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Oliver Oak Knoll 3pm
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HillviewTV Team
·
May 23, 2026
·
1:15:27
Oliver Oak Knoll 3pm
Transcript
0:00
Thank you.
0:56
Thank you so much for joining us.
1:24
So, pretty good, I'm not going to be a kid, I'm not going to be a kid, I'm
1:29
not going to be a kid, I'm not
1:35
going to be a kid.
1:37
The end of the day
1:46
was a baby, I was going to be a kid.
1:48
I thought that she was a kid, I would have to be a kid, I would have to be a kid.
1:52
Three times, I will be able to walk you through the street.
2:00
For me, I will walk you through the grave.
2:04
Give me that day, and to the
2:09
sky.
2:11
Step, step, step, step.
2:13
Step, step.
2:30
We'll be right back.
3:15
me
3:26
Thank you.
3:47
Oh, what's your party today?
3:50
And I'm going to make you truly thankful.
3:54
I'm not going to kill you.
4:15
Oh, huh?
4:16
I've got some water to dry.
4:18
Woah! What's up now?
4:20
Oh, oh, oh, oh, oh, oh!
4:22
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh!
4:26
Oh, oh, oh, oh, oh, oh, oh, oh!
4:30
I'm not going to wait in the last two years.
4:33
Now, I'm going to start to throw the
4:38
dog and feed you.
4:40
Thank you.
5:09
That one could make you do like the rest of the man
5:12
I thought, I thought, Oh, look up
5:14
No, look up ya, I just do that
5:18
But I think you're made up only
5:25
Well, that's
5:32
the only thing that you do
5:33
and you're always where you still
5:37
One, two, three, four, four.
6:16
Oh, thank you.
6:42
you
7:06
Oh
7:31
Oh!
7:35
Yeah!
7:45
Oh!
7:50
Great good times, Mr. Saludari.
7:55
Oh, what are you doing?
7:57
Oh, boy.
7:59
And you would like to check on what it is.
8:02
So, now, over.
8:05
So, we don't mind, we need to go more.
8:07
I don't want to ask a whole variety.
8:10
This is so funny.
8:13
Let's do it to what.
8:15
Let's do it.
8:17
I don't know.
8:18
It's the bottle.
8:21
Yeah.
8:22
I think it's really meaningless for our brand.
8:24
It's a shock.
8:25
He's very small.
8:27
Yes, he's not a small.
8:29
He's not a diamond.
8:30
But it'll burn him somewhere.
8:33
Who's going?
8:34
I dare say he will.
8:36
On articles and articles.
8:39
There are ways that behind these poor types of boys.
8:41
And that was not quite deep.
8:43
They got that boy.
8:44
What do you say, boy?
8:45
I'm not.
8:52
Let's go with those people.
8:53
Yesterday, three jobs in the world,
8:57
that's a look, we got these facts
8:59
that bring the white men in the world.
9:02
Very well, that's a junior college in Florida.
9:06
So I think, oh, I mean, yes, no one, nothing.
9:10
I'm sorry.
9:13
When did someone call this, we put up for the door.
9:15
It happens all day, so you can go by now.
9:19
I'm giving you a new one, just to see.
9:21
A little boy?
9:24
Sean, this is a you boy.
9:26
But a black!
9:27
Who's your boy?
9:31
No, you're a child!
9:32
I think you're a child!
9:34
Who's your boy?
9:35
You want to hold God to the next?
9:38
No, like all the tricks!
9:40
You want to get myself to?
9:42
You'll know how to build the whole thing
9:45
It doesn't matter!
9:47
You're young, my son!
9:49
You're sorry, yo!
9:50
You can't just go around!
10:18
Pussy stuff, smile and smile.
10:23
I didn't know the day,
10:26
so proud of the cheese,
10:29
that's the right thing to be,
10:32
to be tall.
10:35
I can't remember that,
10:38
I can't speak.
10:42
It's not a little fun,
10:44
haha, I've seen.
10:47
an
10:49
another
10:50
to
10:53
On
11:00
stay
11:02
longer
11:04
in
11:05
at
11:07
work
11:08
at
11:08
go
11:09
You
11:14
Pleaseisten me, God.
11:18
While I'm happy,
11:21
but I'll be so proud.
11:26
Mind,
11:29
do not work so long.
11:42
Thank you
11:51
so
11:59
much for
12:06
joining us.
12:10
And can you treat it, you're so dangerous?
12:12
I don't know, you don't know what I am.
12:14
What else?
12:15
No sir, I can't say I do.
12:17
I am Mr. Noah Clifford.
12:21
You're under me.
12:23
So where's the guards you are in your story line?
12:27
Now what, I think in my phone,
12:29
I think she said that she's done.
12:31
I don't know.
12:38
I'm not going to work out.
12:39
Not at all.
12:42
I'm going to be the great, so I'm going to be doing a thing.
12:45
Not at all.
12:52
You need to go to this.
12:54
She's a little.
12:55
I'm looking back at what I'm talking to you about.
12:59
She's just dying.
13:01
She's not like a little bit of a thought.
13:03
So I'll be holding on with that for a minute.
13:05
I'll be holding on with that.
13:31
Take care of each other!
13:34
Help me out!
13:35
You know what I'm saying for this all about?
13:39
And ain't you afraid to buy it all about?
13:40
Ain't you afraid to buy it all about?
13:44
I'm calling with me!
13:45
Yes, Mr. Balloon!
13:47
No, no, it's not!
13:48
It's the way it is!
13:50
He's just a little rude, it's not happening!
13:53
He told me to join with
13:59
us!
13:59
I want to do it!
14:06
Oh, thank you.
14:30
I want to leave the boat so I can go and grab it.
14:34
Oh, oh!
14:40
Oh!
14:56
I'm going to get it.
14:58
We're wearing the real, really, really,
15:05
and I'm going to start with my eyes.
15:09
I love you.
15:11
What do you think about?
15:13
I don't want to start with my uncox.
15:15
No, never, no, I don't want to start with the right
15:20
I'm going to start with my own story.
15:22
Now, yes, I can go and start with my own story.
15:25
All right, guys.
15:26
You're not in the wrong way.
15:28
You're not.
15:30
I didn't.
15:32
You're not.
15:33
You're just looking at the wrong side.
15:34
I'm not.
15:35
I'm not going to make it.
15:36
Go on the board, isn't it?
15:40
You're coming.
15:42
Are you moving?
15:43
I'm not going.
15:45
You're going to do this right now.
15:46
I'll sit.
15:47
I'm not going.
15:49
Yeah.
15:50
Don't you get the chance.
15:52
Don't you want.
15:53
You're not being young, mate.
15:55
They are the same things I've found out in a respectable adult-intentional solution,
16:00
only your body should not be done.
16:03
Let's go, at least now, in the same way.
16:07
Go on your way, because mine's this year's second.
16:10
I'm going to know who you are, me of China, my name's over,
16:13
or your first step on Jack Buckings.
16:16
They are not among the more.
16:18
And it's first, at the Oxford Doja.
16:20
Do you think you need to make the buckings?
16:22
Thank you.
16:24
I'll go ahead and make it thanks.
16:26
Still, thanks again.
16:27
You're a good day.
16:30
I'll give you a show that you're going to find mine.
16:51
We'll see you next time.
17:19
There's a drink some water, it's a little drunk.
17:22
My heart feels so uncomfortable.
17:26
The day of the night, my love goes into you.
17:30
I'll have a dream with you.
17:34
When you go to sleep
17:39
and sleep I want to sleep.
17:41
When you go to sleep, I'll have a dream.
17:45
This song is called my soul.
17:47
Just let it go
17:49
It's clear, clear
17:51
Joy to joy, I know
17:53
Call me in your house
17:55
Back in
17:57
Call me in your house
17:58
Back in your house
18:02
And as it works
18:06
Remember we got the shirt
18:08
If you try to wait
18:09
Back in your house
18:15
Thank you.
20:10
Simon! Simon! Simon!
20:14
Simon! Simon!
20:16
Ooh! I got a little bit of a seat.
20:19
All the seats, shop, and open the
20:24
hall of the hall of the hall of the hall of the hall of the hall of the hall.
20:26
There's one where I'm at to see where I'm at.
20:29
Oh, we got a seat!
20:32
Oh, we got a seat, we got a seat, we got a seat, we got a seat.
20:36
Let's just stand up, see, thank you, but
20:40
Karen, you come to London to save your whole team.
20:43
We must do the energy on our way,
20:47
but we're going to do it. As I'm going to do it, you're going to do it.
20:53
I'm going to do it.
20:56
But our party here, like that, we've got to talk about
20:59
the most successful, that's all.
21:03
If you want me to love you, I'm just going to love you.
21:07
I said, well, look exactly, my dear.
21:09
I'm afraid I love you, but you're so nice, didn't you?
21:12
I love you, because you're so sweet.
21:15
Oh, baby, girl.
21:16
Daddy, boy.
21:18
You know what?
21:25
It is my dream.
21:27
One day, baby.
21:28
No, no, I'm dead.
21:29
No, it's your mother.
21:31
No, I'm dead.
21:56
We'll see you next time.
21:59
We'll be right back.
22:56
All the heads off, all the heads, all the heads, l importance of how comprends
23:01
the tampons,
23:02
all the heads of the table that we have.
23:07
All the heads of the table actuality.
23:10
Alone inל the Premier League.
23:13
It is going to дизель to the altar.
23:16
Here in the central league.
23:19
다니y!
23:25
Thank you.
23:52
It's a magic point on metal camera.
24:04
Oh my gosh.
24:05
I've got a little bit.
24:07
I've got a little bit of a magic thing on this.
24:09
I'm going to use this.
24:12
What did you do to me?
24:14
It's a little bit more.
24:16
I'm going to use it.
24:18
You
24:20
I was happy as I walked in, and you had a nice night.
24:24
And do you want me to do that?
24:26
Do you want me to do that?
24:28
I don't want you to do that.
24:30
Yeah, there's no reason what's happened.
24:32
So you didn't do that, Charlie.
24:34
I want you to go to do that, Charlie.
24:36
Yes, that was a good one, Charlie.
24:39
It wasn't important.
24:40
It was just too bad, Charlie.
24:42
So I wanted you to talk to me, don't you?
24:45
Don't think you're allowed to do that too, it was one day.
24:49
I have to learn what to do with the board.
24:53
I can go to the job here.
24:54
In my company, I can go to the
24:59
board.
25:01
My team is doing things in the city of the city.
25:04
You have done my work.
25:07
I can go to the job.
25:16
have been sharing.
25:17
Widow, can you see myself him?
25:20
There she is.
25:22
The one of those ?
25:25
The one the other.
25:30
The one where,
25:35
side by side, what's up?
25:39
Yes,step-of- hidden.
25:47
You're a big fan.
25:56
Oh, I got a fan.
25:58
You know, I never go about it.
26:00
Never saw a star in that.
26:02
It's a big fan for you.
26:08
I love you guys.
26:12
I love you.
26:12
All the things.
26:14
But the life is done.
26:16
Here's our dear body room.
26:18
All the work, all the work, settle down.
26:20
Don't die, take your heart, or you go.
26:22
Where is your man is?
26:25
Yes, only that.
26:26
But you are pretending now.
26:28
You've got a garden, a profession, a swimming,
26:33
But you don't have to fight, you'll be the greatest man of all time.
26:38
And you don't have to fight, you'll be the greatest man of all time.
26:40
I don't know.
27:19
I'm a real bodice of mine.
27:21
Can I help me?
27:22
I want you to have to look at it.
27:23
It's my mother-in-law chocolate.
27:25
I've got the coffee.
27:27
I'm good.
27:28
Get up.
27:36
I don't know if there are any kind of special times
27:40
you don't have to talk to especially with your friends.
27:43
And now, you've got to know about that
27:45
especially with your friends and your mom.
27:48
I mean, are you going to the best to be in your lives?
27:52
Where you are, where you are.
27:54
It's a little while you're like what you say.
27:57
Good times to get out of here and go.
28:01
Good times to get out of here.
28:02
We're going to do a little bit now, though.
28:04
And here, you don't have any salt, and salt, and salt,
28:10
or what I'm going to do with your orange juice.
28:15
And here you have some of the things you want to do.
28:17
Just that, you'll want to use a non-partic protein.
28:22
It's going to make a tomato in the old ranch.
28:24
And you'll want to open that old ranch.
28:27
And you think that you can catch that?
28:29
That's not what you're going to do.
28:31
That's what you're going to do with your ranch.
28:33
You know what I want.
28:34
I want to watch it out.
28:35
I want to get you back to the horse.
28:40
You know what I want.
28:41
I want
28:53
to see what the boys are doing here.
28:55
They are a poor actor.
28:58
I want to get back to you guys.
29:01
Maybe it's too small, too, young d'rl.
29:04
Oh, wait, I'll do something with you.
29:06
You're so excited.
29:09
I still want to eat with your baby.
29:12
I need to get an ad mat.
29:13
I'm going to get an ad mat.
29:15
You're so excited.
29:17
We're so excited, together.
29:20
I just got a word out.
29:22
I got a word out of my name.
29:26
I need a word out of my life.
29:27
Thank you.
29:54
GABBY
30:17
Thank you so
30:23
much for joining us.
30:25
Oh, yeah, yeah, yeah, yeah,
30:39
yeah, yeah.
30:53
It's a good night, it's a good night
30:58
It's a good night, it's a good
31:03
night
31:05
Not for me.
31:07
Yeah, yeah.
31:09
I think that's it.
31:11
I think I've been.
31:13
I think I've been alive.
31:23
My son!
31:38
Yeah, we will stand like it.
31:40
And they will be possible.
31:42
We will be on you with us.
31:48
Thank you.
31:49
Now, I'm going to help you keep noticing the girls and
31:52
seek the new value and gain out,
31:55
you are getting a little more of these fun.
31:57
Here are you, her of death, yeah,
31:59
and why do you know what I'm told to do this in short ways?
32:02
Well, perhaps here it is all I have done.
32:04
Definitely, same thing didn't do what?
32:07
I'm going, I'm going to help you stay in the town
32:10
of the New York Times Southern.
32:11
I'm going, and I'm going to be on that North,
32:13
I'm going to be on the Grand Lawn.
32:15
That's what you want to do.
32:17
I love you, I love you, I
32:24
love
32:30
you
32:45
What do you think you have?
32:48
What do you think we can do?
32:50
What do you think
32:55
we can do?
32:57
You can do it.
33:00
What do you think you are valued?
33:06
You can do it.
33:07
If you're not perfect, you're not just the bad one.
33:10
But I'm really excited.
33:11
So you've got a mess with me.
33:12
Now I'm going to do it when I get you.
33:39
I'm back again.
33:41
Thank you.
34:12
We'll be right back.
34:43
The first thing you can do to me is get to work.
34:47
I've been like, about it all day.
34:49
There's you too.
34:50
You can't do it.
34:52
You better get back to school.
34:55
You better get back.
35:02
All day.
35:04
You've been going to school.
35:04
Yeah.
35:06
get him sometime, and believe me, we shouldn't make us all this stuff.
35:09
So you have to do this for my day.
35:11
And don't worry.
35:12
I'll be learning to you when you get that out.
35:14
Drive, drive, drive, drive, drive, drive, drive.
35:16
Go on and go on, go on and go on.
35:19
Single file, dinko on, go on a jack, ah, yeah, hey, no.
35:24
Go on, go, go, go.
35:25
Go on, go, go, go, go, go go, go, go.
35:34
I'll let you preach on the train
35:37
You didn't want me to do a whole lot
35:38
I'm going to love you
35:48
I've never been toyed
35:54
By masculin'
35:57
I'm so excited.
36:02
go
36:30
We'll be right back.
36:58
Thank you.
37:26
You might fucking speak it!
37:54
Thank you.
39:15
Ladies and gentlemen
39:18
Get ready! Here it comes!
39:22
The old school's gone!
39:30
All right, all right, you'll come up!
39:38
That little ditty, they're singing in the city
39:42
Especially when they've been to the inn for some cheer
39:46
If you've got the patience, your own imaginations will tell you just exactly
39:52
what you want to hear.
39:54
Oom-ba-ba, oom-ba-ba, that's how it goes.
39:58
Oom-ba-ba, oom-ba-ba, everyone knows.
40:02
They all suppose what they want to suppose when they hear
40:07
oom -ba -ba.
40:14
Thank you.
40:44
There's a day that sings in this day
40:48
Papa, papa, everyone knows
40:52
Hey, she's got the patience here
40:54
She's got the patience here
40:56
Tells you to the room, papa
40:59
Here, here
41:00
Papa, papa, that's how it goes
41:04
Papa, papa, everyone knows
41:08
They all suck, but they won't
41:11
to the past
41:13
when the years
41:17
pop high
41:29
Bill Sikes!
41:39
Strong men tremble when they hear it
41:44
Thy walk calls you not to fear it
41:48
It's much blacker than this mirror No more
41:54
dimensions
41:54
Why nine rich men hold
41:59
their biped notes out Saves me emptying their
42:04
coats out
42:05
That's it
42:07
I know I can tear the throats out just to live up to
42:12
my night.
42:15
With my gym I'm young, let me see the man
42:20
who dares.
42:22
Stop me, take it, what am I?
42:27
He can start to sigh his prayers.
42:33
Biceps!
42:35
Like a nine -girder, fit for doing
42:40
other murder.
42:42
If he just so much has heard of, I'll keep
42:47
it whisper, here's nine.
42:51
What is it?
43:03
Who is it?
43:07
Bill Sykes
43:22
Fagan!
43:26
Dodger!
43:27
Where's all that? Where's the boy?
43:29
He got took away in a coach
43:31
What coach?
43:33
Where coach?
43:34
He got nabbed on the job.
43:36
They took him to court.
43:37
We waited outside.
43:39
The old man we did could nabbed the court with Oliver and took him away.
43:43
In a coach!
43:46
Speak!
43:46
To the posh-tile town, Tepstone Gardens, Bloomsbury.
43:50
I've run all the way.
43:52
We were supposed to look after him.
43:54
We were supposed to bring him back with us.
43:56
We were supposed to never let him out of our sight.
44:00
And you, boy, went out on his first job today with Dodger.
44:04
I'm afraid he might say something
44:06
would just get us all into trouble.
44:08
Somebody must find out what's been done or said.
44:12
If he hasn't talked yet,
44:14
there's still a chance we might get him back without suspicion.
44:18
Well, nob in the very moment he dares step out of that house.
44:23
Now, who's gonna go?
44:27
I suppose it'll have to be me.
44:29
You shut your trap, Dodger.
44:31
You've caused enough trouble.
44:32
It's got to be done quiet.
44:34
We don't want to fuss.
44:36
The very thing, Nancy, my dear.
44:38
You're so good with the boy.
44:40
It's no good trying it on with me.
44:42
I just, what do you mean by that remark?
44:45
What do you say, Bill?
44:46
I'm not going.
44:47
Why can't you leave him alone?
44:49
He won't do no harm.
44:50
Why can't you leave him where he is?
44:51
We'll hook the chance of a decent life.
44:53
You'll get him back here, my girl.
44:55
or else. Nancy, my dear, if he talked, thing
45:00
God happened to us, thing God happened to Bill.
45:03
It'd be the gallows for him, Nancy, the gallows. You wouldn't let that happen, would
45:09
you, my dear?
45:10
Not to Bill, not to your Bill. She'll go, Thighon. The
45:15
rest of you, clear out.
45:21
Go, Bet, go.
45:23
There's a good girl.
45:31
As long as he needs me
45:38
Oh, yes, he does need me
45:44
In spite of what you say
45:49
I'm sure there's...
45:51
That he needs me, as
45:57
long as life is long, I'll
46:03
love him right or wrong, and somehow
46:08
I'll be strong, as long as
46:13
he needs me, if you are
46:18
lonely.
46:19
Then you will know
46:22
When someone needs you
46:25
You love them so
46:29
I won't betray his
46:34
trust
46:35
Though people say I must
46:39
I've got to stay true just
46:45
As long as he
46:47
Me
46:56
Thank you.
47:44
Where is it off?
47:50
Does it fall from skies above?
47:57
Is it underneath the willow tree
48:02
that you've been dreaming of?
48:08
Where?
48:36
Who will buy your sweet red
48:40
Roses to grooms for a penny
48:45
Who will buy a sweet red roses
48:50
To grooms for a penny
48:58
Will you buy anywhere else
49:03
to take this trip
49:05
Anywhere else to take this trip
49:08
It's just
49:11
Rhyme, strong and dry
49:20
Life's, life's to grind
49:23
And he has to fight
49:27
Who will buy?
49:36
This wonderful morning
49:38
It's not just a sky you never did see
49:44
Me or I, I don't want to use it
49:49
So what am I to do to keep the skies open?
49:54
There must be someone who will
49:57
Who will I, I don't want to use it
50:18
Come along, Dr. Grumberg.
50:19
I think you'll find a great improvement in the boy.
50:22
That, sir, is for me to decide.
50:25
How do you feel today, my boy?
50:27
Very happy, sir. May I stay here always, sir?
50:30
If you wish, dear boy.
50:32
Doctor, come to see you.
50:39
Well, he's certainly looking better.
50:41
Not thirsty, are you?
50:43
If that boy is thirsty, I'll eat my head.
50:47
Are you?
50:48
Yes, sir.
50:49
I am rather thirsty.
50:51
Just as I expected.
50:52
It's very natural to be thirsty.
50:55
You may give him a little tea.
50:57
Thank you, Doctor.
51:00
May I get up now, sir?
51:03
I think you may.
51:04
And take a little fresh air.
51:06
Don't keep him too warm, Miss Bedwin,
51:08
but be careful you don't keep him too cold.
51:11
He's a fine boy, don't you think, Grimwik?
51:14
Could not tell you.
51:16
Where does he come from?
51:17
I haven't the faintest idea.
51:19
He was arrested for stealing my pocket handkerchief.
51:22
But when the shopkeeper told us what really happened,
51:25
and he was released by the magistrate,
51:28
I brought...
51:28
him here to make what amends i could but i must confess i find
51:33
myself strangely attached to the
51:35
child he's deceiving you my good friend he stole your pocket handkerchief didn't he
51:40
then he'll
51:41
steal more what do you know of him nothing only that he's an orphan and
51:46
yet it is strange there's
51:49
something in that boy's face i can't explain it but somewhere i've seen i've
51:54
seen him before
51:55
somewhere along
51:56
time ago. Stop it, nonsense.
51:58
You're maddening things.
52:00
Yes, what is it? There's someone to see you, sir.
52:02
What does he want? Here's some books
52:04
for the bookseller, sir.
52:06
Ah, yes, thank you. Now I've got to
52:08
give you some... Hey, wait a moment.
52:11
Hey, come back.
52:12
Oh, really, really, really.
52:14
And I particularly wish
52:16
some books to be returned today.
52:18
Why not send Oliver with them?
52:20
Yes, sir. Do let me take
52:22
them for you, please, sir.
52:24
Um, very well, my boy, very well.
52:27
If you wish, you shall.
52:29
Now, I'll tell you exactly what I want you to do.
52:31
You will give Mr. Jessup these books.
52:33
It's just that road, and say you've come to pay the £4.10 I owe him.
52:38
Here's £5.
52:40
No need to rush, but I shall expect you back in ten minutes.
52:45
She's a very pretty lady, isn't she, sir?
52:48
Yes, it's a portrait to my daughter.
52:51
I'll take the books then, sir.
52:52
Yes, I will take the books.
52:55
Ha! You don't really expect him to come back, do you?
53:00
With a new suit of clothes on his back and a five-pound note in his pocket,
53:04
let him, Mr. Brownlow. If he does, I'll eat my head.
53:08
Dr. Grimwijk, look at this portrait.
53:11
Don't you see an extraordinary resemblance between Oliver and my daughter Agnes?
53:16
Can't say I do.
53:18
Well, in ten minutes, Dr. Grimwijk, when the boy...
53:20
returns, I think you shall see.
53:22
Yes, Mr. Brownlow, ten minutes.
53:27
To a high
53:29
is wonderful boy
53:30
A sky
53:32
is never to see
53:34
To a high
53:36
up with a rib and put it
53:38
in a box for me
53:40
There'd never be a
53:42
day so sunny
53:44
It could not have
53:46
been twice
53:48
Now let's go
53:49
With all the money
53:51
It's cheap at half the price
53:55
Who will buy this wonderful thing
53:58
I'm so high, it's where I can fly
54:02
We are high, I've got more to leave
54:05
There must be someone who will buy
54:41
I'm so high and circumcised.
54:45
Me, am I, I just want to lose it.
54:49
So what am I to do to keep the sky
54:54
so blue?
54:56
There must be someone who will buy.
55:04
They'll buy our sweet red roses into a moon
55:09
for a penny.
55:26
Oh, my dear brother!
55:29
Let go! Let go, Nancy!
55:32
I found him! Oliver, Oliver, where have you been?
55:35
We've been worried out of our heads.
55:37
What's wrong, dear?
55:38
Oh, we ran away two weeks ago from his parents who are hard...
55:41
respectable people and wanted to win a set of thieves and bad characters almost
55:46
broke his mother's heart it's not true you young wretch that only did you
55:51
little brute but just let me go hello
55:56
oh heaven just listen to him see he knows
56:00
his sister he can't hide that what the devil's all this hello he's
56:05
only playing
56:09
to your poor mother, you young dog.
56:11
Come on out.
56:13
What, books too?
56:15
You've been stealing again, haven't you?
56:18
He's nothing but a thief
56:19
and a vagabond.
56:21
Let go! I don't belong to them.
56:25
Help!
56:50
Oh, so you've come home again, have you, also, my dear?
56:54
Look at his tugs, Fagin.
56:56
And he's got books too, Quizzle and Jen, ain't he?
56:59
Delighted to see you looking so well, my dear.
57:01
The art of a dodger shall give you another seat,
57:03
for fear you shall spoil that such...
57:05
day one. Why didn't you write
57:07
my dear and say you were coming?
57:09
We'd have got something warm for supper.
57:12
Cool, look at this.
57:13
A five pound note. That's
57:15
mine, Fagin.
57:17
No, no, my dear. Mine, Bill.
57:19
Mine. You can have the books.
57:21
If that ain't mine, I'll
57:23
take the boy back again.
57:25
Come on, hand over.
57:27
This is oddly fair, Bill.
57:29
Fair or not, give it here.
57:31
That's for my share of the trouble.
57:33
and not half enough either.
57:35
You can have the books.
57:36
Start a library.
57:38
You can't have the books or the money.
57:41
They belong to Mr. Brown, though,
57:43
and if he finds out you've got them,
57:46
he'll be down here after you.
57:52
So we'll be down here, will he?
57:56
What did you tell him about us?
58:00
That remains...
58:01
to be seen but if we found out you said anything anything out
58:06
of place fagin i'll wager that young
58:10
scoundrel told him everything leave him alone bill all right all right
58:15
we've got the boy back
58:16
what's the matter with you the girl's gone mad i think fagin no she hasn't
58:21
fagin don't think it
58:23
then keep quiet will you i wish i'd been struck down dead before i led to hell and bringing him
58:27
back here after tonight he's alone
58:29
and all that's bad.
58:31
Ain't that enough for you without scaring them to death?
58:33
Come, come, Nancy.
58:34
We must have civil words.
58:36
Civil words?
58:36
Yes, you deserve them from me.
58:38
I was on the streets for you when I was a child at his age,
58:41
and I've been in the same trade, the same service,
58:44
for 15 years since.
58:45
And don't you forget it.
58:47
If you don't want them to lock a lamp in,
58:50
it's a fine life, fine life,
58:52
fine life, long fit.
58:53
If you don't mind, the angels wait in,
58:55
it's fine life, fine life, fine life.
58:57
I hope that I do as you are told
59:00
Watch out, Phil has got a heart so cold
59:02
Get out by the door
59:04
I'm not paying master jack to call
59:05
I'll pass the route to find
59:11
Find life
59:17
Take care of it, Bill
59:18
Take care of it, Dodger
59:20
And I'll take care of myself
59:25
Thank you.
59:54
Ah, man's got a heart, hasn't he?
1:00:01
Choking a pot, hasn't he?
1:00:06
And though I used to fuss for the saint that I wasn't a saint,
1:00:12
I'm finding it hard to be really as black as a pint.
1:00:22
I'm reviewing the situation, can
1:00:27
a fellow be a villain of his life?
1:00:30
All the trials and tribulations, better settle down
1:00:36
and get myself a wife
1:00:38
And a wife would cook and sell for me, and count for me, and go for me,
1:00:44
and go for me
1:00:44
And nag at me, I think she will wag at me, the money she will take from me
1:01:04
so where shall i go somebody
1:01:09
who do i know nobody
1:01:18
Handling as boys and villains and thieves
1:01:24
Send more time of life
1:01:26
Or she starts adding out a new lives
1:01:33
I'm reviewing the situation
1:01:38
I'm a bad man, a bad man
1:01:40
I shall stay
1:01:42
You'll be seeing
1:01:43
Now transformation
1:01:46
It's wrong to be a hound in every way
1:01:49
I don't want nobody act for me
1:01:52
Or may today bed act for me
1:01:54
This rotten life is not for me
1:01:56
It's getting far too good for me
1:01:58
Don't want no one to run for me
1:02:00
But who will find the job for me?
1:02:04
There is no in-between for me
1:02:08
But who will transform sin for all men?
1:02:18
Oh, I think I'm hot to take it out of the sky.
1:02:44
Mary, two weeks to Woodrow Corny
1:02:46
I saw myself cheap
1:02:51
Are you just going to sit there snoring all day?
1:02:54
I'm going to sit here as long as I can think proper, madame
1:03:00
Pardon me
1:03:00
Mr. Bumble, Woodrow Corny
1:03:03
What's the matter?
1:03:04
It's old Sally, ma'am
1:03:06
She says she's got something to tell you that must be heard
1:03:09
She's not got...
1:03:10
long and she'll never die quite till you listen ma 'am. What is it? In
1:03:15
this very workhouse I was
1:03:18
nursed a pretty young creature that I brought in from the cold. She gave
1:03:23
birth and died. Let me
1:03:25
think. What was the year again? Never mind. What about her?
1:03:31
I robbed her. The only thing she had
1:03:33
of any worth. It was round her neck and it was gold. Gold? What of it?
1:03:38
This is it. This is Lockett. It's my belief he came from our family.
1:03:43
The boy's name?
1:03:45
He's called...
1:03:50
Oliver.
1:03:52
Oliver?
1:03:53
We must retrieve that boy, Mr. Bumble.
1:03:56
We must indeed, Mom. We must indeed.
1:04:01
Oliver, Oliver.
1:04:03
That was the mod with the large appetite.
1:04:06
Oliver, a bird, he's from a rich family
1:04:09
And to think we nearly stupidly went and lost track of him
1:04:14
But for the drinks, one and me
1:04:16
Both will lie and sing with the back of it
1:04:19
Oliver, Oliver, what will we do?
1:04:22
We must give him his due
1:04:26
And we'll pray to the Lord that he wants us Oliver
1:04:39
I understand you bring information regarding the boy Oliver Twist.
1:04:43
We've come in answer to your advertisement, sir.
1:04:47
Bumble is my name, sir.
1:04:49
Beautiful workhouse where this boy was cared for,
1:04:51
where he was apprentice to an undertaker, where he ran away.
1:04:54
Yes, yes, it is very good of you to come.
1:04:57
Now what have you got to tell me?
1:04:59
This locket was given to me by the lad's dying mother just before.
1:05:02
she passed away. You say
1:05:04
when you left your work house you went to an
1:05:07
undertaker's? Yes, Mr.
1:05:08
Salva. I mean, for undertaker
1:05:10
it took Oliver for three pounds.
1:05:12
You mean to say you sold him like an animal?
1:05:15
Well, actually, it was
1:05:16
a little corny who authorized
1:05:18
the sale. Really? Then I see that
1:05:20
neither of you is employed in a position
1:05:22
of trust again. Leave my
1:05:24
house. How dare you speak so
1:05:27
to me, sir? I came here to help
1:05:29
you. You came here in Pope's
1:05:30
profiting from your own greed and dishonesty.
1:05:33
Sir, if you consider a twinket,
1:05:35
don't properly belong to us.
1:05:37
Here, ten pounds, take it.
1:05:39
And consider yourself fortunate
1:05:40
that you don't find yourself in the hands of law.
1:05:43
Miss Bedwin, please show these ghastly people out.
1:05:47
Yes, sir.
1:05:48
We know the way out.
1:05:49
Thank you very much.
1:05:51
It was all Mrs. Bumble.
1:05:54
The law supposes that your wife acts under your direction.
1:05:57
But if the law is...
1:05:58
of that, then the law is an idiot. There's
1:06:06
a young woman inquiring for you, sir. Ms. Bedwin,
1:06:09
take a look at this miniature. Can you see who it is? Why, it's Ms. Agnes.
1:06:15
Yes, my Dr. Agnes.
1:06:17
She must have found her way to the workhouse and had the child there. If only
1:06:23
she had told us.
1:06:25
Pardon me, sir, but I have news of all.
1:06:27
What is it?
1:06:28
Oliver's in danger and bad company.
1:06:30
I'm the girl who dragged him back to old Fagan on the morning
1:06:32
who aren't missing from this house,
1:06:34
and I wish I'd never been a part of it.
1:06:37
Me and someone else.
1:06:40
Where's this Fagan's,
1:06:41
and who is this other person you're speaking of?
1:06:43
Take me to him.
1:06:45
I can't tell you, but I'll bring Oliver to you.
1:06:48
Not here. It's far too dangerous.
1:06:50
Will you promise I won't be watched or followed?
1:06:52
I promise you solemnly.
1:06:53
Then tonight, between 11...
1:06:55
and the time the clock strikes twelve,
1:06:57
I will walk on London Bridge and I will bring Oliver.
1:06:59
Very well.
1:07:00
Do you think we can trust her, Mr. Brownwell?
1:07:03
I'm afraid we have no choice, Miss Bedwin.
1:07:16
A child with no one
1:07:19
to take his part.
1:07:23
Take his pot fill, but cross my heart
1:07:29
I won't betray your trust
1:07:34
Though people say I must
1:07:39
My heart will stay true just
1:07:44
As long as he stays
1:07:51
Me!
1:08:26
Good night.
1:08:47
All right, Oliver. Now you stay here with Beth, and I'll look for Mr Brownlow.
1:08:51
There's a good boy.
1:08:54
That's he!
1:08:59
Don't take him back. Let him go, for pity's sake. Let him go!
1:09:02
Why do you look at me like that, Bill?
1:09:04
Give me a why, would you?
1:09:06
No, not you, Bill. Never you.
1:09:08
Why do you look at me like that, Bill?
1:09:10
Let him go, for pity's sake. I was going to say nothing.
1:09:13
Let him go!
1:09:15
It's a dark night, my girl, but it's light number of what I want to do.
1:09:20
Oh, no, run!
1:09:22
Ah!
1:09:26
Those eyes!
1:09:28
Don't stare at me!
1:09:32
Those eyes!
1:09:43
I say you there! Help! Help! Help! He's unconscious!
1:09:51
Did you know this woman?
1:09:53
I came here to meet this poor creature, but as I crossed the bridge, I saw someone walking in the other
1:09:58
direction.
1:09:59
It's Nazi! Somebody's hurt Nazi!
1:10:01
What did he look like?
1:10:02
He wore a black coat and had a heavy cudgel.
1:10:07
Bill Sykes!
1:10:10
After him!
1:10:19
Fagin, Fagin, the games are built a Nazi.
1:10:22
Tarly, Fagin, isn't it terribly?
1:10:24
Not Nazi, it can't be.
1:10:27
Out, boys, out.
1:10:28
Now run.
1:10:34
Fagin, Fagin, what do I do?
1:10:35
Leave up to your name.
1:10:36
Don't be too bad.
1:10:49
Oh, oh, my briefing is the money, follow to the other, no!
1:11:00
Sights! Sights! Sights! Sights! Sights! Sights! Sights! Sights!
1:11:07
Bikes! Bikes! Bikes! Bikes! Bikes! Bikes! Bikes!
1:11:12
Those oies! I knew they'd get me!
1:11:17
Those oies!
1:11:32
There he is! There's the boy!
1:11:42
Come, Oliver, we'll take you home now.
1:11:45
Come, Oliver,
1:11:59
we'll take you home now.
1:12:18
Oh, man, he's got a heart, hasn't
1:12:23
he?
1:12:25
Maybe it's strange, but it's possible.
1:12:30
All more deals.
1:12:32
His companions and treasures I've left them behind
1:12:38
I'll turn leaf over and ink and tell what I may find
1:12:45
Ain't you never seen a toff?
1:13:01
Thank you.
1:13:45
We'll be right back.
1:13:56
Come to yourself, you've got to try to come
1:13:59
There is a lot to stand, do care
1:14:04
What a New York we can
1:14:07
We'll try to be a piece to see some holidays
1:14:10
Thank you, holidays, my crowd
1:14:14
We'll try to meet somebody who put the bill
1:14:18
And the drinks are on the air
1:14:21
Come to yourself
1:14:24
I mean, we've got to have no fuss
1:14:29
For after some consideration we can't speak
1:14:33
Because it's time
1:14:40
What a lot
1:14:53
Thank you.
1:15:20
For more information, visit www .fema
1:15:26
.gov
