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Oliver Jr Encinal 3pm
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HillviewTV Team
·
May 14, 2026
·
1:14:15
Oliver Jr Encinal 3pm
Transcript
0:45
Thank you.
1:04
We'll see you next time.
1:37
Thank you.
3:38
For what you are about to receive, may the Lord make you truly thankful.
4:05
For what's his name?
4:13
I love this kind of boy walking the door.
4:16
Oh, here's my boy.
4:20
There's a dog.
4:21
It's one.
4:22
It's dead.
4:24
And it's better.
4:25
We'll just throw it down.
4:27
And see how long.
4:31
Oh, here's my boy.
4:33
I'm going to leave you waiting for a buck.
4:35
And I feel a kind of a day.
4:36
I'm going to leave you all.
4:49
Thank you.
5:14
Make sure you get a good prize for him, Mr. Bumble.
5:19
To all of you!
5:42
Thank you.
7:08
To be continued...
7:29
Your turn, Mr. Sourberry, three times.
7:33
Well, as a matter of fact, I was needing a boy.
7:38
Good, then it said, one of pences, three times, please.
7:41
If you don't mind, cast upon liking, Mr. Bumble, cast upon liking.
7:46
Mr. Sourberry!
7:50
What is it?
7:51
Oh, Mr. Bumble, my dear, I have told Mr. Bumble we may consider
7:56
taking an...
7:57
This boy pelt like a sock.
8:00
You mean he's very small.
8:02
Yes, he's rather small. There's no denying it.
8:05
But here's a girl, Mrs. Sowerberry. Here's a girl.
8:07
I guess they burn all better than I drink.
8:10
They waste time, these work hours, boy.
8:12
They've got more teeth than what they're worth.
8:14
What's your name, boy?
8:17
Oliver Twist.
8:19
No, an orphan name, Mr. Bumble.
8:21
Indeed, Mrs. Sowerberry.
8:22
The child's mother came to us to execute.
8:25
Breaks the child's...
8:25
into the world take one little pin and probably die without eating so much of a forwarding name
8:30
and address very well then junior corporate boy that's your joke have
8:36
you eaten yet no ma 'am
8:38
not sir charlotte charlotte why bring in some of them cold bits and that's the joke it
8:43
hasn't been
8:43
an old day so it can go down i dare say the boy ate too dainty my boy charlotte
8:48
is renewable
8:53
It's not...
9:01
Yes, ma'am.
9:02
The dog's got seven nests.
9:04
Now then, Oliver Twig, you've got seven nests.
9:06
You don't mind seeing one corp and thyself.
9:08
But it doesn't much matter what we do at dawn.
9:10
You can't sleep nowhere else.
9:12
Ha, ha, ha, ha, ha, ha!
9:31
Thank you.
11:18
Are you the new boy?
11:19
Yes, sir.
11:20
How old are you?
11:21
Eleven, sir.
11:23
Did you want to call him, sir?
11:24
No, but you'll be on time before very long and start cheating your superiors.
11:27
You'll do what I like to close workhouse.
11:30
No, sir.
11:31
I can't say as I do.
11:33
I'm Mr. Noah Claypool, a young man.
11:37
So open up our blinds, you own scallywag.
11:40
Noah, I gave you a nice little bit of...
11:42
The day comes on the master's desk, so I'll have a full success, Mr. Man, make a haste.
11:46
Exploring my thoughts, do it, yeah?
11:50
You stand out, workhouse.
11:51
Noah left the boy alone.
11:52
Let the boy alone? I'm getting him a chance to sleep in.
11:55
Everyone's left him alone.
11:56
His father left him alone.
11:57
His mother? Workhouse tells you, mother.
12:00
You leave my mother out of it.
12:03
He's dead.
12:04
Would you die, workhouse?
12:05
Shortage of breath?
12:07
He's just dead.
12:08
He died in a broken heart.
12:10
I told you all who liked filet.
12:12
That's a good thing she got when she did,
12:14
otherwise she would have transported to Australia
12:16
or home from the gals like it is not cool.
12:21
Oh, this is still going to matter to you.
12:23
You're going to matter to you.
12:31
Three times, on time.
12:33
Oh, Mr. Bumble.
12:34
Where is she?
12:35
You let me out.
12:40
And ain't you afraid of mine, Oliver?
12:42
Ain't you a trembling while I speak, Oliver?
12:45
Of course you must be mad, Mr. Bumble.
12:47
It's not madness, madam.
12:49
It's me.
12:50
You've kept no rules.
12:51
It would have never happened.
12:52
We come from a bad family.
12:54
She called my mother now.
12:56
She told me to start with that aunt's wife.
12:58
She did it.
12:59
She did.
13:00
It's a lie!
13:04
Oh, my God!
13:06
Run off!
13:08
After him!
13:34
Clutch, clust, clusted.
13:40
Clutch, whirly, whirly, clustered.
13:47
Clutch, tell me I'm clustered.
13:54
What you staring at?
13:56
Ain't you never seen a cop?
13:59
No, never.
14:01
That's all right.
14:02
Tchau.
14:02
Don't worry about it. Hungry, starving, tired.
14:07
Yes, as in walking for seven days.
14:10
Seven days? Who are you running away from then? Your old man?
14:15
No, I'm an orphan. I've come to London to see my fortune.
14:19
Oh, you are? Have you?
14:21
Got any lodgings?
14:23
Money? Not as far as it.
14:25
Do you live in London?
14:27
Well, I don't know. I suppose you want to...
14:30
place to sleep tonight don't you are you accommodated no
14:35
i don't think so then accommodated
14:38
you shall be young mate there's a certain place and i know a respectable
14:43
old gentleman
14:44
i've lived there what will give you lodgings for nothing mr fagan that's
14:49
the name mr fagan
14:51
by the way if i'm introducing you to fagan i better know who you are the old signer
14:56
my name is
14:58
And my name's Jack Dawkins, but I know to mommy more intimate friends as
15:04
the Artful Dodger.
15:06
Pleased to meet you, Mr. Dawkins.
15:08
Come to think of it, but I got no intimate friends.
15:12
So, what's the difference? You come here with me.
15:15
Are you sure, Mr. Sagan, you're not mine?
15:21
Come to think of it.
15:26
What an examiner, I tell you to go to
15:32
school
15:32
It's we are, we are going to get the ball
15:37
Go to yourself, welcome
15:40
Go to yourself, I'm a good girl
15:43
Thank you for the ball
15:46
To share, thank you
15:49
To all the best people we share
15:52
To today, make sure to show
15:55
We'll be right back.
16:23
Falling up the south, back to town
16:30
Start with me, Jean-Claude,
16:34
Beats clear, wet, I go
16:38
Falling up the south, back to town
16:45
All from the north
16:47
Good day, good day, walk
16:51
We'll be right back.
17:47
Thank you.
18:51
Dragon?
18:53
Dragon!
18:55
What?
18:56
I've got a new friend to tell you.
19:00
Sir, I hope I'll serve the honour of your intimate acquaintance.
19:05
Very blessed to you, Oliver.
19:08
Aren't we, my dears?
19:13
Make the twist to come to London to seek your fortune.
19:17
You've come to London to seek your fortune.
19:20
We must see what we can do to help you.
19:22
Are you hungry?
19:24
Starving.
19:25
Would you like a sausage?
19:26
A faggot!
19:28
These sausages are melding!
19:33
Oh!
19:34
You're starting to poke a blanket, sis.
19:36
There's quite a few of them, ain't there?
19:39
hang them out. Ready for the wash.
19:41
The wash. That's all, Oliver.
19:43
That's all.
19:45
Is this the laundry then, sir?
19:48
Well, it's not exactly an idea.
19:51
Going to close the laundry would be a very nice
19:53
thing to do. But our line
19:55
of business pays a little better.
19:57
Don't it, boys?
19:58
All right.
20:07
It's like one thing, how does it get back from the large
20:13
mountain?
20:14
I'll let it go, throw on me, you can't get to the top of the mountain, you
20:19
can't get to the top, or down the hill.
20:25
Here's a little bit of a mountain, you can't
20:31
get to the top, or down the hill.
20:33
I'm not going to get to the top of the mountain, I'm going to get to the top of the mountain.
20:38
Thank you.
21:03
Father, I'm good
21:07
рос
21:11
cup
21:13
and when we want to
21:15
I
21:31
I've been coming to see you in the back of the
21:32
cup
21:36
day.
21:37
I am coming to see you all day long.
21:40
I'm coming to see you.
21:42
I'm coming to see you in the back of the night.
21:45
I have to be a father.
21:49
I'm coming to take a party party.
21:52
Oh, boy.
21:56
You got to take a party.
22:22
We'll be right back in the mall.
22:41
I said, all of them.
22:46
Nipper, come here.
22:51
What a cool...
22:56
Look, I hope you've all been at hard work today, my dear.
23:00
And what have you got for me, Dodger?
23:04
Couple of words?
23:05
Well, I, and I hope, only the best.
23:09
Well, I'm probably as they might be, but very nice to be made.
23:13
And we will recommend any all of us.
23:15
Will he make you some stuff?
23:17
No, I'm just only white hands.
23:20
Be quiet, Charlie.
23:22
What have you got for me, my dear?
23:25
Well, the very good ones. Very.
23:28
But you haven't embroidered the initials too well, though.
23:31
We'll have to be picked out with a needle.
23:33
You'll have to learn how to do that too, Oliver.
23:35
Won't you, boys?
23:38
And you'll have to learn how to make the walk
23:40
for the Dodgers' child here.
23:42
You'd like that, wouldn't you?
23:44
Yes, Mr. Fagan, if you'll teach me.
23:46
Pardon me, my boy.
23:47
No, see.
23:48
Just do everything you see the Dodgers' child do.
23:51
Making you more.
23:53
She's going to be your right little Bill Sacks.
23:57
Who's Bill Sacks, Mr. Sagan?
24:01
All in good time, Oliver. All in good time.
24:04
Now then, can you tell me, can you see this
24:07
silk handkerchief where there's a fruit in my pocket? Yes, sir.
24:12
What?
24:37
Is it gone?
24:39
Yes, sir.
24:40
It's in my hand.
24:52
I don't believe it.
24:54
You're a clever boy, my dear.
24:56
I never saw a stop allowed.
24:59
He's a silly for you.
25:04
I'll have to go to the bank.
25:07
Now back time, all of you.
25:16
Hi, pizza.
25:17
Here, my dear, by the wall.
25:20
Now, settle down.
25:23
Pick your handles and belts.
25:24
Where's your manners?
25:28
You're quite a gentleman now, Oliver.
25:31
You've got a home, a profession, a ceiling, and a credit.
25:36
If you go on this way, you'll be the greatest man of all time.
25:40
You've got to pick a pocket or two.
25:45
You've got to take a parking lot too
26:32
I'm a real Nisey, you know.
26:35
Can I help it?
26:37
I'd like to look at it.
26:39
It's my one little...
26:41
A cup of coffee, and a quick count-up.
26:48
Pile, my pretty.
26:49
This time is a special place for you with all my other special lady friends.
26:54
And Pile, you will see my extra special lady friend, Tiana.
26:59
I mean, who's going to look after me and me all day?
27:03
Will you?
27:07
Oh, why are you looking?
27:08
What do you think?
27:11
I want to hear every detail you thought.
27:14
I'm sorry, sir. I couldn't sleep.
27:16
Were you awake a quarter of an hour ago?
27:19
20 minutes ago?
27:20
Not that I know.
27:20
Be sore, be sore.
27:23
I'm sorry, I'm sorry.
27:27
Do you see any of those pretty things, my dear?
27:29
Yes, sir.
27:30
Well, they're mine, Oliver.
27:32
My private property.
27:33
So I've got to live on in me all day.
27:36
in all of us, old age.
27:40
Do you think I could get up here after that?
27:42
Finally, my boys, finally.
27:44
There's a basin of water over there.
27:46
You don't care, I'll walk.
27:47
But I had one yesterday.
27:49
Well, today's your birthday.
27:59
Sonny and Strom.
28:00
It's Nancy.
28:01
Wake up, boys.
28:02
The ladies are here.
28:04
Oh, I'll get them.
28:06
And we'll have nothing at it, if you don't mind.
28:10
Why isn't it going to be a dangerous thing, says you, young girl?
28:12
Then what's wrong with a bit of danger, then, Mr. Pagan?
28:16
Oh, well, that's the one who's right here.
28:19
And then we'll deny our second pleasure.
28:28
There's all the food we'll deny our second pleasure.
28:33
I'm going to fall and I'm going to fall.
28:43
I never touch.
28:45
I'm just waiting to scare you.
28:49
If you don't want to fall down, then I'll fall.
28:55
I'll fall.
29:10
Sous-titrage ST' 501
29:29
We'll be right back.
30:25
But it's some kind of thing on the line that
30:30
I've been doing.
30:32
On the line that I've been doing.
30:50
Yeah.
30:51
Ooh, this is perfect.
30:54
Oh, ladies, I forgot you must meet Ali Lava.
30:58
Master Oliver Cliff's ex-wife.
31:00
Um, please meet you, I'm sure.
31:08
Oh, don't you have no notice of them, Oliver?
31:10
Just because you get manners and they ain't.
31:13
You wouldn't know quality as a dog.
31:15
None of you, Dodger.
31:17
Have you seen the way them quality gentlemen treats their ladies?
31:21
Of course I have.
31:22
Should I show them how it's done?
31:24
It's not as a go then, Dodger.
31:26
I don't know when you have a woman.
31:28
You don't need to touch the night.
31:32
I do anything for you.
31:36
She has anything for you.
31:39
You mean everything to me.
31:43
I know that I go anywhere for your time.
31:49
For your smile everywhere, I say
31:54
I like you, and it's the other damn thing
31:59
And it's the other way, and it's the other way
32:04
I like you, what's your smile?
32:07
Everything is like you, everything is like you
32:13
I like you, and it's the other way, and it's the other way
32:16
I like you, and it's the other way
32:45
Thank you.
33:24
We'll be right back.
34:02
All right, then.
34:03
The first thing you can do for me is get to walk.
34:07
Can't have you lying about here, old daddy.
34:09
There's rich pickings on them for you.
34:14
Now, see, can you better get back before Bill wakes up?
34:17
Yeah, you're right.
34:19
Now, Disney, Oliver, you be careful.
34:23
To Tyler, to Tyler, to say.
34:27
Oliver, you can go with Georgia.
34:29
You have to begin sometime, and believe me, you wouldn't make a fire start.
34:33
Good luck on your first job today, my dear.
34:36
I'll be waiting here for when you get back.
35:01
We'll be right back.
35:06
We'll be
35:11
right back.
35:40
Thank you.
36:41
Give that back.
36:43
Come on, give it back.
36:47
Stop that boy, my pocket's been taken.
36:58
Thank you.
37:32
That's the boy.
37:54
Thank you.
39:28
We'll be right back.
39:52
Thank you.
40:24
I'll see you next time.
40:48
And just when I hear it, I
40:54
will not hear it.
40:57
It's much laughter than I hear it now for dimension.
41:02
I don't feel it.
41:11
I'd be happy to jump it up
41:14
I'd find a boy to tell you
41:17
I've got to turn it up to
41:20
Oh, my
41:21
Oh, let me get in the eye
41:26
Let me see the man who's dead
41:30
Don't let me
41:32
Take it while I'm
41:35
Keep up there
41:37
Take it while I'm
41:40
Oh, my God.
42:21
.
42:35
He took him away in a coat!
42:37
Who coat?
42:38
What coat?
42:39
Wear coat.
42:40
He put Matthew on the jaw.
42:42
They took him to court.
42:43
We waited outside.
42:45
The old man we did,
42:46
come over the court was all there and took him away.
42:49
In a coat!
42:51
We were supposed to look after him.
42:53
We were supposed to bring him back with us.
42:55
We were supposed to never let an animal stay.
42:59
A new boy.
43:00
When our first job's name was Dodger.
43:03
I'm afraid he may say something which will get us into trouble.
43:08
Somebody must find out what's been done or said
43:11
if he hasn't talked yet, there's still a chance he might get him back without suspicion.
43:15
We'll nab him the very moment he's dared to bail that out.
43:19
Now who's gonna go?
43:22
Aren't you supposed to laugh today, ma'am?
43:25
You're such a trap, Dodger. You've caused enough trouble.
43:28
It's got to be inside. We don't want anything.
43:32
You're very big!
43:33
Nancy, my dear, you're so good with the boy.
43:36
It's no good trying your time with me, Fagan.
43:38
And just what do you mean by that?
43:41
What I say to you, I'm not going.
43:44
Why can't you leave the boy alone?
43:46
Hey, old Gino, Anne.
43:48
Why don't you leave him alone?
43:49
And he'll get the chance of a teen-stained life.
43:52
You'll get him back here, my girl.
43:54
Or else.
43:55
Nancy, if he pops, see what would happen to us.
43:59
Hey, think what happened to Bill?
44:02
It's a gallop for him.
44:03
That's the gallop.
44:05
You wouldn't let that happen, my dear, would you?
44:08
That's a Bill.
44:09
That's your Bill.
44:10
You'll go, Fagan.
44:12
The rest of you, clear it out!
44:20
Go around, bitch.
44:21
Go around.
44:23
There's a good girl.
44:30
As long as he sees
44:36
me, oh yes, he has me,
44:43
he's by a warning, the
44:50
truth has me.
44:55
As long as I live, I'm
45:03
not in front of you, then somehow
45:08
I'll be there for you.
45:13
As long as I live, I'm
45:18
not in front of you, then somehow I'll be there for you.
45:34
Thank you.
49:16
How do you feel today, my boy?
49:18
Very happy, Seth.
49:20
May I see you're always back?
49:22
If you wish, dear boy.
49:23
Seems like I'm going to come see you.
49:26
Yeah, I'm just going to be looking better.
49:28
Not thirsty, aren't you?
49:29
If that boy's thirsty, I'll eat my head, are you?
49:32
Yes, Seth.
49:33
But I'm not thirsty, just a night.
49:36
It's very exciting, waiting to be thirsty.
49:38
You may give us a little tea.
49:40
Thank you, Doctor.
49:41
Hey, I'm Aunt Nelsa.
49:43
I thank your man.
49:44
Take a little pressure.
49:45
Don't keep him too warm, he said.
49:48
But don't let him be too cold.
49:50
He's a fire boy who's taken away.
49:52
Couldn't tell you.
49:53
Where did he come from?
49:55
I haven't had the same size of you.
49:57
He was arrested during my pocket.
49:59
I mean, I saw people told us what really happened,
50:02
and he was released by the last day.
50:04
I was often here to make what I meant later, but I thought too fast.
50:07
I found myself straight to a cop so tired.
50:10
She's feeding you, my good friend.
50:12
She's thought of pocketing, but she's dirty.
50:14
Then you'll steal more of them.
50:16
What do you know? Nothing.
50:18
Only that he's also.
50:19
And yet, it's strange.
50:22
There's something in the boys' size they can't play,
50:24
but somewhere, I see a turkey before.
50:27
Somewhere a long time ago.
50:28
Don't be nonsense.
50:30
You're a madman.
50:33
Yes, we do.
50:34
There's someone missing you, sir.
50:36
Books here, there's some in the bookshelf, sir.
50:38
Oh, yes, thank you.
50:40
Now I've got to give you some.
50:41
Hey, where are those? Hey, come back.
50:43
Oh, really, really, really.
50:45
And I particularly wish some books for your friend today.
50:47
Why not send Oliver with them?
50:51
Well, do let me take them for you, please, sir.
50:55
Oh, very well, my boy.
50:57
Very well.
50:57
If you wish, you shall.
50:59
Thank you.
51:00
you what I want you to do. You give Mr. Josephi's book. It's just on the right. And Dave comes
51:05
to pay £4 on that item. Here's £5. No need to rush. Guys, start. I'll give you back
51:10
in 10 minutes.
51:35
Oh, you don't really expect him to come back to you
51:38
with a new suit of clothes and a five-pound note in his back.
51:42
My dear Mr. Brownlow, if he does, I'll eat my head.
51:45
Dr. Grimlich, look at that portrait.
51:48
Don't you see an extraordinary resemblance
51:50
between Oliver and my brother Agnes?
51:52
Crap, say I do.
51:54
One ten minutes, Dr. Grimlich, I think you'll...
51:57
Yes, Mr. Brownlow.
51:58
Ten minutes.
52:24
Thank you.
54:10
Oh, my dear little brother!
54:13
Let go! Let go, Nancy!
54:17
Oh Oliver, where have you been? We've been worried out of our heads.
54:20
What's the matter, dear?
54:22
Oh, he ran away two weeks ago from his parents, who are hard-working, respectable people,
54:27
and went and joined thieves and bad characters.
54:29
It's not how he's brought his mother's heart.
54:31
It's not true, the young rat.
54:34
Go home, little Bruce.
54:37
I'm not! I haven't known the father. I'm an orphan.
54:41
Oh, heaven, just listen to him.
54:43
But...
54:45
Tell them to let me go.
54:46
He? He knows a sick doll, right? He can't hide down.
54:50
What the devil's all is?
54:52
Oh, he's just crying out.
54:54
Oliver? Come on to your poor mother, you young dog. Come on, Alex.
54:59
What? Book's two?
55:02
You've been stealing and out at you. He's nothing but a thief and a vagabond.
55:07
I'm not. I have to know no father. I'm nothing. Help! Help!
55:17
Oh, you've
55:36
come home again.
55:37
How are you, Oliver, my dear?
55:39
Look at his togs.
55:41
Megan, she's got books too, quite a little, isn't it, Annie?
55:45
The actual goddess will give you another suit.
55:47
For fear, you shall spoil that sunday one.
55:50
Why didn't you write, my dear?
55:52
You say you were coming.
55:53
We'd have got something wrong for supper.
55:56
Cool, look at this.
55:58
A five-time note.
56:00
That's mine, Megan.
56:02
No, no, my dear.
56:03
Mine, Bill, mine.
56:05
You can have the book.
56:06
If that ain't mine, I'll take the boy back.
56:09
again. Now come on.
56:11
Hand over.
56:12
How do you feel, Phil? Feel not.
56:15
Give it to me.
56:17
That's my favorite trouble.
56:19
And not half enough neither.
56:21
You can have a book. It's a library.
56:25
You can't keep the books all the money.
56:27
They belong to Mr. Brammer.
56:29
And if you find out you've got them,
56:31
he's going to be down there after you.
56:37
We'll still be down here.
56:38
Really?
56:39
Leave him alone, Bill.
56:41
What did you tell him about us?
56:42
Not that.
56:43
That reminds me of things.
56:45
But if we found out you said anything, anything out of place,
56:51
Fagan all the way to the young council told him everything.
56:56
Oh, right, right.
56:58
He's gone, Bill.
56:59
What's the matter with you?
57:01
They're going mad, I think, Fagan.
57:03
No, you have to, Fagan.
57:04
Don't even...
57:05
Be quiet, will you?
57:07
I wish I'd been struck down dead before a knife had passed,
57:10
before a knife had in helping you bring him back here.
57:13
I said tonight, he's a liar, and a thief, and all that's bad.
57:18
And ain't got nothing for you.
57:19
And I'm staying him to death.
57:21
Come, come, Nancy, we might have to go wild.
57:24
Civil what?
57:24
Yes, you deserve them from me.
57:26
I was out on the street with you when I was a child, half his age,
57:29
and I've been in the same trade, the same service for 15 years.
57:33
Don't you forget it!
58:10
Take care of him, daughter.
58:12
Not take care myself.
58:45
Oh, man, it's got a heart.
58:49
Heart to me.
58:52
Joking heart.
58:55
Heart to me.
58:57
And though I didn't want to say that it wasn't the same
59:04
I'm finding the heart to be really as black as they may
59:13
I'm the viewing
59:15
I just need a question
59:18
Can't you follow me a villain all this life
59:21
I'm holding a child
59:23
I'm so delighted
59:25
I'd better set around and get myself a wife
59:30
And, uh, wife would cook and stuff for me
59:33
And cough for me and go for me
59:35
And go for me and nag at me
59:37
The bigest people wag at me
59:39
The bigest people touch at me
59:41
The bigest people make for me
59:43
I think my best is a big deal, I can't
59:56
So, where shall I go?
1:00:00
Somebody!
1:00:02
Who do I know?
1:00:07
Oh, my dear companions have always been silly, sexy
1:00:15
In my time of life, so much better than me
1:00:23
I'm
1:00:31
reewing
1:00:32
ival
1:00:36
I'm
1:00:37
This
1:00:38
I'm
1:00:46
I
1:00:48
I'm
1:00:50
I доступ
1:00:51
I'm
1:00:52
I love you.
1:00:55
There is nowhere between these.
1:00:59
But who?
1:01:01
I love you.
1:01:34
Mary, two weeks to me, Widow Corny, I sold myself sheep, dirt sheep,
1:01:40
shape, a young
1:01:42
baby, two days, no one, hold out, I'm going to sit here, drop out, I'm going to sit here,
1:01:46
because I think proper, madam.
1:01:48
Proper me, Mr. Bumble,
1:01:50
with a corny.
1:01:50
What's the matter?
1:01:52
It's old Sally, man.
1:01:53
She's actually got something to tell you
1:01:55
that must be heard.
1:01:56
She's not got long
1:01:57
and she'll never die
1:01:58
quite seriously, man.
1:02:00
Well, what is it?
1:02:06
It's a good time.
1:02:14
Well, I think, what was the easiest time to hear
1:02:19
from Vauxhall?
1:02:21
Well, we think she decided that it was.
1:02:24
We found that there was gold.
1:02:26
No, what of it?
1:02:28
I think she kept moving badly.
1:02:33
The boy's name.
1:02:35
She's called...
1:02:37
Called...
1:02:41
OLIVA!
1:02:42
He must scream that boy in his mouth, he must indeed, ma'am, he must indeed.
1:02:50
Oliver, Oliver, that was the magical lord of a time.
1:02:54
Oliver, Oliver, apparently he's rich and malign.
1:02:58
And he's a big queen, he's a great ship as he went and lost that ship.
1:03:03
He didn't lose the world, no way.
1:03:05
What would he like to fight? He didn't lose that ship.
1:03:08
Oliver, Oliver, what?
1:03:10
We must give him a day.
1:03:13
Ha, ha, ha.
1:03:15
And we'll praise him.
1:03:26
To tell you the information regarding the boy all of the tricks,
1:03:30
we put an answer to your advice.
1:03:32
Bumble is my name, sir.
1:03:33
He loved the workhouse where this boy was cared for,
1:03:36
whomworthy was an apprentice to an undertaker.
1:03:40
Yes, yes, it's very good of you to come.
1:03:42
Now what have you got to tell me?
1:03:43
This locker was given to me by the lad's dying mother just before she passed away.
1:03:48
You said when he left your boy class you went to an undertaker?
1:03:51
Yes, Mr. Farrowberry, the undertaker, took Oliver from up for three pounds.
1:03:55
You mean to say you sold him like an animal?
1:03:58
Well, sir, it was little porn you actually authorized this thing.
1:04:04
So I see that video is important.
1:04:06
I'm just going to trust again. Leave my house.
1:04:08
How dare you seek to save me, sir?
1:04:10
I came here to help you.
1:04:12
You came here to earn a property from your own dream disorder, Steve.
1:04:16
Sir, if you consider the truth that your property would belong to us,
1:04:19
here, come out.
1:04:21
And consider yourself fortunately, you'll find yourself in the front of the law.
1:04:24
Mrs. Baldwin, show these gases for us.
1:04:26
Yes, sir.
1:04:27
We know our way out. Thank you very much.
1:04:29
It was all a liquid bomber.
1:04:31
The law supposed that your wife acts under your direction.
1:04:34
A lot wouldn't happen, the law is an idiot.
1:05:02
Oliver's in danger and bad company.
1:05:06
I'm the girl that dragged him back to old Fagin,
1:05:09
the morning he went missing from this house,
1:05:11
and I've wished I'd never been part of it.
1:05:13
You, me, and someone else.
1:05:17
Where's this Fagin, and who's this other person you speak of?
1:05:19
Casey, do you?
1:05:20
I can't tell you, but I'll bring Oliver to you.
1:05:23
Nadia, it's far too dangerous.
1:05:26
Will you promise that he won't be watched or followed?
1:05:29
I promise you solemnly.
1:05:30
Tonight, between 11 and 12, I will walk the London Bridge, and I will bring all
1:05:35
aboard.
1:05:36
Very well.
1:05:37
Do you can quickly tell me, Mr. Benlock?
1:05:39
I'm afraid we have no choice, Mr. Bedwin.
1:05:56
How could no?
1:05:58
It ain't hard, I'm thinking about
1:06:04
you, I'm blinding my eyes, I'm blinding
1:06:11
my eyes, I'm blinding
1:06:26
my eyes.
1:06:38
Thank you.
1:07:33
No, no, no, no, no, no.
1:07:51
All right, you look at me like that, Bill.
1:07:53
But please, thanks, I wasn't going to say nothing, so let him go!
1:07:57
Stop not, my girl.
1:07:59
But it's right enough to watch what you do.
1:08:03
Ah! Ah! Ah!
1:08:06
Don't, don't, don't lie!
1:08:09
Don't stare at me! Don't lie!
1:08:24
I know, do that!
1:08:26
How, how do you not watch it?
1:08:30
I do know, I do know, I do know, you do know, you do know, you do know, you do know, you do know.
1:08:33
And I, and the gospel, which I think is what I do, I'm an merchant.
1:08:37
And the gospel, which I think is what I do, I'm a merchant.
1:08:41
Now, stop it, let's do it!
1:08:47
Oh, my God.
1:09:16
Say it! Say it! What do I do?
1:09:18
What's your name? Talk about!
1:09:43
Daring. Daring. Daring. Daring. Daring. Daring.
1:09:49
Daring. Daring. Daring.
1:09:57
My God! I knew they'd get me! Daring.
1:10:13
We'll be right back.
1:10:42
Oh, my
1:10:56
God.
1:11:07
Maybe it's strange, but it's possible
1:11:11
What might do you think is the treasure I've left on behind
1:11:18
I'm finally sober, it's not time to find
1:11:27
It's a trap
1:11:38
Thank you.
