:48
Who will try it up with a ribbon and put it in a box?
52:52
For me
52:53
There'll never be a day so sunny
52:57
It could not have been torn
53:00
Where is the man with all the money
53:04
It's cheap at half the price
53:09
You were born
53:10
It's my real feeling
53:12
I'm so hard
53:16
Me and I
53:18
I want to live
53:19
There must be someone
53:20
Who will walk?
53:51
You won't buy this wonderful feeling
53:54
I'm so high, it's where I can fly
53:58
Me and I, I can't want to live it
54:02
So what am I to do
54:06
To keep the sky so blue
54:08
There must be someone who will buy
54:17
I will buy my sweet red roses
54:20
To use for a penny
54:37
Oliver, oh Oliver, my dear little brother
54:40
I've found him
54:41
My dear little brother, where have you been?
54:43
We've been worried out of our heads
54:45
Let go! Let go, Nancy!
54:48
Oh, he ran away two weeks ago from his parents who were hard-working, respectable people
54:53
and weren't enjoying his sad thieves and bad characters.
54:56
Almost broke his mother's eye.
54:57
It's not true!
54:58
The young wreck!
55:00
Go home, you little bloot!
55:02
I'm not! I haven't a mother or father! I'm an orphan!
55:06
Oh, Evans, just listen to him!
55:08
Bet! Tell him to let me go!
55:10
See? He knows his sister. He can't hide that!
55:13
What the devil is all this?
55:15
Oh, he's only playing up.
55:17
Oliver, come home to your poor mother, you young dog.
55:20
Come on home.
55:21
What? Books too?
55:23
You've been stealing again, have you?
55:24
It's nothing but a thief and a vagabond.
55:26
Let go! I don't belong to them!
55:29
Help! Help!
55:54
Ah, so you've come back again, Abbie, whatever, my dear.
55:58
Look at his toes, Fagin.
56:00
He's got books too.
56:02
Quite a little junk, Amy.
56:04
Delighted to see you looking so well, my dear.
56:07
The artful doctor shall give you a new coat.
56:09
fear you should spoil your sunday one why didn't you write my dear and say you were coming we
56:14
would have got something more for supper cool look at this a foul fine note that's mine
56:19
fagan
56:20
no no bill mine you can have the books if that ain't mine i'll take the
56:25
boy back again
56:26
that's hardly fab bill fair enough give it here
56:34
that's for my share of the trouble not half
56:37
enough neither. You can have the books, start a library. You can't keep
56:42
the books or the
56:43
money. They belong to Mr. Brownlow, and if he finds that you've got them, he'll be down
56:47
here after you. So he'll be down here,
56:52
will he? Leave it alone, Bill. What did you tell
56:55
him about us? Nothing. That remains to be seen. But if we found out you said anything,
57:00
anything out of place, if he could not wager that young scoundrel told him everything.
57:06
All right, all right, we've got him back.
57:08
What's the matter with you?
57:11
The girl's gone mad, I think, Fagin.
57:13
No, she hasn't, Fagin. Don't think it.
57:15
Then be quiet, will you?
57:17
I wish I had been struck down dead
57:19
before I learned how to bring him back here.
57:22
After tonight, he's a liar and a thief and all that's bad.
57:25
Ain't that enough for you without scaring him to death?
57:28
Come, come, Nancy. We must have civil words.
57:31
Civil words? Yes, you deserve them.
57:34
I was out on the streets for you when I was a child half his age, and I've been in the same trade, the
57:39
same service, but 15 years since, and don't you forget it.
58:01
I'm the best of my default.
58:10
Take care of the bill.
58:12
Take care of them, Dodger.
58:14
And I'll take care of meself.
58:47
A man's got a heart, hasn't
58:53
he?
58:54
He's joking apart, hasn't he?
58:57
Hasn't he?
59:00
And though I'd be the best one to say that I wasn't the same,
59:07
I'm finding it hard to be really as black as they pay.
59:17
On reviewing the situation,
59:21
can a fellow be a villain or his lie?
59:25
the trials and tribulations. Better settle down and
59:30
get myself a wife. And a wife will
59:34
cook and sew for me, and come for me, and go for me, and go for me, and nugget me, think
59:40
that she will wag at me, the money she will take from me, a misery she'll make from me.
59:45
I think I'd better think it out again.
59:59
So I should let go, somebody, who
1:00:06
do I know, nobody?
1:00:09
All my dearest companions have always been unfiltered to these.
1:00:16
It's a fight for the life I should stop turning out the new leaves.
1:00:28
I'm reviewing
1:00:29
The situation
1:00:32
I'm a baton, then a baton
1:00:34
That's just a
1:00:36
You'll be seeing
1:00:37
No transformation
1:00:40
Although it's wrong to be a rogue in every word
1:00:44
I don't want nobody had for me
1:00:46
Or meant to do the dirt for me
1:00:48
This rotten life is not for me
1:00:50
It's getting quite too hot for me
1:00:51
Don't want no one to rob for me
1:00:54
But who will find a job for me?
1:00:57
There is no in-between for me
1:01:02
But it will change the scene for me
1:01:13
Take it down to go
1:01:38
Married. Two weeks to the window, Carney. I sold myself cheap. Dead cheap.
1:01:43
Cheap?
1:01:44
I've been sitting there snoring all day.
1:01:46
I'll stay here as long as I think proper, madam.
1:01:50
Mr. Bumble, you look corny.
1:01:52
What's the matter?
1:01:53
It's old daddy, ma'am.
1:01:54
She's got something in her that must be heard.
1:01:56
She ain't got nothing and won't die quite till you listen, ma'am.
1:01:59
Well, what is it?
1:02:06
In this very workhouse, I once nursed a pretty old creature that I brought in from the cold.
1:02:11
She gave birth to a boy and died.
1:02:14
Let me think, what was the year again?
1:02:16
Never mind the year, what about her?
1:02:18
I robbed her. The only thing she had of any worse was around her neck and it was gold.
1:02:23
Gold? What of it?
1:02:24
This is it. The locket. It is to my belief that she came from a rich family.
1:02:29
The boy's name?
1:02:30
He's called... he's called... Oliver.
1:02:38
We must have treated that boy, Mr. Bumble.
1:02:40
We must indeed, Mum.
1:02:42
And we must indeed.
1:02:46
Oliver! Oliver!
1:02:48
That was the mic with a lot of appetite.
1:02:51
Oliver! Oliver!
1:02:53
Apparently he's got a rich family.
1:02:55
And to think we nearly stupidly
1:02:58
won a lost track of him.
1:03:00
It's not true.
1:03:01
And we might be delighted at seeing the back of him.
1:03:05
Oliver! Oliver!
1:03:07
What will we do?
1:03:08
We must give him his due.
1:03:12
And we'll praise the Lord for the money we want to do.
1:03:32
I understand you bring information regarding the boy, Oliver Twist.
1:03:36
We come in answer of your advertisement.
1:03:39
Bumble is my name.
1:03:40
Being in the workhouse where this boy was cared for,
1:03:42
from where he was apprenticed to an undertaker,
1:03:45
or where he ran away from.
1:03:46
Yes, yes, it's very good of you to come.
1:03:49
Now, what have you got to tell me?
1:03:51
This locket was given to me by the last dying mother
1:03:54
just before she passed away.
1:03:55
You say when he left your workhouse,
1:03:57
he went to an undertaker's?
1:03:59
Yes, Mrs. Sourberry.
1:04:01
The undertaker took all of her from us for three pounds.
1:04:03
You mean to say you sold him like an animal?
1:04:05
Well, sir...
1:04:06
Widow Corny was the one who actually authorised the sale.
1:04:10
Really? Then I shall see that neither of you is employed in a position of trust again.
1:04:14
Leave my house.
1:04:15
How dare you speak so to me, sir? I came to help you.
1:04:19
You came here in the hope of preferring from your own greed and dishonesty.
1:04:23
Well, sir, if you can set our trinket down properly, belong to us.
1:04:27
Here. Ten pounds. Take it.
1:04:29
And consider yourself fortunate you don't find yourself in the arms of the law.
1:04:34
Mrs. Ben.
1:04:34
Show these ghastly people out.
1:04:36
Yes, sir.
1:04:37
We know the way out, thank you very much.
1:04:41
It was all, Miss Bumble.
1:04:43
The law supposes that your wife acts under your direction.
1:04:46
If the law supposes that, then the law is an idiot.
1:04:51
Leah, are you, sir?
1:04:53
This is Bedway.
1:04:55
Take a look at this miniature.
1:04:56
Can you see who it is?
1:04:58
Why, it's this Agnes, sir.
1:05:01
Yes, my daughter Agnes.
1:05:02
Agnes. She must have found her way to the workhouse
1:05:05
and had her child there.
1:05:07
Hopefully she had told us.
1:05:09
Pardon me, sir, but I have news of Oliver.
1:05:12
What is it?
1:05:13
Oliver's in danger, in bad company.
1:05:15
I'm the girl who dragged him back to Old Vagans
1:05:17
on the morning you weren't missing from this house
1:05:19
and I'd wish I'd never been part of it.
1:05:22
Me and someone else.
1:05:25
Where's this Vagans?
1:05:27
And who is this other person you speak of?
1:05:29
Take me to him.
1:05:30
I cannot tell you, but I'll bring Oliver to you.
1:05:32
Not here. It's far too dangerous.
1:05:35
Where then?
1:05:36
Will you promise I won't be watched or followed?
1:05:39
I promise you solemnly.
1:05:40
Then tonight, between 11 and the time the clock strikes 12,
1:05:43
I will walk on London Bridge and I will bring Oliver to you.
1:05:46
Very well.
1:05:48
Do you think we can trust him, Mr. Brownwell?
1:05:50
I'm afraid we have no choice, Mrs. Bedwin.
1:06:03
A child with no one to take his
1:06:08
part
1:06:09
I'll take his part, Bill, but cross my heart
1:06:16
I will be to let your trust
1:06:22
That people say I must
1:06:27
My heart will stay true just as
1:06:32
long as Bill meets
1:06:37
me.
1:07:08
Let's go.
1:07:35
All right, Oliver, now you stay here with Vette while I look for Mr. Brown, though.
1:07:39
Vette's a good boy.
1:07:44
Don't take him back.
1:07:45
Let him go, for pity's sake.
1:07:47
Why are you looking at me like that, Bill?
1:07:50
Give me a...
1:07:52
No, not you, Bill. Never you. Why are you leaving me like that, Bill?
1:07:56
Don't take him back. Let him go for everybody's sake. Let him go!
1:07:59
It's a dark night, my girl. We're slight enough for what I've got to do.
1:08:03
Oliver, run!
1:08:08
Those eyes! Don't stare at me! Those eyes!
1:08:27
I saw you there!
1:08:29
Help! Help!
1:08:30
There's a woman unconscious!
1:08:32
Do you know this woman?
1:08:34
I can't really meet this poor creature.
1:08:36
And as I came out, I saw someone running in the other direction.
1:08:39
It's Nancy! Somebody said Nancy!
1:08:41
What did he look like?
1:08:42
He wore a brown coat, and he carried a heavy cudgel.
1:08:45
Bill Sykes!
1:08:46
After him!
1:09:02
Find it! Find it! The game's off! Build
1:09:07
a Nazi! Terribly find it! Terribly!
1:09:10
Not Nazi! It can't be! Out, boys! Out! Then run!
1:09:15
Fagin! Fagin! What do I do?
1:09:17
Label to your name! Don't you bow!
1:09:30
Pornal! Ciara!
1:09:32
I'm winning things! Noooo!
1:09:39
Stice! Stice! Stice! Stice! Stice!
1:09:43
Sight! Sight! Sight! Sight! Sight!
1:09:48
Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight!
1:09:54
Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight!
1:10:01
Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! Sight! S
1:10:06
Ah!
1:10:16
There he is.
1:10:18
There's the boy.
1:10:23
Come on, Oliver.
1:10:24
We'll take you home now.
1:11:01
Can somebody change?
1:11:06
It's possible.
1:11:09
Maybe it's strange but it's possible
1:11:14
All my dearest companions and treasures I've left them beyond
1:11:21
I'll turn a leap over and who knows what I may
1:11:26
find
1:11:28
Aren't you those little?
1:11:41
Thank you.
1:12:42
We'll be right back.
1:13:00
We'll be
1:13:10
right back.
1:13:28
One at all!
1:13:56
Thank you.
